The Pleasures of a New Camera

Saturday was another gray, wet day, added to a month of near record-breaking rain. Indoors seemed like a good place to be, but I was eager to try out my new camera. I thought about Seattle’s Volunteer Park Conservatory – should be perfect – so I drove over.

I can’t resist a glass house.  This one is small, well kept and comfortable. Built in 1912 in a traditional Victorian design, it is centered around a central palm house, with a seasonal display house and a fern house on either side. At the ends of the broad, spreading building are a cacti/succulent house and a bromeliad house. For Christmas an old model train is set up in the seasonal house and surrounded by poinsettias – nothing new or novel, but it’s a sweet tradition.

I started in the cactus house.

The new camera is an Olympus, the first Olympus I’ve owned. It’s a micro four thirds, or ILC – interchangeable lens – camera. They’re smaller than DSLR’s but do just about all the same things. The market for ILC’s is growing as the technology improves. The DSLR market is dropping off, but of course the edge is owned by smartphones, Go Pro’s and drones. I’m not ready for a drone or a Go Pro and my smartphone isn’t versatile enough.  I like a smaller camera but compacts don’t cut it –  I want to use different lenses, be able to focus manually, have an articulating LCD screen and a viewfinder – just for starters.

My last camera was a Panasonic Lumix G3, also a micro four thirds. A few months ago the LCD screen died. So every photo I’ve taken for the last couple of months has been kind of blind – I can’t review shots on the screen, can’t use it to see settings – nada. Repairing the screen costs almost as much as replacing the camera (no surprise!). I started looking at alternatives – maybe it was a sign that it’s time for a different camera.

In a local camera store I held an Olympus OM-D EM-5. Very nice. The lenses I already have for my Lumix would fit it.  That’s huge. Then I tried the EM-1 – even nicer! It had a film camera feel, the buttons and grip were comfortable in my hands, it was solidly built, with WiFi and weatherproofing (I can be rough on things).  Though it’s not a new model, the salesman said a huge firmware update was due in November, with many performance enhancements, like focus stacking.  I thought it over, waited, thought some more…

Then Santa came – hurrah! (Santa’s an expert at finding the best deal).

It’s always a learning curve when you move to a different system and this one is a lot more complex than the Lumix. Things got prickly.

At times I felt like tearing my hair out.

I persevered and found a good video online that reviews the camera – that made a big difference. Who writes those manuals, anyway???

I took a few photos around the house, trying to figure out the focusing. Then I went out. It was Christmas afternoon, and I got to the good espresso place just in the nick of time – it was closing early.  (First things first!)

The rain stopped for a moment so I went to the lake, two minutes from the cafe, to try the camera outdoors.

This is straight out of the camera, nothing at all done to it. The camera did well with poor and difficult lighting.

It still felt alien though, and I felt like I had no idea what I was doing.  There are a million options on this camera – for example, you can see in the photo above that I was using the 16:9 image size option, for a long, skinny landscape shot. When you’re not familiar with your camera, finding the button or series of clicks or whatever to change options is torture! I really didn’t want every single photo to be in those proportions. You just have to spend some time figuring it out.

Back at home I started playing with a setting called Art Filter, which I think is unique to the Olympus cameras (other than the hundreds of special effect apps you can download onto your smartphone). There’s pop color, sepia, watercolor, vintage, pinhole, etc. One intrigued me  – soft focus.  I thought it would be good for plants and flowers.

It was. I was impressed with the smooth tones and retention of detail.

I wasn’t using a tripod. That’s impossible in a space like the conservatory. Besides, I’m an impulsive, walk-around kind of photographer. I brought three lenses with me. I quickly removed the 20mm in favor of a macro and used that one lens the rest of the afternoon.

The camera has five direction image stabilization built into the camera, and I think it made a difference. As the day wore on and the ambient light grew dimmer, I could still get sharp detail with very little noise.

 

OLYMPUS DIGITAL CAMERA

On to the other houses –

A fallen Alamanda flower.

The palm house has orchid displays.

 

I framed a photo looking up through a giant Monstera deliciosa leaf.  This is the kind of high contrast shot a lot of cameras would have trouble with – not this one.

The mature leaves have these cool holes and are called fenestrate – the French word for window is fenetre, so there you go! This plant is a vine and an epiphyte. It has aerial roots, and produces tasty fruit, though I’ve never had it.

Went crazy with the soft focus here –

Spanish moss (Tilandsia useneoides) is plentiful in the Bromeliad house, and epiphytes of many types hang from supports everywhere.

I don’t know what this flower is; it was hanging at about face height. It looks like a confection dusted with sugar. The conservatory has many delights – a little waterfall set with ferns, a bog garden with carnivorous plants like the red-edged plant above, Nepenthes alata, other odd plants, and many repeating plants, which lend consistency as you walk through.

The photo below was taken with my phone, looking towards the bog area. You can see what a pleasure this place is on a December afternoon.

I love the way conservatory windows steam up.  Two views from inside are above (without filters or special effects), and below, a view from the outside. A Tilandsia of some kind presses hard against the glass.

And the train set-up – I didn’t realize until I got home how old the figures are. I should have taken more pictures of them. Last year, the train blew it’s horn AND blew smoke, but on this day, no smoke. Still nice! And it was the perfect shot for another art filter  – Diorama.

The conservatory from the outside:

 

I think this camera’s going to be fun.

DRAWING NEAR

Moving in closer,

there are intricate other

worlds

waiting.  How strange,

the way the tiny

fragments morph

through the lens.

And again

on the screen.

Again,

as I make small adjustments – a little less clarity

here,

more detail

there.

Pull down the saturation,

draw the focus in with

a vignette…

the possibilities are endless,

whether you have a lens and

computer,

or not.

Just

look.

 

Consider.

(It’s a kind of worship, isn’t it?)

 

Photos taken at the Bellevue Botanical Garden in Bellevue, Washington.