HINGE TIME

I’ve noticed more darkness in my photographs lately. It’s not just an absence of light, it’s light and dark in contrast, pushing up against each other. A chiaroscuro quality is turning up. I had two thoughts about what might be behind this. One is that there’s more darkness in the photos simply because at this time of year, there is less light. Obvious. The other thought is that the mood of the world is darker these days. And people talk about the need for something positive, for a beam of light to alleviate what seems like endless bad news.

There’s an old Celtic/Gaelic celebration held around the midpoint between the Autumn Equinox and the Winter Solstice, called Samhain. In the northern hemisphere the harvest is ending, animals are brought in from the pasture, the days are growing shorter. This is a turning point toward the dark time of year, a hinge period, a time when the door between light and dark swings freely. A time when we sense that the dark is pregnant with possibilities.

In an older era Samhain was the time to honor the dead with offerings of food and drink and to hold on to the light with ritual bonfires. The solstices and equinoxes (called cross days) divide the year into four periods and the midpoints between them are cross-quarter days. In Celtic life these in-between days tended to be more important than the solstices and equinoxes. Astronomically, November 6th would be the date to observe Samhain because it’s the midway point between the Autumn Equinox and the Winter Solstice. But over time, Samhain came to be celebrated around November 1st. Then the Catholic church made November 1st and 2nd important days in its calendar, merging church feast days with the pagan Samhain celebration. The threads are tangled now. We’re not sure exactly how Samhain was celebrated before Catholicism intervened, but remnants like bobbing for apples and offerings to spirits (or trick-or-treating) are still practiced. The seasonal foundation of the Samhain celebration hasn’t changed; there’s no question that in early November in the northern hemisphere, the chill is on the cheek and the nights are getting long. It makes sense that in times when people lived closer to the bone they were moved to mark this change from light to dark with ceremonies. Our Halloween is a distant cousin to those celebrations.

My photographs from the last few weeks picture dark water, intensely lit skies, long, deep shadows and spots of gold lighting up the gloom. There are dead plants seeding the ground for the future, too, paralleling an old Samhain/pagan custom of dousing the hearth fire and lighting it anew with a torch taken from from the communal bonfire.

I grew up ignorant of other cultures and religions, with no exposure to systems of thought outside of the white Protestant culture in which I was embedded. At school one day when I was about nine, the word “pantheism” came up (with a negative connotation, naturally). I misconstrued it to be a faith based on nature; normally pantheism means finding divinity in everything. The idea of worshiping nature lit my mind on fire. There, I thought, that’s what I believe in! It made more sense to me than what I was being taught in Sunday school but I kept my thoughts to myself. It was enough just to know that somewhere out there, another Way might exist. And for me, it always has. Putting nature first, respecting it, and believing in it, are underlying principles in my life. One way I practice that is by paying close attention to nature, making the images I’m moved to make, and sharing them.

There’s your photographer again, finding herself in a window.

***

A fallen Douglas fir (Pseudotsuga menziesii) lies in a shallow lake on Fidalgo Island. The same tree can be seen here in a March gentle snowfall.
The loop road through Washington Park, Fidalgo Island.
End of day at Bowman Bay, Deception Pass State Park, Fidalgo island. The disturbance in the water near the point of land is a group of eleven River otters (Lontra canadensis) swimming in to shore for a rest.
A Pacific loon (Gavia pacifica) off March Point, Fidalgo Island. The loons are beginning to return to our waters for the winter.
Four Hooded mergansers (Lophodytes cucullatus) ply the waters off March Point, Fidalgo Island.
Fireweed seeds (Chamaenerion angustifolium) in a bouquet at home. (Taken with a macro lens at f2.8, spot metering).
Two boulders and a Madrone tree (Arbutus menziesii) at Washington Park.
A Vine maple leaf (Acer circinatum) decomposing at Rockport State Park. Rockport, Washington.
Tundra swans (Cygnus columbianus) are winter residents in our area. This group of five showed up recently at Cranberry Lake in Deception Pass State Park, on Whidbey Island. They’ve just arrived from the Arctic. (Deception Pass SP spans Fidalgo and Whidbey Islands).
I think this is a Tansy (Tanacetum vulgare) flower head gone to seed. Deception Pass SP, Fidalgo Island.
A strand of Old man’s beard lichen (Usnea longissima) weaves through a bed of Bigleaf maple leaves (Acer macrophyllum). Rockport State Park.
Here’s the Usnea hanging from a Bigleaf maple with a few leaves still on the tree. A Western Redcedar (Thuja plicata) makes a nice backdrop with its blue-green leaves.
Strands of Bullwhip kelp (Nereocystis luetkeana) washed up at high tide and caught on a log at Lottie Bay, Deception Pass State Park, Fidalgo Island. This huge seaweed grows in dense underwater forests just offshore. Technically a complex algae, it’s found in the cool coastal waters of Alaska, Washington, Oregon and California.
A drainage ditch helps regulate water flow between Similk Bay (behind me) and a golf course run by the Swinomish tribe. Fidalgo Island.
The sun is going down, casting golden light on Burrows Channel, seen from Washington Park. The old Douglas fir has a shrubby Seaside juniper (Juniperus maritima) behind it. Lopez Island, one of the San Juan’s, is in the distance.
Pale leaves of a Red elderberry (Sambucus racemosa) appear ghostly in the dim forest light. Whistle Lake, Fidalgo Island.
Three Tundra swans fly over Cranberry Lake. Deception Pass State Park, Whidbey Island.

WITHIN THE BOUNDS

…of a five-mile radius. That is where the shutter button clicked for the images below.

Real travel still seems risky but we are so weary of the restrictions we’ve had to adapt to this year! A release, a reprieve, a relief – that’s what we need. Getting outside works for me. Sometimes I don’t feel inspired but I make myself walk and in the end, there is much to be found that keeps me going, even close to home. So I continue my local forays with a curious mind and a grateful heart.

Here on Fidalgo Island seasonal changes are drawn out and subtle; summer into fall is no exception. Instead of brilliant Sugar maple fire there is a quiet, golden glow in the grasses and leaves; in place of crisp, blue-sky days there is moody morning fog. The delights of freshly-opened flowers are gone but there is pleasure to be had in the following the sinuous curves of drying leaves. The slow permutations of autumn in the Pacific northwest unfold without hindrance, like a meandering waltz spreading limbs through time and space.

These images were made between mid-September and mid October on Fidalgo and Whidbey Islands. The terroir, as the French say, is strongly influenced by water, mild in temperature, thin of soil, and resplendent with natural beauty.

I “beat the bounds” of my own small place on this planet, walking a ragged perimeter of well-worn paths, absorbing the lessons I’m open to, exploring the limits of “my” territory. In England, Scotland and Wales, before maps were readily available, boundary memories were periodically refreshed by walking along and defining them. Beating the bounds and practices like it have probably been around for thousands of years and may be rooted in a similar Roman custom which Wikipedia says honored Terminus, the god of landmarks. But why is it called “beating” the bounds? Because willow or birch branches were slapped on the ground and on the old stone boundary markers, helping to fix parish borders in residents’ minds. Children were brought along to learn the boundaries by whatever means suited those in charge – maybe a firm knock on the child’s head when they arrived at a stone marker could cement the memory. And afterwards the bonds of the community were strengthened by celebrating with food and drink. According to Wikipedia, the custom still exists in some locations, including sites in Germany, France, and even the U.S. Vermont, Massachusetts, Connecticut, and New Hampshire have statutes requiring that certain boundaries are periodically reaffirmed. However, apparently some contemporary versions of beating the bounds don’t include actual walking. Too bad.

Though I’m not necessarily a fan of practices that strengthen the idea of ownership over land, I find much to like in the idea of beating the bounds. It seems to be a way to recognize and celebrate one’s connection to the earth, specifically to one’s locality. We are rooted in the local, nourished by the soil under our feet and the air about us. It’s good to remember that.

3. Bracken fern *(Pteridium aquilinum)* in repose.

4. My bounds include shorelines; on this beach golden leaves were scattered on the sand and tiny shell fragments piled up behind when the tide went out.

5. Madrone trees play a prominent role in my environment. As summer wanes and windy rainstorms appear they fling berries onto the ground. Douglas fir needles make a nice backdrop.

6. Fireweed *(Epilobium augustifolium)* has narrow seed pods that split and curl up to release the seeds. Their leaves curl up too, like corkscrews. Right now, fireweed plants are dizzy displays of circles on sticks.

7. A Douglas fir skeleton at the feet of thriving relatives looks mysterious in the morning fog.

8. Twined Douglas fir trees. They’re the most common tree species within the bounds of my island.

9. A fragile piece of Madrone bark hangs from a twig encircled by a honeysuckle vine. The slow collapse of autumn is indeed a beautiful thing, even in its most mundane details

10. A spider guards its seed pod castle and a ladybug scrunches down into a dried flower head. Small creatures are easily overlooked! I went back to the spot where I found the Ladybug three weeks later. It was still there but wouldn’t move. I think it died there. A sky burial for the Ladybug, how poetic.

11. In mid-September, smoke from distant wildfires obscured the view across Fidalgo Bay. When the sun tried to shine through the smoke it bounced off the water in peculiar ways, creating oddly-colored reflections. Everywhere I went a dull, ochre haze smudged the air. I became obsessed with AQI (Air Quality Index) numbers. I tried to find beauty in the haze but in the end, it never felt right.

12. The single, ruined train car that shares a field with half a dozen cattle looked straight out of an old movie when the smoke settled around it. This is one of the stranger sights seen in my travels.

13. On this October morning my world was smudged by fog instead of smoke.

14. With a little help from the camera, golden Bracken ferns wave in the wind, saying goodbye to chlorophyll-green summer days and hello to the somber tones of decomposition.

15. I thought these were gooseberries but found out they’re Red-flowering currant *(Ribes sanguineum)* berries. This Pacific northwest native is grown in temperate gardens world-wide for it’s beautiful spring flowers.

16. Back at the beach the receding tide left a message written in eelgrass.

17. Monochromed patterns of autumn: grasses on the left, a Madrone tree on the right.

18. Horsetails *(Equisetum arvense)* are leaning closer to the earth now.

19. I found fall color on a small scale in the forest – Western starflower *(Trientalis latifolia)* in a bed of moss.

20. Another Western starflower plant rides out autumn in a soft sea of reindeer lichen *(Cladonia sp.)*.

***

LOCAL WALKS: Whidbey Island Wandering

It was a day of serendipity. I had an appointment on Whidbey Island, our neighbor to the south, and decided to wend my way further south instead of heading right back home. The small, historic town of Coupeville beckoned. I’m sorry I don’t have photos of Coupeville’s charming Victorian architecture or its old wharf and quiet waterfront, but I was beelining to Little Red Hen for espresso and treats. Their too-small-for-COVID-times indoor seating space is closed so people lounged around outside as they waited for their orders, trying to maintain distance on the narrow sidewalk. I ordered an egg sandwich with goat cheese and crunchy fried kale served on their own English muffin. But wait, there’s more! I didn’t pass up the crisp, warm double-filled dark chocolate croissants, nor did I forget to buy a ginger-molasses cookie. You have to stock up when you’re in the presence of a baker who knows what they’re doing.

I found a spot with a nice view and wolfed down the sandwich, sipping a rich, intense macchiato between bites. Yummy. Then, on the way out of town I noticed a place called Ciao Food and Wine. I’d passed it before but never checked it out. It was time to investigate. Inside, a chef was frying garlic in olive oil only steps away from shiny displays of high-end Italian deli treats, the like of which I hadn’t seen in several years. I spent my formative years in New York, where Italian food reigns, and foods like like ricotta salata and sfogliatelle are comfort food to me. I miss that now and realize that I took good Italian food for granted, so I couldn’t stop smiling as I chatted with the salesperson, chose a wedge of cheese and a pretty pastry, and tucked a menu in the bag, in hopes of tempting a certain someone into coming back with me for lunch.

Treats in hand, I thought I was heading home but serendipity intervened again. The sky darkened with dramatic clouds to the west so I swerved off the highway in that direction to find a better view. The road led to Ebey’s Landing National Historic Reserve, a generous parcel of land along Whidbey’s Island’s western shore that features gorgeous views with a side of local history. Colonel Isaac Neff Ebey was an early settler on the island – or should I say, an early white settler. He brought his family over from Missouri and began making a life amidst conflict and hardship. Before he turned 40, Ebey was killed by members of a northern tribe (most likely Tlingit) in retribution for the death of one of their chiefs during a battle between a large tribal party that came down from their territory to effect a slave raid. Traditionally, a number of northern tribes took slaves from other tribes to establish wealth and rank but now, with whites in the picture, the scenario didn’t go as planned. Many people, including a chief, were killed by U.S. Navy sailors in what is known to whites as the 1856 Battle of Port Gamble. A small number of Tlingit men who were captured were eventually returned to their homeland, and again following tradition, they planned the revenge raid that ended in Ebey’s death. (He was actually not the target but ended up being a convenient mark for the tribe, as he was home that day and the doctor they planned to kill was not).

A few years later Ebey’s brother and cousin constructed a public house so his two sons would have a means of support. The handsome structure still stands, overlooking the broad fields that swoop down to a shoreline that once bustled with ferry traffic. The absorbing history of the Ebey family includes stories about Colonel Ebey’s role in the Oregon Territorial government, the death of his first wife from tuberculosis, and rumors about Ebey’s scalp, which was held by the tribe for a time, then sold to a fur trader and returned to the Ebey family. After that, the exact location of that sad remnant of a tragedy is murky; the trail runs cold in California.

Engrossing history aside, that day I was just looking for fresh air and stirring views.

In fact, the air was so fresh it was bracing. I found a trail passing the austere, slate gray house and tracing the edge of still-tended fields out to a bluff overlooking Admiralty Inlet, where the Olympic Mountains pile on top of one other across the cold, choppy water. I quickly regretted not putting my hoodie on – the chilly wind whipped my hair in my face and bit at my ears. Invigorated, I paused on the bluff with my back to the gale and watched clouds ride the wind and switch places across a vast, shifting, gray-blue panorama. The beach below was strewn with driftwood logs and an occasional walker could be seen braving the wind. A few wildflowers waved their heads frantically and ravens tore across the sky, slicing it every which way. Then a family approached, triggering my retreat.

Going back was shorter, as it always is, so instead of scurrying to the car I stopped to peer into the gloom of Ferry House. I couldn’t see much inside – the light was against it – but what I saw in the windows made up for the murky interior. The dramatic, cloud-darkened sky swirled around in the glass. A window on the far side of the house appeared like a beacon and my own reflection, broken up by repeating rectangles, disappeared into an abyss of light.

***

FURTHER AFIELD: An Afternoon in the Mountains

I’ve been longing to go up into the mountains. On a calm Monday two weeks ago, the smoke had cleared and the weather was favorable, so we headed out to the North Cascades for a stroll around a pristine alpine lake. At 4300 feet (1310m) Bagley Lakes isn’t the highest hike in the Mount Baker area, but for us, it was a welcome change of scenery, from an island at sea level to a mountain’s dramatic peaks and valleys.

1. On the way. The first glimpse of mountains in the distance is always exciting.

2. Mt Shuksan and Hanging Glacier, seen from Heather Meadows on the flanks of Mt. Baker. At the lower left is White Salmon Lodge (a ski base).

Mt. Baker is a favorite destination for hiking, climbing, snowboarding, skiing and other recreational pursuits. The highest point that vehicles can access is at the end of a series of steep switchbacks that climb the mountain’s north side. The final 2.7 miles is under snow most of the year and only opens in the summer. It takes road crews two to six weeks to dig through the 30 – 50 feet of snow that falls up there. Depending on conditions they could finish in May, or it might be August before the last section opens up to visitors.

At the end of the road is Artists Point, a huge parking lot with an array of trails leading into the rocky wilderness beyond. Even on a weekday in September it’s a very popular place, so we decided to leave the road before the top and hike a little lower. It was a good choice; our trail wasn’t deserted but it wasn’t busy either. We had some space.

As we set out on a loop trail around lower Bagley Lake, I could feel the anticipation building. When I’m in the mountains my feet want to leap ahead, my mind races and my spirit soars. I have to consciously bring myself back down to earth – at least enough to sense the rocky path under my feet. Over and over that day, I reminded myself to watch where I stepped, slow down, and be careful. And over and over again, I felt the exhilaration of simply being alive in such a beautiful, humbling place.

6. This woman left the trail and got serious about picking. We ate as we went, reaching out to pluck the plump, ripe berries and pop them into our mouths whenever the desire moved us.

7. For about 8 months each year this lake is under snow. Unofficially, the Mt. Baker ski area is said to have the highest snowfall of any resort in the world – on average, 53.4 ft (16.3m) per year. The mountain summit is 8 miles away from this spot, as the crow flies.

8. Wildflowers can still be found in September. a) Pearly Everlasting *(Anaphalis margaritacea)* lines the trail; b) Fringed Grass of Parnassus *(Parnassia fimbriata)*; c) Mountain arnica *(Arnica montana);* d) an Aster, perhaps *Aster modestus*; e) Lewis’ monkeyflower *(Erythranthe lewisii)*.

9. One plant that always catches my eye in the mountains is the Corn lily or False hellebore *(Veratrum viride)*. Though it grows at low elevations, I usually find it in places like this wet alpine meadow. The plants were long past flowering but their leaves are the draw for me. Each plant was in a different stage of artful decay. Click the images for a closer look.

11. This old tree has seen weather that I can’t imagine.

12. Battered by the elements, Douglas firs still stand tall.

13. Rocks…the first time I hiked at Mt. Baker I tripped on a rock and went down hard, breaking my arm, injuring my knee and scraping my face. This time I did better – I appreciated the rocks without having to bang up against them. a) A rock supports stunted blueberry bushes and green Partridge foot *(Luetkea pectinata)* plants. b) Faults and lichens made this rock face interesting. c) More lichens paint the rocks.

14. We were excited to find one of the few rocks we can name by sight along the trail: columnar basalt. Blocks of it were put to good use on the trail, for support and as stepping stones across streams.

Here’s a link explaining how these amazing rock shapes form. The rock reveals the volcanic origin of the area and in fact, Mt. Baker is an active volcano. In 1975, Koma Kulshan (an indigenous name for the mountain) emitted steam when magma intruded somewhere deep under the mountain. The steam melted a huge hole in the glacier at Sherman Crater, below the summit. A stunt pilot was enlisted to fly scientists as close to the active crater as possible so they could photograph and study it. Seismometers were installed and campgrounds below the active crater were closed for the summer, but thankfully, no eruption occurred. Now, systems and procedures are in place in case the mountain erupts. The local county sheriff’s website has instructions for what to do in case of an eruption, noting that there WILL be warnings, in the form of “days or more of increased earthquakes.”

15. Like a giant’s building blocks, these enormous rock cubes tumbled down during some long-ago disruption, landing in a lush bed of wildflowers and grasses.

16. A sturdy stone bridge crosses the spot where a creek connects upper and lower Bagley Lakes. Two straight-sided boulders nearby offered a fine spot to sit and devour my lunch. Just beyond the bridge American dippers (small, dark gray birds) actively pursued their own lunch – under the water.

17. a) A dipper (also known as a Water ouzel) poses on a rock before scooting into the water. b) Dippers actually dive for prey. It’s strange to see a perching bird so comfortable in the water. c) This human can’t identify this caterpillar but no matter! d) A Purplish copper, a common butterfly of wet meadows and streamsides. e) Hoverflies (Family *Syrphidae*) look like bees, tricking foes into staying away.

18. Fallen trees in every stage of decomposition litter the steep hills. This one was adorned with sprightly Lady ferns (*Anthyrium felix-femina*).

19. A parting view of stately Mt. Shuksan, a 9,131 foot-tall massif (i.e. not a volcano) that’s beloved by climbers, with 14 different ice and rock routes to the craggy peak. We will leave that for the technical climbers. They get the supreme views but we get the blueberries.

***

RETURNING TO ABSTRACTION

The title of this post has two meanings: first, it’s a return to abstraction because I published a post featuring abstract images earlier this year. Second, like many people these days, I find myself drifting back to the past. Aesthetically, the past for me means abstraction. As a child I was shown the standard representational fare, some of it very beautiful, no doubt. But change and rebellion were in the air by the time I went to college. I refused to attend a typical college and enrolled in a New York City art school instead. There, minimalism, conceptual art, installations, land art and performance art ruled. Fully immersed in that culture, I was very happy.

A thread had been dropped though, and it wouldn’t be picked up until much later. I never forgot that nature was vital to my being, even in a decade of full-throttle, staccato, subway-riding, sensory-overloaded life in the city. Nature just rode along quietly for a while, breathing gently like a hushed tide. When I moved out of the city the tide came in. I gardened, watched birds, learned botanical illustration, and eventually began wielding a camera to record the beauty I saw everywhere.

That brings me to the present, a present in which I joyfully hone my skills making photographs of lichens, landscapes, and everything in between. But abstraction lives. The habits of seeing that were refined in galleries, in classrooms and on the streets of New York may not be obvious in my work, but they underlie many decisions made behind the camera and at the computer.

In the spirit of creating something new while working with the past, I’ve been making drastic changes to photographs in my archives. I’ve been abstracting them and therein, I’m finding new delights. As Wikipedia notes, abstraction “strictly speaking…refers to art unconcerned with the literal depiction of things from the visible world—it can, however, refer to an object or image which has been distilled from the real world…” And that’s the space these images inhabit – the distillation and reshaping of the original image toward a new vision.

I’ve been following a deviant route when I work with the photos on my screen. Before jumping into processing I get a feeling for the whole image. Then, instead of proceeding to refine what is there, I wonder what else is in the image. What can be extracted from it? What does it say? What permutations are waiting to be uncovered? Where can I take it?

A paper appeared in my inbox one day that discusses a different, more philosophical approach to the photographic experience. Reading the paper, which was written by an art education professor, I stepped outside the world of photographers talking about photography for a moment. I realized that viewing photography through a different lens (sorry, I can’t help it!) could facilitate breaking habits. I thought about taking my typically representational images and mutating them.

“The encounter then operates as a rupture in our habitual modes of being and thus in our habitual subjectivities. It produces a cut, a crack. However this is not the end of the story, for the rupturing encounter also contains a moment of affirmation, the affirmation of a new world, in fact a way of seeing and thinking this world differently.” Thinking Through the Photographic Encounter: Engaging with the Camera as Nomadic Weapon by Cala Coats. Nomadic in this sense refers to boundary-blurring, creative, alternative ways of being in the world. As a nomadic weapon the camera assists the photographer in engaging with the world directly, resulting in new insights.

In this excerpt from her paper Coats is quoting Simon O’Sullivan, an artist and professor at Goldsmith’s University, London. A brief scan of some of O’Sullivan’s work turns up references to disrupting habits of living in linear time and building platforms to access “somewhere else.” There are statements like this: “The infinite is not a transcendent horizon but the very ground of existence.” He discusses “minor arts” (e.g. performance art as opposed to painting) as art forms that are always in process, always becoming: “…a minor art pushes up against the edges of representation; it bends it, forcing it to the limits and often to a certain kind of absurdity.” Whether he considers photography a minor art or not is immaterial; his ideas sparked a fresh perspective in my mind.

Is the camera only a representational tool? Certainly not. It can be a launch pad for a trip to an unknown place. If seeing the world with fresh eyes is desirable, then how can wielding a camera disrupt habitual ways of seeing? What can the person behind the lens do to break the spell of look-click-look-click-look-click? And later, what can the person tapping the keyboard do to break the spell of contrast-up-highlights-down-sharpness-up, etc.?

***

Instructions to Self:

Pare the RAW file

down to a sketchy suggestion of what

might have been, what

could be.

Rupture the railroad-straight line between

clicking the shutter and

the final file.

Find a crooked way, a way that

hesitates, races forward, wanders back,

uncovers new shapes, unfolds fresh colors,

unmasks smudgy tones, reveals deeper feelings

and ideas. And do it all

with joy.

***

LOCAL WALKS: Two Walks by the Water

This post focuses on two places I return to frequently: one is at the island’s edge where land meets water, the other is inland, where a forest surrounds a lake. Water bodies have powerful effects on land, nourishing life with mist and fog, altering temperature, favoring particular plants and animals, and modifying the land itself. Bodies of water have profound effects on humans too, of course. Not least is the impact water has on our emotions. A lake I visit refreshes my mind even when barely glimpsed through the trees on a hill far above it. Reflections on the lake’s surface mesmerize me as I slowly ply the shoreline path. Along the island’s edge a larger body of water soothes my nerves, pushing waves that lap at my feet as I walk along the pebbled beach. Round stones roll and clatter when the water sucks them back, delighting my ears.

Walking by the water is restorative. I was in danger of taking that for granted until this month, when smoke-ridden, unhealthy air forced me to stop my outdoor walks. I didn’t think we would be shut indoors for so long, peering through closed windows at a landscape dulled by dirty air. I didn’t think the leaves on the Bigleaf maples could be so still for so long, or the birds so silent. That’s what happened though. And unsurprisingly, I got restless. For the past week I’ve made brief escapes by car, running the air conditioning (which I normally would not do) and gaping at horizons smudged down to nothingness. One normalizing errand I can do is to visit the drive-up espresso stand – but even that activity has been fraught. On the worst days, when the air quality index soared into a dangerous category, I would roll my window back up after ordering, roll it down again to grab the drink and up again while the masked barista smiled with her eyes and ran my card. Once she offered to add the tip and sign the receipt for me, so I wouldn’t need to roll the window down again. I worried about her, exposed to the “very unhealthy” air for hours on end.

But how lucky we both are, not to have lost our homes like so many others here on the increasingly hot and dry West Coast of America, the country that turns its back on climate change action and continues down a path which, if not altered, will create an unimaginable disaster. It will be a cowardly new world populated by the descendants of people who didn’t have the courage to act when it was necessary. I’m aware that I don’t help matters by using my car when I don’t absolutely need to. We all make compromises and do our best. We are living in strange times.

Today I’m going to spread a little beauty around. Maybe it will bring a measure of relief to you as you worry about what’s going on in the world, wherever you are. Water and its environs – drink it in with your tired eyes and breathe a long sigh. And maybe do one small thing today, to tip the scales the other way.

1. A stipe (stem) of Bullwhip kelp *(Nereocystis luetkeana)* afloat in the shallow water of Rosario Bay. Deception Pass State Park, Washington.

2. Wind-sculpted Douglas fir trees and morning fog, August, Rosario Bay.

3. The Maiden of Deception Pass. She was carved from a Western redcedar as a joint Samish Tribe-Skagit County project. Here story can be found below, at the end of the post.

4. A Great blue heron *(Ardea herodias)* stalks its prey on Rockweed-covered rocks in Rosario Bay. I wish this bird good luck on this foggy morning.

5. Rocks are tumbled smooth by four tides a day at Rosario Beach.

6. A young Cooper’s hawk *(Accipiter cooperii)* perches on a tall Douglas fir and surveys the scene up on Rosario Head, a bald above the bay.

7. Hopefully this little Townsend’s chipmunk *(Tamias townsendii)* can evade the hawk’s talons. It ate calmly while I stood nearby but scrambled under the driftwood as soon as I moved.

8. A dew-covered Fireweed seed *(Chamaenerion angustifolium)* caught on a blackberry bush, a Belted kingfisher *(Megaceryle alcyon)* perched on a piling, Bullwhip kelp floating by the pier.

10. Fog formed, evaporated and formed again as I meandered spellbound among the driftwood logs.

11. At Little Cranberry Lake on a quiet July afternoon, a small island turns golden.

12. A tree that fell into the lake long ago sprouts a tuft of grass.

13. Beavers have been busy around the lake. The south end was flooded and now, dead trees wait their turn to crash into the water.

14. As I pick my way along the rocky, rooty shoreline, the water casts its spell.

15. Golden grasses sway on a bluff overlooking the lake.

16. Sword ferns (Polystichum munitum) throw lanky shadows across one another in the forest.

17. Long after they have dried up, papery Pearly everlasting flowers (*Anaphalis margaritacea)* continue to grace an opening in the woods above the lake.

18. Rose hips on a Baldhip rose plant *(Rosa gymnocarpa*), Field mint *(Mentha arvensis*) growing right at the water’s edge, a man fishing with his young children holds a small Sunfish up for the camera before tossing it back.

17. Douglas for branches dip their tips toward the water.

18. Tall, dense trees don’t let much light into the forest. Dew coats the dried flowers of Ocean Spray (also called Ironwood) *(Holodiscus discolor)* tracing a lacy filigree of light.

19. Thousands of midges, perhaps just hatched, swarm over the water at Little Cranberry Lake. Many will mate and many will be eaten.

20. Back at Rosario Bay, the view from Rosario Head is obscured by fog. Boat trails glow on the water’s surface long after they’re out of sight.

***

The story of the Maiden of Deception Pass. Ko-Kwal-Alwoot was a beautiful Samish Indian girl living in a village at this site. She was gathering seafood one day when a young man from beneath the sea saw her and fell in love. But when this man of the sea asked her father for her hand in marriage, he refused, for fear she would drown. The young man warned Ko-Kwal-Alwoot’s father that the seafood would disappear unless she married him. When his warning proved to be true, Ko-Kwal-Alwoot’s father granted permission for the marriage. The beautiful woman waded into the sea to join her new husband. Once again the seafood returned and was plentiful. Ko-Kwal-Alwoot returned to her people once a year for four years. Barnacles had grown upon her hands and arms, and her long raven hair turned to kelp. Chill winds followed wherever she walked, and she seemed to be unhappy out of the sea. Seeing this, Ko-Kwal-Alwoot’s people told her she did not need to return to them. Since that day, she has been the Samish Tribe’s guiding spirit and through her protection there has always been plenty of seafood and pure, sweet springwater. From the Anacortes Museum and Maritime Heritage Center

***

FURTHER AFIELD: The Boulder River Trail

The green island where I live is brimming with lush parks, but as much as I enjoy the beauty here, my restless spirit keeps spinning dreams of the mountains, where up is higher, down is lower and vistas are rugged and vast. Late summer is a perfect time to venture inland, to places like Mount Baker in the North Cascades or Hurricane Ridge, high in the Olympic mountains. Those two places have been teasing my brain for months and we could visit either one – they’re two or three hours away. But it’s prime time for visiting parks and crowds don’t appear in the pictures in my mind. When the summer frenzy abates there will still be time for those trips. In the meantime, last week I was looking for an alternative, an easy hike that doesn’t require too many hours on the road. I came across the Boulder River Trail and we decided to give it a go.

The trail leads through a forest surrounding the rushing waters of Boulder River, which tumbles down from a remote lake, high up on Three Fingers Mountain, where three jagged peaks rise 6,500 feet above sea level. Following an old railroad grade on the side of the canyon, the trail enters the Boulder River Wilderness, where 49,000 acres of forests and mountains are distinguished by wet conditions (twelve feet of rain annually), thick vegetation and steep terrain. The river plunges down three separate waterfalls on the way to its confluence with the larger Stillaguamish River. One of those waterfalls is the big draw for the hike.

The first waterfall is noisy Boulder Falls, which can be heard but can’t be seen without descending off-trail through thick woods. The next waterfall is the prettiest and at just over a mile from the trailhead, requires the least effort. Some sources say it has no name but others call it Feature Show Falls. Just don’t disagree about the directions and I’ll be fine!

1. The road to the trailhead is overhung with mossy Bigleaf maple trees.

Feature Show Falls is a lovely, 180-foot-tall double cascade that runs all year, unlike some waterfalls that dwindle to a trickle in summer. The hike isn’t long but you pay a price for that: the trailhead is at the end of a pot-holed, gravel road. Happily the road is only four miles long. Many Pacific Northwest trailheads can only be reached after navigating cratered roads at a snail’s pace for at least an hour. The relatively easy access and non-strenuous hike appealed to us. Even better, a mile up the road there is a well-built vault toilet with lots of toilet paper and a door that locks. Just when you need it!

We were relieved to see only three cars at the trailhead when we arrived on a Thursday morning at about 10:30. We set out under a stunning canopy of moss-hung Bigleaf maple trees, with golden light angling down from high overhead. Our packs held plenty of water and snacks and our masks were stuffed in our pockets. I had a new, wide-angle prime lens on my camera that I was eager to use. Unfortunately, I had left a circular polarizer on it the day before and didn’t notice it until well into the hike. It’s frustrating, but who hasn’t done that? If I’d known the polarizer was on the lens I would have turned it for the best effect. In some cases I would not have wanted it – our forests can be very dim, even in summer. Some photos were beyond saving and others needed a lot of help in Lightroom but, c’est la vie!

3. This forest was logged many years ago. Western hemlock, Douglas fir, Western redcedar and Bigleaf maple are all plentiful. Slopes are very steep but timber is valuable, so back in 1909, eight miles of railroad track were laid into the woods here. It’s hard to imagine how they did it. Further into the forest, the trees were spared because the going got too tough.

4. We admired this well-worn boardwalk across a wet section of trail. It’s made with thick planks of Western redcedar, once felled and split for cedar shakes and shingles but now left to grow tall and play its part in the great scheme that is life, here in this one particular slice of our earth.

The trail is mostly level as it traces the old railroad grade cut into the face of a steep slope. Nature proceeds unhindered here. Trees fall and rot in place, returning nourishment to the soil, with its wealth of fungal networks that in turn, nourish the plants above. Of course, some trees fall right across the trail and if they’re too big to remove, you have to climb over or under – whatever works. We were awed by the size of the fallen giants, especially two conifers that fell across the trail right next to each other. There was very little space underneath them but they seemed way too big to straddle. I handed my pack and camera to Joe and took the awkward way, crawling under the log. A pass of the packs and it was his turn. At times like these, I think, “Will this be the moment when the big earthquake we are overdue for finally happens?” The funny thing was, on the way back we noticed that someone had cut large notches in the tops of the two trees, making it practically a walk in the park to climb over them. We hadn’t studied the situation well enough on the way out, or maybe we’re just not experienced enough to know to look for those handy notches. Swinging up and over wasn’t so hard and it was much nicer than crawling across sharp rocks!

6. The first of many trees to duck under or climb over, this one doesn’t need notches because there’s plenty of room to walk under it. The tree further down the trail can be walked around.

7. Another place I don’t want to be when the big earthquake hits. The notch is near the rock on the right; the second tree is hiding behind this one.

8. This piece of tree trunk plunged into the earth like a spear and then stayed there. I pushed and it hardly gave at all. It must have hit the ground with formidable force.

9. Sword fern shadows, a gentler side of the forest.

10. Like someone having a bad hair day, this frond on a Deer fern *(Blechnum spicant*) twists and turns every which way. Deer fern has two kinds of fronds – spore-bearing and sterile. The bright green sterile fronds usually grow low to the ground, like in the photo below. The spiky fertile fronds rise from the middle, standing straight up at first but contorting into wild shapes when they’re ready to release their spores. Yes, deer eat these ferns.

11. Stairstep moss *(Hylocomium splendens)* in filtered light, a single berry on a Hooker’s fairybell plant *(Disporum hookeri)*, and a young deer fern spread out on the ground like an octopus.

12. A Pine white butterfly *(Neophasia menapia)* moved slowly enough for me to get a sharp image but in the end, I like this partly blurred one better. By this time I had switched to a macro lens.

13. This sculptural arrangement of roots and rock consists of at least one mature Western redcedar tree growing on an old, Western redcedar stump that grew on a large rock. To give you an idea of scale, the rock is big enough to sit on comfortably, with your feet barely touching the ground and your head two feet below the top of the stump.

14. Maidenhair fern *(Adiantum pedatum)* flourishes on moist rock walls. Unlike Sword fern and Deer fern, it’s not evergreen and the leaves were getting ragged. It’s not white, of course, but is fairly light in color, especially compared to evergreen ferns. I’m fond of the circular growth pattern.

15. Vine maple (Acer circinatum) prefers consistently moist environments so I rarely see it where I live. I was happy to see it growing here, even if some of the trees (technically they are large shrubs) were insect-ridden. Vine maple’s closest relatives are Japanese and Korean maples and like them, it is a graceful, delicate tree.

16. The forest is full of old trees; many of them have rotted. This mushroom, probably a Red-banded polypore (*Fomitopsis pinicola*) was one of the biggest I’ve ever seen. Black and white emphasizes the sinuous curves.

We heard the enticing roar of Boulder Falls, then rounded a bend and climbed an incline. Feature Show Falls was in range. After all, we were hungry so we must be near the end! We had taken far longer than the other six or eight hikers we saw. There was so much to admire – moss-covered trees disappearing into the canopy, filtered sunlight picking out leaf details, late-blooming wildflowers, six kinds of ferns, a dark, hollow tree with white, dew-dotted mushrooms inside it, huge stumps with loggers’ springboard slots cut into them…and finally, the waterfall appeared through the thick foliage. The trail had narrowed and footing was precarious in places. As we picked our way carefully across rocks and roots, we glanced across the deep ravine, getting bits and pieces of the falls. Eventually we arrived at a wide opening on the side of the ravine. A conveniently placed log offered a spot to sit while we ate lunch and listened to wild streams of water tumbling down 180 feet of rock to the Boulder River below. A rough trail leads steeply down to the river but we were content that day to just sit and listen.

16. There were no vantage points to see the whole falls, top to bottom and right to left, without descending to the riverbed. I worked with what I had. This view is through the moss and lichen-covered branches of a Bigleaf maple tree.

17. The air was cool and fresh and filled with tiny insects flying back and forth in the charged air next to the falls. Leaves fluttered from breezes let loose by the force of the water. Fine threads glinted and wavered, catching the light – they were spiderwebs, strung high over the river from tree limbs. Only the rocks were still.

18. A view through graceful Western hemlock branches.

***

LOCAL WALKS: Benign Neglect

Are you ever curious about an empty lot that you’ve passed countless times? Maybe an abandoned building or a field exudes an aura that captures your attention. Not far from my home there’s a tract of land next to a highway that I used to wonder about. Last June my curiosity intensified when masses of wildflowers appeared there. Tall, magenta flowers ascended a rocky cliff next to the highway. More flowers marched across the ridge top but beyond that was anyone’s guess – I could see no further. I really wanted to know what was up there! Each time I drove by I strained to see where the overgrown gravel road leading into the property went. A chain was strung across the bottom of the road and a “For Sale” sign sat next to it for months. Then the sign was removed, adding another question: did someone buy the property? As the height of summer approached and the profusion of foxgloves and daisies grew more colorful, my brain tingled with visions of what might be up there. I fantasized about gathering a bouquet of wildflowers and carting them home to enjoy all day long.

So I convinced my partner in crime to explore – well, to trespass – with me one fine, June day. We pulled into the gravel drive and parked off to the side. I thought at best we might look like potential buyers, at worst we were trespassing. I figured I could probably finesse the situation if anyone came along and questioned us.*

But no one did. What a sight it was up there! The land appeared to be a large parcel that someone began clearing years ago, perhaps to build a house or a development. Maybe the money ran out and the project was abandoned. The land is nothing more than three little contour lines on a topographic map – but as we climbed the hill, a network of undulating fields, rock outcroppings and woodlands unfolded before us. Small groves of blackened, dead trees and burned rocks told us a fire once ripped across the ridge. Summers here are very dry and fires can flare up quickly, but this one appeared to have been put out before it did much damage. Scrambling up a rock outcrop, I saw a slice of blue water surrounded by firs in the distance, a view that must have sealed the deal for the buyer.

Here are photographs from that delightful June afternoon. Benign neglect has allowed a whole community of plants, insects, animals, and birds to thrive in this patch of land beside a busy highway. The living beings here appear to be doing fine without any human interference. Each expresses its individual nature even as the whole blends into a hidden, human-free Arcadia. To my mind, the sky and clouds together with the land and its inhabitants are breathing a symphony into existence. After spending a few hours up there, I could only respect the fabric of the landscape for what it was. I hoped the human hand would continue to play a very minor role in the landscape. Imagine how nice that would be.

2. A stand of Douglas fir trees shows what fire can do. The low branches of young trees would have quickly caught fire, causing the entire tree to become engulfed. Mature Douglas firs tend not to have branches at the bottom, making it harder for flames to travel up the tree. They also have very thick bark that protects them from fires. Many of the oldest Douglas firs on Fidalgo Island sport charcoal-black scars from fires past, but they are still going strong.

10. A profusion of Foxgloves and daisies among charred trees and branches.

12. A tiny Rufous hummingbird resting high in a tree watched us carefully. (I didn’t have a zoom lens with me so I did the best I could).

13. This field has scant shade, a result of logging and fire that created optimal conditions for sun-loving grasses and flowers like Foxgloves and daisies. Soil disturbance from logging probably prevented native plants from gaining a better foothold, though the field does contain some natives. Many non-native plants favor disturbed soil, which is why you often see them on roadsides and vacant lots. But what an effective combination this is, aesthetically – Foxgloves for height and color, daisies for mass, and grasses to tie it all together. These attractive flowers arrived without conscious human help and established themselves artfully. A garden designer might be envious.

15. I didn’t see the tiny insects on these flowers until after I got home and imported the photo.

16. Campbell Lake is in the distance. I believe the rust-colored moss was burnt in the fire.

17. Fresh green moss grows in patches where the ground is still black from the fire. The lands heals slowly.

19. It looks like the older Douglas firs here will make it. If the land is left to its own devices, new Douglas firs and a procession of plants and animals will appear over the years. But chances are, sometime in the next decade or so this land will be turned into houses and roads.

***

* I don’t advocate trespassing. In this case, I had enough familiarity with the land and the larger environment to feel that it I could probably walk on the property without harming anyone or anything. Strictly speaking, I should not have wandered up there.

MID-AUGUST

Something about the middle of August always inclines me to take a small step back and ponder the passing of summer with a sigh. The onward unfolding of seasonal changes never hesitates, always moving forward. The transitions are incremental; some obvious, some almost invisible. Here in the Northern hemisphere, by the middle of August the green machine is winding down. Leaves drop onto the ground. Dry grasses sparkle in the sunlight and berries ripen. Gardens are lush with tall, joyful blooms that have grown up together into fine, tangled bouquets. Young birds fending for themselves still beg from their parents now and then, fluttering their wings and peeping. Who can blame them? Fawns follow does to the best munching spots, which are too often on the wrong side of the road when I’m driving. Along the waterways shorebird migration is ramping up but lakes are placid and calm, perfect for canoes and paddleboards. Mid-August is also the time when hurricanes form and wildfires flare up with a vengeance, just as people disperse for a final summer sojourn.

You may be thinking about sights, sounds and smells that signify late summer in your neighborhood, or the news of California wildfire evacuations and floods in China. Looking out the window, I notice the light is a shade gentler and Bigleaf maple leaves have traded the fresh brilliance of spring for softer, warmer hues. We’re losing light as the days shorten. Summer’s riotous colors are just beginning to fade, another sign of the transition toward fall. The signs are subtle now. Next month will be another story.

So, in honor of fading light and quieter colors, here is a series of photographs from the past month. The images speak in tints and tinges instead of strong colors. I’ll throw in a few outliers to keep you from drifting off.

1. Pearly everlasting *(Anaphalis margaritacea)*.

2. Driftwood shelters get more elaborate every year. This one was encountered one cloudy afternoon on Whidbey Island.

3. Grasses, Queen Anne’s Lace and Curly dock *(Rumex crispus)* brighten a roadside field.

4. This thin-soiled area near the shoreline always dries out early and the Madrone leaves are already thick on the ground. On the trail they’re crushed to bits but here they make a lovely tumble.

My first post here was published in the middle of August, in 2012. I uploaded two photos and wrote, “Earth holds its breath for a few days – everything is still, heavy with light and summer dreams, waiting to move forward into autumn.” Noticing the nuances of seasonal change has always kept me grounded and recognizing summer’s impending dispersion into fall seemed like an appropriate way to begin this ecocentric blog.

You could make a case for eight seasons if you include the transitions from spring to summer, summer to fall, fall to winter and winter to spring. Each shift from one season to the next has its own sensory perceptions: the slightly earlier dawns and swelling buds in February, the decomposing leaves and chill in the air in November – the more you think about it, the more signs you’ll find. Some transitions may be more remarkable than others – for example, as we anticipate spring we search for every little sign that it’s on the way. For me, summer-into-fall stands out as a time when, as I said above, I step back and observe what’s happening in nature with a sigh. Why is that?

The social worker in me suspects that it’s because of a series of events that took place at this time of year. An unexpected, violent attack on a mid-August day, the year I graduated from high school, left a legacy of mute terror that effectively froze the feelings of a moment in time to the sensations of the season when it occurred. After that, every time the middle of August rolled around I would remember that difficult time, first as a vague discomfort, then more consciously. Then fifteen years later on another mid-August afternoon a drowning accident in which I tried, but could not save a friend’s life darkened the season again. I couldn’t bear to see autumn approaching that year – every falling leaf meant I was farther from the time when my friend was alive. I just wanted time to stand still. Four years after that my father died suddenly, in mid-August. The month filled me with foreboding – what next?

But time undercuts the fear, softens the jagged edges and lends perspective. I may still be acutely sensitive to the hallmarks of late summer – the slight damping-down of light, the first scatter of leaves on the grass, the torpor of stillness on hot afternoons, the absence of birdsong. But it doesn’t put me on edge as much. In fact, the tiptoe beginnings of autumn’s inward turn can feel like a respite after the wild ebullience of spring and early summer. After all, better light for photography is on the way! Vague feelings of unease may surface from time to time but on balance, I know it’s not good or bad, this time of year. It is what it is, as the saying goes. Well, maybe it’s good. Yes, if anything, it’s good.

5. The Sauk River: slow and shallow in late summer.

6. Madrone trees (Arbutus menziesii) shed their bark.

7. Bracken fern *(Pteridium aquilinum)*, the word’s most widespread fern (according to my ‘Plants of Coastal British Columbia’ book) is changing color.

8. Layers of Madrone leaves: this year’s on top of last year’s.

10. A Great blue heron *(Ardea herodias)* fishes from a Bullwhip kelp bed (*Nereocystis luetkeana*).

11. A pair of Barn swallow fledglings (*Hirundo rustica*) being fed on the pier at Bowman Bay.

12. Two families of River otters *(Lontra canadensis)* returned from fishing in Bowman Bay on this foggy August morning. A Bald eagle harassed the group at the top but was unsuccessful. I cheered as the littlest one, barely keeping up with the others, made it safely to the wetland.

14. Eelgrass catches on the trees on the shoreline during extra-high tides and then remains there slowly being bleached by the sun.

15. Lichens on driftwood, a Madrone leaf with dew, shadows in the gravel bya river and a weathered Madrone branch on a bed of grass and Reindeer lichen (*Cladonia sp.*).

17. This tiny crab was not happy with me.

18. The calm waters of Little Cranberry Lake.

19. A Common (or Fringed) willowherb *(Epilobium ciliatum)* going to seed.

20. The beginnings of fall color on a Bigleaf maple (Acer macrophyllum) leaf.

***

ABSTRACTION

“Abstract” is a familiar word that is worth prying open and thinking about. It’s from the Latin abstractus, which means drawn away. Abstrahere (the verb) is defined as “to drag away, detach, pull away, divert.” The abstracted idea or object is dragged away from its physicality, diverted from its origin. In art, the word abstract has come to describe work that does not intentionally reproduce reality. Likewise, in photography, an abstract image does not depend on a real-world referent but relies on shape, light, form, and/or color to convey visual information and impressions.

Over a hundred years ago a man named Alvin Langdon Coburn had an idea for a photography show in which “no work will be admitted in which the interest of the subject matter is greater than the appreciation of the extraordinary.” (Rexer, Lyle. The Edge of Vision: The Rise of Abstraction in Photography. NY: Aperture, 2013.) That thought exposes the aesthetic crux that many photographers who work with “reality” (whether that means portraits or landscapes or street photography) are dealing with: is the photograph just a snapshot, or does it say something more?

I think for most people reading this post, reproducing reality is (still) a compelling exercise but “the appreciation of the extraordinary” is probably what keeps that finger clicking the shutter. It’s certainly true for me.

To convey the “extra” that I find in the ordinary, I like to explore different approaches; abstraction is one that can freshen the mind’s eye. The images here come at abstraction from a variety of angles and some are more recognizable as real-world objects than others. But in my opinion, there’s no need to name what you see.

The urge to name what we see is hard to resist though. As soon as we see something, especially a two-dimensional image, labels pop into our minds. When we studied Shakespeare’s Romeo and Juliet in school, we learned to ask, “What’s in a name?” It was a good lesson, but it barely loosened the knot of naming things. We are compelled to tie an identity around everything and everyone, and usually, we tie the knot pretty tightly. That identity, that name, inevitably drags waves of associations along with it – liking, disliking, evaluating, remembering, etc.

Of course, the propensity for identifying what we see is necessary and helpful, but it’s not a bad idea to question it once in a while. Names and identities may be more arbitrary than we realize. Questioning the connection of a name to its referent can open up space in our minds. Even just loosening the bonds of language to simply absorb images without labeling them can be rewarding.

I’m not advocating slipping down into a world where meaning is entirely arbitrary and unique to each person. We need to agree on something, even if it’s only the names of things – times are tough enough! But I think it’s beneficial to step out of the familiarity of our language-based environment now and then. A little muddling and messing about with what we’ve come to rely on as firm and clear can be refreshing.

12. If you identify this as “leaf,” “veins”, and maybe “fuzzy,” do those words change the experience of viewing the image? If I call it “dashu and crannen” do you look harder? (Or maybe you move along quickly!)

Lacking a brain, the black box doesn’t know that the flower in front of it isn’t just a flower, but is an infinite web of relationships. The awareness that a subject isn’t separate from its surroundings is something we are able to perceive, along with the awareness that we can choose to focus on any part of the whole, using our camera. Constantly becoming, the flower may be positioned at the center of the field that the camera encompasses, but in fact, the center extends infinitely through space and time, inviting a myriad of abstractions.

These images have been altered by severe cropping, color changes, and tonal manipulations. I followed my nose towards different “meanings” of the scenes above than what the camera saw, subverting the black box’s stubborn insistence on one-to-one reproduction. No matter where I point it, the camera “wants” to make a faithful copy. This is the blessing/curse of photography. Of course, the camera does have a person operating it – a person with ideas, history, and intentions. A moment to record was chosen. And later, when we sit down with the camera’s rendition of reality before us, we’re free to play with it as much or as little as we want.

By the way, I’m happy to divulge the names of these things and whatever I can remember about the process of metamorphosing them into abstractions. Just ask.

bluebrightly

Wanderings & observations