
Last week I was part of a group of seven friends – photographers, botanists, a lichenologist, a ceramicist, a filmmaker, psychologists, and social workers (some categories apply to several people) who journeyed east to explore the dramatic landscape east of the Cascade Range, in central Washington. The Columbia River runs north to south there, grown wide from a series of dams that provide power to customers throughout the northwest. Bluffs line one side of the river; the other side, where we hiked, is cut with canyons of basalt and graced by scattered lakes of all sizes and shapes. One is named Dusty Lake, perhaps for the dun-colored land it rests on.
On the way over the mountain pass, we fended off rain showers, snow squalls, and finally graupel, a kind of snow pellet. In between, glimpses of blue reassured us that it really is spring. As we lost elevation the precipitation cleared out and wind took over, pummelling the landscape. Skies remained overcast for most of our short trip. It could have been a boon to us photographers who dislike midday desert sun, but threatening rainclouds turned the light leaden and flat.
The weather wasn’t a photographer’s dream but we made do. The sculpted landscape thrills you with a power that derives from the liberating, whole-body sense that you are surrounded by limitless space. Grand, crenelated cliffs, here called coulees, rise high overhead, the domain of ravens easefully gliding on the updrafts. A gravel road turns a corner to reveal the surprise of a dark lake where white pelicans preen in the distance like a lost posse of ghosts. Swallows swoop, stitching air and water together. Along the lake margins, Red-winged blackbirds’ rusty cries rise from last year’s crackling-dry cattails. On dusty trails, tangles of weathered grass hide tiny gold and pink wildflower gems. The scent of sagebrush clears the mind as precious oils are released into the atmosphere. Little of the softness one associates with spring can be seen here; rough textures and subdued colors dominate.
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Angled rock, sharp scents, and the rude, cold wind on our cheeks – Eastern Washington isn’t a comforting place but for those of us living on the wet, lush, western side of the state, it offers the novelty of open vistas set with a child’s geometry of huge, smooth, blocks of basalt. It’s a good recipe to awaken eyes accustomed to thick, green landscapes ringed with water. Needless to say, plant life on the other side of the Cascade Range is very different. On the first day of our trip, the botanists lucked out when we ran into a rare plant specialist collecting data for a population viability study of an endangered wildflower. (The “BOTANST” license plate was a giveaway). Looking for a place near the river so we wouldn’t have to drive too far, we had inadvertently chosen a special place to hike. The botanist was as excited to show a group of fellow plant lovers around as his friendly Burmese Mountain dog was eager to greet us. Mark pointed out more plants than we could remember – including the fuzzy-leaved rare wildflower, a member of the Borage family which, as Mark informed us, is a “sandy soil obligate.” Almost all the flowers we saw had yet to reach peak bloom or to even open a bud. Spring has been slow and cool in Washington and the flowers are late. No matter – we enjoyed the impromptu private tour of a piece of land that conceals rare secrets from casual visitors.
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The following day, after five campers struggled through a night of screaming winds (Joe and I are softies and stayed in town) we crossed the Columbia River and headed inland to hike at Dusty Lake. The landscape there is a schizoid salad of lakes, wetlands, and rocky, sage-dotted desert. The unusual scenery derives from cataclysmic events like the Missoula floods of 18,000 years ago when glacial floods made their marks on a landscape that had been sculpted by lava flows millions of years before. The geological wallops left imposing views and a dry, spare habitat that shelters interesting wildflowers, lichens, and lizards, among others. I think we all enjoyed switching back and forth between the expansive views and small curiosities. One early blooming wildflower delighted everyone with its incongruous beauty: the hot pink Darkthroat Shooting star (Primula pauciflora). Taking shelter under craggy old sage bushes, the flowers nodded their delicate heads in the breeze as if to agree with our praise. Lichens were another source of color, adorning the rocks, sagebrush, and soil with fiery orange, deep gold, and slate blue. The pops of color cut through the barren landscape like a warbler’s song ringing out across a hushed forest.
Eventually, we had our fill of hiking, photographing, and botanizing. We stopped for coffee and then had dinner at a local burger joint that had been in the same family for generations. Grandmother’s recipe for potato salad is still followed, to our delight. Three of our group departed for Seattle, braving snow over the pass in the dark. The rest of us met the next morning in Vantage for a walk along the river. As we discussed where to walk, we spotted a wild herd of Bighorn sheep grazing on a distant hill. We tried to get closer but couldn’t so there are no photos – but the memory is sweet. After a low-key river walk, we began exploring a side road that heads west, the direction home. A construction roadblock halted our progress so Joe and I decided to head back to the highway for the long trip home. I enjoyed watching the scenery evolve from clear, open skies to snow and mist on the pass, then back to springtime green. All the while I knew the computer was calling me – there were plenty of photographs to sort.
Richard and Sharon continued wandering slowly west, finally picking up the highway to cross the mountains. The trip was short but packed with outdoor discoveries and the pleasure of spending time with friends. When I went through the photos, I puzzled over unidentified plants and grew frustrated at the overall palette, which was very subdued. But that fits a high desert landscape under thick clouds. For this post, I decided to emphasize the quiet color range and leave out the pops of color. Bright flowers will show up in a later post. I promise.
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