Among the definitions of the quotidian, which I think of as meaning commonplace or ordinary, is this: “something that returns or is expected every day.” Things that return or repeat become almost invisible – we see them so many times we stop paying attention. But if you choose to look, the quotidian has a beauty of its own.
What makes ordinary things so appealing? It must be in part because familiarity creates comfort. We feel secure knowing something will be the same the next time we encounter it. That idea reminds me of Bowlby and Ainsworth’s work on attachment theory, which laid the groundwork for new concepts in developmental psychology. You may remember that through observing mothers and infants, Mary Ainsworth theorized that having a reliable, secure person to return to after exploring the world is critical for a person’s ability to regulate their emotions. Collaborating with Ainsworth, John Bowlby published a now classic book, ‘Attachment and Loss’ in 1969, and decades later, attachment theory entered the mainstream. Maybe you’ve seen a quiz that determines your “attachment style” and what it means for your love life pop up on your social media.
As important as security is, I tend to enjoy things that break up routines. Exploring new places and ideas is exhilarating. Still, routines and familiar things have their place. Everyday objects evoke a particular kind of humble beauty, especially if we pay close attention. In the arts, painting has a long tradition of elevating the commonplace. Pieter Bruegel the Elder’s paintings of peasants, Morandi’s still lifes and Edward Hopper’s corner drugstores are familiar examples. Photographers have explored the aesthetics of the quotidian, too. Dorothea Lange, William Eggleston, Jan Groover, and many others focused on everyday scenes and objects.
But the funny thing about photographing the quotidian is that photographers have a tendency to look for the unexpected rather than the ordinary. Even when we photograph ordinary subjects (or perhaps especially then) we often emphasize something that looks slightly off, a quirk that will hold the viewer’s attention. An ordinary street corner is seen suffused with an eerie light, a chain link fence is blurred except for one link, or the quotidian ingredients of a typical diner breakfast are arranged to fit together like a puzzle.
It’s ordinary until it isn’t.
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When we were inVancouver last month, a friend took us on a neighborhood tour that included a vast construction site. At the edge of the work area, we stumbled across a chaotic pile of discarded materials and equipment. It was the essence of the quotidian. There were coils of rebar, a length of cable, rusty auger parts, a dumpster…do your eyes light up just imagining those objects? Ours did. To us, those prosaic objects told stories about real work, work that we rely on every day but seldom think about. Just the scale of construction can be very impressive. Building materials and tools often have dynamic shapes and intriguing patterns or textures. The rough world of construction can seem exciting to folks like us who spend a fair amount of time at computers or in offices.
So what did we do when we saw that jumble of discarded construction materials? We photographed it.
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After we finished admiring the rust goldmine we walked back uphill and came to a street graced with “H-frames.” H-frames are power pole constructions that have been in place in Vancouver for up to 80 years – what I might call Vancouver Vernacular. They’re the kind of quotidian sights that locals usually take for granted but to me, they were an opportunity to see lines and negative space dance an intricate tango over my head. Maybe a square dance is a better metaphor! Even the lamposts and construction cranes got into the act, marking out precise spatial alignments against an opaque sky and twirling pirouettes in the glassy reflections of an office building.
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Another recentquotidian find is a building I chanced upon in my own backyard. I was walking down a residential street near the shoreline. I’d never been on that street before. Below street level, jutting out over the water was an old wooden building and pier. I figured it had been a fish processing plant – fishing and crabbing have always been important industries here. It looked deserted and was clearly rundown. There was no way to climb down to it but using my phone, I followed a series of right and left turns that took me to a rough, dirt road that terminated at the building’s side. A truck parked nearby gave the impression that the structure was still in use. In declining light, I made a few photos and promised myself I’d be back.
When I got home I googled the address. It turns out that an enterprising diver named Chris Sparks is using part of the old cannery for his business, Wildcatch Seafood Products. He and other divers collect sea urchins and sea cucumbers around the San Juan Islands at depths of 20-80 feet underwater (6-24m). The delicacies are sold to the Japanese market overseas and sushi restaurants in Seattle. He also sells fresh-caught Dungeness crab when it’s in season. He operates out of the 98-year-old “red cannery” and hopes to renovate it and expand the business. It’s one of only two canneries left standing on the island so I hope he can make a go of it.
We just returned from the first long trip we’ve taken in two years. The pandemic quashed our plans for excursions last year, but by March of this year we were “two past two” (two weeks past the second shot) so it was time to get back in the saddle and plan a serious trip. A family member had a stroke last year and we were eager to lay our eyes on him, instead of relying on second-person reports. We could combine seeing him in Massachusetts with visiting family in New York and day trips to Manhattan by booking a flight to Boston, renting a car and driving to New York, and flying back to Seattle from JFK. We hadn’t been back to New York, where we’re both from, for several years.
So that was the plan.
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The text below alternates with pairs of photographs from the trip; each pair includes an image of the human-built environment (mostly from Manhattan) and an image from one of the gardens and parks we visited.
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1. The Empire State Building in the distance, seen from West 33rd St.; a carp in a Merrick, NY park (intentionally blurred at 1/3 sec., f22).
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A series of snafus made this trip beyond memorable. Let’s say it was successful overall, with wrinkles. The trouble started before we boarded our Alaska Airlines flight in Seattle, when I began frantically digging through my backpack for my phone and realized that it was missing. No!!! I was crushed. We called the van operator that took us to the airport and asked them to look for a phone. Just before we took off we talked with them again, and, whew! – they found my phone and promised to hold onto it until we returned.
I was grateful but my emotions were all over the place as I thought about being incommunicado for ten days, days with an itinerary that involved about twenty friends and relatives. How would I manage?
Let me say here that this is the problem of a privileged person; I know that. Many people in Sudan, for example, own a mobile phone but are malnourished. The current vaccination rate there is only 0.2% of the population. Wealthy countries like the one I live in need to step up and help. I also know that spiritually, there’s more to life than having a phone.
But back to the story.
Sitting crumpled up on a plane with a mask on for five hours doesn’t exactly sooth one’s nerves – especially in the current atmosphere of high anxiety about flying and unruly passengers who cause trouble in the middle of long flights. At least I had ample time to hatch a plan: as soon as we arrived and procured our rental car, we would bee-line to the nearest phone store where I would buy a cheap replacement to use during the trip. New York time is three hours later than Seattle time but our morning flight should leave time to accomplish the task, I reasoned.
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2. A tarp on the ground at Bridge Gardens in Bridgehampton, NY; part of Vessel, an interactive artwork covered in a copper-colored steel skin, designed to invite people inside but closed during our stay. Vessel is at Hudson Yards, Manhattan.
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After arriving in Boston we located the rental stand and were directed to a shiny new Nissan. Opening the doors, we realized the car had been rubbed clean with so much chemical disinfectant that we couldn’t breathe without the windows rolled down. A few choice words flew around as we figured out how to start the car and open the trunk. “Let’s just get on the road” I thought, “this is too stressful.”
We whizzed through a city neither of us know (at least we had Joe’s smartphone for navigation) and got to the store well before closing. Of course, we soon confirmed what we knew must be true: the least expensive phones aren’t exactly cheap. Worse, I learned that one’s contacts reside on one’s phone, which in my case was 4,000 miles away, sitting in a drawer in Seattle hotel. That meant no phone numbers, no texting, and no communicating with people, unless I figured out another way to get their contact information. Needless to say, I don’t have any phone numbers memorized other than mine and Joe’s and I haven’t carried a paper phone list in years.
Watching the salesman set up the new phone, I tried to maintain a calm facade, while alternately seething, berating myself, and trying to talk myself into accepting the situation. Back and forth my mind went…
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3. Water lily leaves at a park on Long Island; a view of The Shed, a flexibly designed arts center that opened in 2019 and reopens soon with a performance series and an art exhibition.
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“Can we set up my email account?”, I asked the man. But when he tried to activate it on the new phone, Gmail wanted a four-digit authorization code. Guess where they sent it – to the phone in Seattle, of course! I didn’t want to tell the strangers keeping my phone safe how to unlock my phone so they could read the code to me – that wouldn’t be smart.
Now it looked like I would be without phone numbers AND email for the entire trip. Maybe you’re thinking, cheer up, it’s healthy to disconnect! Or you might wonder why I didn’t try again, and again. One time, Gmail locked me out for two weeks because I forgot my password and tried incorrect passwords too many times. There was no recourse except to wait until the company reactivated my email account. Thinking about being locked out of email for weeks made me cringe – I couldn’t risk having that happen again. Joe came to the rescue – he had been cc’ed on the family emails with the details for our big get-together the next day. At least we had an address for the reunion and the ability to contact family.
Leaving the shop with a rather rudimentary phone and a troubled face, I tried to reason with myself as we wound our way through Boston to a restaurant. I don’t recall dinner that night but I know that once we checked into our hotel, we collapsed.
That was just Day One!
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4. Leaves and tiny flower petals mingle on a garden sidewalk in Staten Island; people wait for the train at the Jamaica hub in Queens, NYC.
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The following day we visited the sibling whose stroke radically changed his life last fall. He had been actively immersed in academia at a prestigious college in Boston; now his days are scheduled around speech therapy appointments, meals, and exercise. But he’s as positive as he ever was, his sense of humor is intact and he’s working hard to rewire his brain and get back the skills he lost. It felt good to be with him. Reassured, I left to meet a dear friend I hadn’t seen in ten years who drove down from Maine for a rare, in-person visit. As always, we picked up right where we left off, plunging into conversations about anything and everything. It was wonderful.
I was swinging from the low of worrying about a lost phone to a high of happy connections with friends and family – but the day wasn’t over yet. The first of two big family get-togethers was that evening. We all know these reunions can be simultaneously awkward and heartwarming and our gathering fully lived up to that expectation. Exhausted from a day of emotional intensity and far from home, I slept poorly again.
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5. A view out the train window while riding the Long Island Railroad to Manhattan (2-second exposure at f22); a subtly colored bearded iris at Snug Harbor Botanical Garden on Staten Island, New York’s “forgotten borough.”
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The next morning we hit the road for New York. Joe drove and I navigated, which means that I had an opportunity to unwind a little. I was grateful for Joe’s patience over the previous two days but as we got closer to the heavy traffic of metropolitan New York City at rush hour, patience wore a little thin and his long-buried New York edge emerged. Later on we would joke about needing to purge the tough, New York attitude (which one absolutely needs to get on with life in the city) before returning to the Pacific northwest, where politeness and a forgiving outlook on life are the norm.
Seattle has experienced a boom and traffic there can be beyond aggravating, a fact of life we’re both glad that we don’t deal anymore, now that we live in a more rural environment. New York traffic is another matter – it’s famously busy and you have the added stressors of unpredictable, rude, aggressive drivers and terrible roads.
We were back in the fray and we were out of practice.
A stop at a sibling’s house for conversation and snacks was a welcome respite. None of our respective siblings, nieces and nephews who reside in metropolitan New York live in Manhattan. Most live on Long Island, so we chose a centrally-located hotel there. Of course, it happened to be hosting a passel of noisy hockey fans the night we got there, as well as an undetermined number of college sports teams.
We slept poorly. Again.
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6. On a street in Manhattan, a doorway is draped with plastic; at a garden on Staten Island, the patterned leaves of a tropical plant (probably a Philodendron) are striking in black and white.
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Seven more days of family visits and excursions ensued, including a hot, tiring but satisfying day in Manhattan, where we viewed inspiring art exhibits and enjoyed just sitting outside a cafe, watching the street life. There were visits to gardens in and around the city. We had an intriguing conversation with a Guyanese caregiver who was waiting for the same train we were. We endured a loud, heated argument at another family gathering that shocked everyone present. There was a poison ivy-laced walk through a preserve, pressured smartphone searches for places to eat, and hours spent navigating busy highways and sitting in traffic jams. We took a spontaneous tour of our old neighborhood, which we hadn’t seen in nine years. We enjoyed a richly rewarding afternoon of coffee, conversation, and a garden visit with John Todaro, a fine art photographer I’ve admired for nine years. That was a high point!
We were struck repeatedly by the intensity and scope of sensory input during the trip: noisy people, rich food, hectic traffic, unfamiliar sights, strong smells, muggy, oppressive heat we could hardly bear, beautiful skies – our senses were assaulted with a range of impressions the like of which we hadn’t experienced in a long time.
We’re both retired now. We live in a quiet, extraordinarily beautiful place that always seems peaceful – even the weather changes slowly here and rarely throws us for a loop. Over the last year our lives shrank; sensory and social input was more limited than we had ever experienced. On this trip we felt as if we had jumped straight into a fire.
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7. A gallery visitor studies a painting by Frank Bowling at Hauser & Wirth gallery in Chelsea; tangled vines are seen behind misty greenhouse windows at Sung Harbor Botanical Garden.
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Eventually we settled down, slept better, and began to relax. Even the horrid smell in the rental car began to dissipate. But true to form, an unexpected event threw us off again, this time on the flight home. A passenger who apparently ingested something he shouldn’t have was talking rudely at full volume, then became very quiet. I noticed him struggling to maintain an upright position as he headed down the aisle to the bathroom. I heard the stewards call for medical help. After a half hour or so, apparently they determined that it was safe to continue on to Seattle; the flight didn’t have to be diverted. At the gate we were met by a uniformed phalanx of police and medics. With rescue truck lights flashing, medical kits, and handcuffs at hand, the pros handled the situation with aplomb, diplomatically convincing the unmasked man to exit the aircraft. Finally, we deplaned and called the van to take us to the lot where our car was parked. It arrived with a thrilling gift on board – my phone! The battery was dead but oh, the familiar feel of the case felt good in my hand!
I thought about the hundreds of emails in my inbox. They would be deleted, answered, and dealt with soon enough.
Heading home through a Pacific Northwest rainstorm, we sighed with relief when we pulled into the driveway. The air was fresh and smelled good. Everything was in place. We were home.
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8. Plants press against a greenhouse window at Snug Harbor; the windows of a Manhattan art gallery cast reflections onto the pavement.
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As stressed as I was from the emotional roller coaster and lack of sleep, my eyes were always open wide. Again and again, I looked and I thought about what I saw. I was inspired by beautiful paintings, imposing sculptures, interesting photographs. A store called Printed Matter with 15,000 artists’ books on the shelves offered more food for thought.
But not only art inspired me.
There was delicious food. There were energizing interactions with strangers – the warm, spontaneous, to-the-point kind that New York is famous for and we miss dearly. There were heart-warming visits with family – little ones we’d never met and grown-ups we hadn’t seen in over a decade. There were gardens galore, filled with irises, peonies, wisteria and water lilies. My ears delighted at the sound of birds I grew up with, singing their hearts out at the height of spring: cardinals, mockingbirds, Baltimore orioles – even Blue jays and Red-bellied woodpeckers made me stop and smile. The owner of the neighborhood pizza joint we used to frequent recognized Joe instantly after an absence of nine years (and oh, the taste of a real New York slice!). We dined on Peking duck served by white-gloved waiters, wolfed down Trinidadian roti from a busy lunch spot in Little Guyana (a neighborhood in Queens), and savored perfect Agedashi tofu at a Japanese restaurant.
But back to the point: returning to the practice of paying close attention, no matter what disruptions and distractions are going on, is a practice that keeps me going. Look at this amazing world we live in, study what you see, watch the light, think about how shapes relate to each other, examine details. This is a refuge. Not an escape from anything, but a refuge. Be nourished by it, every day.
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9. Looking up at 30 Hudson Yards, a “super-tall” skyscraper in New York’s Hudson Yards neighborhood; a water lily at Snug Harbor Botanical Garden.
Or Gent. Either way, if you’re American you may not get the pronunciation quite right. In this Belgian city, as in most of Flanders, the primary language is Dutch (Ghent). But French (Gent) has a presence here too, and in nearby Brussels, French is the dominant language. Many Flanders residents, especially younger people, speak Dutch, French and English, a lingual multiplicity that reflects a complex, interesting culture.
A doorway in Ghent near the university.
In April we traveled to northern Europe, landing in Amsterdam. We planned to spend time in the Netherlands and Germany, looking up long-lost relatives and meeting blogging friends. Why not circle round and add Belgium to the itinerary? It’s the home of Magritte, Tintin and Django Reinhardt. Its constitution guarantees freedom of language, there are weird political machinations, fine chocolate, a penchant for brilliantly self-deprecating humor…in short, it must be interesting. So I looked for a base for a few days in Belgium.
Bruges came up right away. Frankly, people talked it up so much that I was scared away – my sense was that we’d drown in a sea of tourists in Bruges, straining to see the sights. I settled on Ghent, which also has canals, Flemish architecture and fries, but is a grittier university town and sounded more to our liking. We didn’t even go to Bruges. And because of Ghent’s central location I got carried away thinking about all the places we could visit that are only a train ride away – Antwerp, Brussels, even Lille, France are all in striking range. On arrival in Ghent we studied the calendar and train schedule with more sober eyes, paring it down to a day in Antwerp, a day in Lille (I was focused on seeing France, if only a corner of it), and a day seeing Ghent. Not enough, for sure!
1. Cathedrals…
2. Shiny new espresso machines, colorful photographers….
3. Architecture through the trees, street musicians….
4. Windows – old and new on the street, looking out a cafe window.
For our day in Ghent I zeroed in on the MSK Musuem, or the Museum voor Schone Kunsten (the Museum of Fine Arts). Along with art museums in Antwerp and Bruges, MSK is part of the Flemish Art Collection, a comprehensive collection of five centuries of Flemish art. As an American art lover who had never been to Europe (when I was young and could have scraped the money together for a trip to Europe I wasn’t interested; later, family and work conspired against it) I valued the opportunity to see an excellent museum that isn’t overwhelmingly large. Over the years I’ve spent many hours at New York City’s Metropolitan Museum, the Frick, the Met Cloisters and the Morgan Library. Each one boasts an excellent collection of European art, but it’s just not the same as viewing art inside the country where it originated. To wake up in a European medieval city, sip coffee in a corner cafe, take a tram to the museum, gaze at sumptuous artworks spanning centuries, and then wander through the old part of town and into a cathedral or cafe is to begin to tie it all together. An altarpiece is no longer an isolated piece of art and an impressionist painting gains deeper context, making a sensibility and culture that are decidedly not American a little more transparent.
5. Walking through Citadelpark on the way to Museum voor Schone Kunsten.
6. Adriaen van de Venne (1589 – 1662); Dicing, Drabbing and Drinking Bring Man to Destruction. From the museum’s collection.
So here we are at MSK. Certain things catch my eye. I have no interest in recording consensus-approved highlights; instead, I photograph museum scenes, works of art and small details that I want to remember.
7. It was heartening to see students working intently on copies of paintings. It’s a great way to learn about composition, color, and patience.
8. This student has taken a break. What an interesting choice of painting to become wholly intimate with.
9. The Lamentation; Hugo van der Goes (1440-1482). The message behind Christian-influenced art like this may not resonate with me, but oh, those faces! There is a strange, disjointed and angular awkwardness that is compelling here. Being in the presence of this painting in Ghent, where it was probably made, affected me more deeply than seeing a similar painting hanging in an American museum would. Medieval work in particular was very moving seen in the context of medieval cities. The paintings no longer depicted some far-off people in a far-off era; their time-stopping detail, rich color and powerful expressiveness connected me directly to the medieval world.
10. Detail, The Glorification of Apollo; Urbanus Leyniers et al. There is a room full of tapestries at MSK, some are floor to ceiling in size. This tapestry measures 408 x 330cm (13′ x 11′) The foot is beautifully articulated and the dyes speak of the earth, water and the sky. The skin color is as nuanced as can be and the blue drapery is a color Yves Klein would appreciate. (Leyniers, 1674-1737, was a Flemish wool dyer and tapestry maker in Brussels.)
11. A cabinet of curiosities. Another cultural-historical truism that was brought home to me on this trip was the excitement that grabbed people during the age of exploration when so many new objects, like these exotic shells, were discovered and brought to Europe.
12. A homey, impressionist winter scene by Adriaan Jozef Heymans that interested me because of the riot of colors he used in the sky, all to describe snow, which we normally think of as white. (Heymans, 1839-1921, was a Belgian plein air painter).
13. Detail, The Family of St. Anne; ca 1500. This triptych from a former Beguinage (a lay religious community for women) in Ghent is ascribed to the Master of St. Anne. The somewhat flattened perspective and abundant detail alongside the intense emotion seen in the eyes allows me to relate to the scene intimately. It was the time of Low Country masters like Jan van Eyck and Rogier van der Weyden, who created vibrant, extraordinary works which can connect us directly back to a time when the world was very different, and so much smaller.
14. A powerful jolt back to the present, this sculpture (Fluitketel, 1999) by Patrick van Caeckenburgh sits incongruously – delightfully so – in a gallery of traditional paintings. Van Caeckenburgh, b. 1960, is a Belgian artist who obsessively researches literary and scientific sources for his work. He reportedly lives a secluded life in a small Belgian village and is well-represented in museum collections from London to Taiwan.
For more on the fascinating Mr. van Caeckenburgh, see this article.
15a. Another work by van Caeckenburgh, Le Berceau, 1999 – 2009; two views.
15b. One more: a portion of THE PICTURESQUE HISTORY OF EMPTINESS, Les Oubliettes — The Oblivions — De Vergeetputtten, 2007-2014.
16. Glimpsed through a doorway, another strange sculpture beckons…
17. It is Panamorenko’s Aeromodeller (1980) and it seems ready to levitate right out of the gallery.
18. A window above Panamorenko’s “zeppelin” inscribes the piece with sunlight and shadow, enhancing the effect of weightlessness.
Panamorenko, born in 1940, died earlier this month. Another eccentric Belgian artist who explored hidden corners of the psyche, he made imaginary flying machines and other constructions which he thought of as more akin to poetry than to sculpture. We were lucky to view this huge, elaborate work in the same room at MSK where it was shown back in 1980.
AND NOW, it’s time to take a walk.
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20. View from the Vleehuisbrug, a bridge over the Leie River in the old section of Ghent.
21. Flemish architecture and a clocktower.
22. Sint-Micheilskerk. There has been a chapel here for almost a thousand years. This version was built in the 13th & 14th centuries.
23. Lost in the old city.
24. Another canal seen from a bridge in the old section of Ghent.
25. What can we see?
26. Perhaps the sun setting on drying laundry….
27. Or a detail on a cathedral.
28. At some point the eyes are weary, the feet have given out, and the belly cries for food. Sit. Enjoy.
Thank you, Ghent/Gent – we hope to be back some day.
Happy Fourth! We didn’t want to miss our local Independence Day parade. Anacortes has a reputation for being a bit odd, and I think you’ll see the evidence here. The town is pretty laid back, too. From senior citizens in wheelchairs to toddlers driving tiny cars – and let’s not leave out dogs dressed as lions – everyone is happy to keep it simple and low key – no self-conscious displays of power or anything else. Let’s just have a good time. And throw me some candy while you’re at it!
I threw this post together quickly….the pictures needed to get out there before it’s over. Those of you in the US are probably already barbecuing by now or on your way to watch fireworks. Some of you will watch from a rooftop, some from a beach, some in the back yard. Those of you outside the US are probably asleep already and won’t see this until tomorrow, but no matter.
A few American traditions have already wrapped – on Coney Island, Joey “Jaws” Chestnut won the Nathan’s hot dog eating contest by scarfing down 71 of ’em. Yum. In small towns and big cities the parades are over, ball games are being played, beaches are crowded. We’ve heard from several relatives and friends today. Everyone’s fine.
We’ll skip the tanks, thank you, and we’ll be fine too.
For almost two years we have followed each other’s blogs. Recognizing that we’re kindred spirits, we soon began sharing observations about nature, blogging and language by email. As ideas were tossed back and forth across a 4900 mile, 9 hour time difference, a theme emerged: we tended to focus on differences and similarities in our environment, both physical and cultural. Plant species, the weather, words and phrases – we compared and contrasted them all. It was an entirely virtual relationship, honed in the realms of blog comments and emails. Then last month I traveled to northern Germany, where I visited my grandmother’s birthplace. That happens to be near the city where Almuth lives, so we had an opportunity to meet in person! A plan developed: we would spend a fine Spring day together.
We met at the Bnb in Hannover where I was staying, then took a tram to Herrenhausen Gardens, an array of historical gardens dating back to the 17th century. The popular Great Garden (Großer Garten) is one of Europe’s most admired baroque formal gardens. Its history is interesting, but we prefer botanical gardens so we bee-lined for the Berggarten (Mountain Garden), across the street. After a stimulating stroll through gardens packed with Spring flowers, we enjoyed treats and coffee in the stylish park cafe. We jumped back on the tram to Hannover’s old town, where we discovered a few offbeat “historical” sights, like the protective wrapping around the facade at the old Town Hall (Altes Rathaus). We capped the day with a traditional German meal at the Broyan Haus restaurant.
Of course we both took dozens of photographs and unsurprisingly, some are almost identical. After I got home Almuth proposed that we collaborate on a post with our favorite photos from that memorable Spring day. What a great idea, I thought! We quickly realized how many permutations there can be for posting “together.” There are the complications of different languages. Readers might be confused by too many photos. After thinking it through we decided to each create a post about the day, using our own photos, with links to the other person’s post. We sent drafts back and forth so the flow of text and images in our posts would almost match. If you’re using a desktop, try opening two browsers and viewing the posts side by side; on smaller devices we hope you can get the idea by going back and forth.
Here’s a look at the day through my eyes, and here’s a look at the day through Almuth’s eyes.
1. As soon as we entered the garden we noticed a set of beautiful shadows on a wall. I’m often drawn to juxtapositions of man-made and natural shapes, and this fits the bill.
2. There’s a great German word, Schattenspiele – it means shadow games. It’s too bad we don’t combine words more in English, the way Germans do. It’s interesting to think about how language differences influence the way we see our world, but whether it’s Schattenspiele, shadow play, or whatever you name it – photographers everywhere love shadows.
3. I chose black and white to convey the different textures here – a highly textured ground cover, the fine-lined birch bark, and smooth shadows falling evenly over everything.
4. Almuth photographed a naturally landscaped stream with gorgeous birch trees. Of course I like that too, but trees like this one really aroused my interest. Like many trees in Europe, it appears to be pollarded. Pollarding is a pruning practice wherein upper branches are removed, promoting dense growth while maintaining a manageable size. Wikipedia says this very old practice kept trees within the bounds of medieval walled cities. Pollarding is far less common in the US, where space isn’t typically an issue. I always associated it with France, but I found many examples in the Netherlands, Belgium and northern Germany.
5. While in Europe I made a conscious effort to take more photos of people than I ordinarily do, so here’s a gardener watering a bed of tulips. The light was harsh and I have a lot to learn about photographing people. I think I prefer Almuth’s version.
6. There we are, engrossed in the beauty of Spring flowers. I couldn’t resist playing with the colors in this photo (made by a certain patient someone).
7. We sat down to rest and made friends with this little fellow, who happily devoured all the peanuts we were willing to give away. We have a similar squirrel in the Pacific northwest but it doesn’t have those cool ear tufts.
8. Throughout my travels in the Netherlands, Belgium and Germany, I was impressed by huge specimen trees in the cities. Over here, trees planted by humans haven’t had as much time to grow. Our giants are more likely to be in the forests.
9. Thick “fuzz” that protects this fern from the cold was sloughing off in an attractive way, another sign of Spring. The horticulturalists wrapped last year’s dried fern fronds into a nest-like bowl for winter protection. See Almuth’s post for a photograph of this intelligently aesthetic landscaping practice.
10. A group of rare Suntel beech trees (Fagus sylvatica var. suntelensis or F. sylvatica ‘Tortuosa’) kept us glued to the path, wide-eyed and smiling. This European native naturally grows in a low, twisting, criss-crossing form, making the trees ill-suited to most commercial purposes. They were called Witch wood or Deveil’s beech in the past becasue people believed the trees were bewitched. Many were destroyed. This old Berggarten specimen gets meticulous care. Cultivars are now sold in nurseries around the world.
11. In the old town we found a few weathered gravestones standing mute among the flowers.
12. This is exactly the kind of sculpture I love seeing in Europe. I don’t know when it was carved but it has the vivid, emotional power of art from the Middle Ages, and it gets the message across, especially when reading isn’t an option.
13. Wrapped buildings have intrigued me for years, and Hannover’s gothic Town Hall (Altes Rathaus) is a fine example (as long as restoration continues to be done on it). The burning question is whether the color of the wraps was intentional or not, because it sure does harmonize nicely with that old brick! Almuth called it Brick Gothic bagged – I love that!
14. A newer wrapped building provided us with more photo ops just a few blocks away.
15. Construction sites are always good places to see buildings in a different light.
16. My world was jostled and turned every which way on this trip, but everything was as rosy as the paint color on this building (which I changed in Color Efex). Old, new, virtual, real – the categories didn’t really matter. It was a whirlwind of impressions.
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Readers of this blog know that I feel strongly about place. The uniqueness of each place on earth is worth celebrating. I believe that despite global culture we are still situated in place, that geography influences us more than we realize. I also believe being situated in a particular time and culture influences the way we think; for example, my native language leads me to see the world differently than the way someone who speaks another language sees it. We each construct slightly different realities.
These differences have been part of the pleasure of getting to know Almuth, but we also share a lot. Her approach to life, the way she sees and thinks – those qualities felt familiar to me even before we met. I imagined I would feel comfortable with her and I did. Yet differences persist, and they are fascinating. This is part of what resonates with me here on the internet: we find differences and similarities. Our curiosity is endlessly pricked. We learn, and our horizons expand.
The streets and back alleys of Seattle’s Pioneer Square neighborhood are rich with texture, literally and figuratively. Worn brick, surprising architectural juxtapositions, and the curious traces left by passers by are all fodder for the curious photographer.
Unlike the cities of Europe or even the eastern US, Seattle’s history began fairly recently, with active settlement getting underway about 160 years ago. A city of wooden buildings grew up on the logging industry, and then the combustibility of wood took the city down, in the “Great Fire” of 1889. It was quickly built back up, this time with brick, and many of those sturdy old structures still stand in Pioneer Square, where Seattle’s moody beauty come into its own.
It was a mid January afternoon and the goal was simply to wander around Pioneer Square, take photos, and enjoy the day. The weather was far from ideal, with dull, overcast skies and glare, so my processing choices were based on bringing more life to the images and involved more effects like infrared than I typically use. Below I’ll describe the “where” or “what” of the photographs and talk about processing decisions.
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The Photos:
A photographer sets up a shot in an alley near Pioneer Square. Processing: The highlights are blown out in the original, so I recovered some of the overexposed areas in Lightroom first. The image needed more punch, or a more graphic look. Settling on an infrared filter in Color Efex, I chose this off-kilter color style because I thought it suited the surroundings.
A “Cash for your Banksy” poster with an L.A. phone number, posted in a Seattle alley? I’m still scratching my head about that one! Processing: The original had too much going on and lacked focus. Again, I chose a color infrared effect in Color Efex. The color shift brought out the Banksy flyer and “TOM” graffiti nicely, but blackened the brick, so I lightened up the shadows and blacks a bit in Lightroom.
What’s left of the old brick paving still gathers cigarette butts in this alley. At the end of the block is Merrill Place, a renovation of a clutch of hundred-year-old buildings into retail space and condos. I bet the young urban professionals who buy a tony 1 -3 bedroom unit (paying mid to upper six figures) are the envy of their peers. We have an influx of new residents, a booming economy, and a construction boom in Seattle. The city was crowned “Crane Capitol of America” for two years running, with 58 cranes stabbing the skyline as of July, 2017. Processing: The original was so dull that I wasn’t going to use it, but after seeing how well the infrared effect enhanced other images, I tried it again. To further emphasize the dark mystery of the alley I softened the focus, using the Color Efex “Glamor glow” filter. Then I added a vignette in Lightroom.
Share a bike on the fly using the app on your phone, and you’ll help LimeBike and Spin grow their revenue! You’ll be doing good for the planet, too. Your first ride is free, after that it’s just $1/half hour. When you reach your destination, just leave the bike “anywhere responsible” and close the wheel lock. Next time you need a bike, your app will lead you to the nearest one. That’s how shared bikes work, and the trend is growing. Here, the competing company colors of two bikes left in an alley made a nice picture. I didn’t move them an inch! Processing: A garbage bin marred the original so I cropped heavily to focus in on the bikes and reflections. I should have framed it better in the first place. To emphasize the wonderful colors I used a film effect in Color Efex: Kodak Ektachrome 400X Pro. I lightened the center of the image slightly, and added a little vignetting in Lightroom.
This photograph brings together three Pioneer Square themes: handsome old brick buildings, hanging flower baskets, and construction. Tarps are a recurring subject in my photography and I’m always on the lookout for them; for me, the tarp in front of the building doesn’t hurt the picture. Processing: Silver Efex was used to convert to black and white, using the “Full Contrast & Structure” filter, Ilford PanX Plus 50 film simulation, and selenium toning. Back in Lightroom, blacks were darkened a bit and a slight vignette was added.
Seattle Steam’s old smokestack is a welcome interruption in the cube-based skyline. When Seattle’s “Great Fire” of 1889 destroyed much of this area, companies like Seattle Steam took advantage of lucrative opportunities to rebuild the infrastructure. Over the years, Seattle Steam has gone through several owners and iterations, but the company still provides steam heat to many businesses and residences. Coal and oil are fuels of the past here; natural gas is preferred, and recently the company’s carbon footprint was reduced by 60% after installing equipment to use biomass – wood waste! – to heat the boilers. That’s coming full circle for a logging town! Processing: Silver Efex was used to convert to black and white, using the “Fine Art High Key” filter, a Kodak 100 Tmax Pro film simulation and selenium toning. In Lightroom I cropped, darkened the exposure a little, increased the clarity, and sharpened.
Perhaps there’s a restaurant in this old brick building, given the serious exhaust duct work. Processing: This image is all about that beautiful duct, the way it contrasts with the brick, and its curve. I converted to black and white in Silver Efex; I don’t remember which settings I used. Back in Lightroom, a few minor adjustments included smoothing the tones on the duct slightly.
I like the way these two older buildings follow the bend of the street and I’m surprised they haven’t been torn down (yet). Processing: This poorly lit image went through several versions before I decided the sepia tones (a Lightroom preset) worked best. I adjusted the tone curve, opening up the shadows, then lightened the garage door and street, and darkened the upper right. I cropped to eliminate extraneous “stuff” and used Lightroom “Transform” to straighten building edges that appeared to lean.
There’s that photographer again, framing a shot of the rail tracks that feed freight and passengers into and out of Seattle. Processing: For consistency with the first photo of the photographer (actually my son) I used one of the colored infrared filters in Color Efex, which turned the green-leaved tree into a pink-blooming winter wonder. I added a lightened vignette in Lightroom.
A heavy scrim of tree branches obscures one of Seattle’s landmarks, the building with the peaked roof line. Finished in 1914, the Smith Tower is the oldest skyscraper in town, and was for many years the tallest building west of the Mississippi River. Processing: The photo was taken with my phone because I was traveling light, with just one lens. It wasn’t wide enough to capture what I wanted here, but the camera lens is. I cropped somewhat on both sides, decreased exposure and contrast, and made adjustments to saturation and luminance of each individual color. Because it was getting dark when the photo was taken, noise reduction was needed along with sharpening, both in Lightroom.
A dock at the Seattle Ferry Terminal, where passengers walk or drive onto ferries to West Seattle, Bainbridge Island, Vashon Island or Bremerton, a town on the Kitsap Peninsula. It’s a pleasure to walk over to the waterfront from Pioneer Square and take in the views, where the skies over the water are ever changing. Processing: The blue-toned, contrasty look comes from converting the photo to black and white first, then adding a color infrared filter in Color Efex to the black and white image.
The shiny newcomer wedging itself into Seattle’s skyline is the F5 Tower. Each floor is a different size. Rainwater collection, rooftop solar power, and glass similar to that used at One World Trade Center in New York that both absorbs and reflects sunlight, are Gold LEED certification features. The offices will house F5 Networks, a tech company. Processing: The original photo was all about the mix of old and new buildings with the F5 Tower in the background, but the composition was just too crowded and needed to be simplified. I cropped a lot out, zeroing in on the tower’s facade. Unfortunately, I have forgotten how I made the rest of the changes!
Late afternoon sun sidles through the storm clouds over Puget Sound, seen from the ferry terminal. That could be the ferry from Bremerton coming in. The rugged, snow-covered Olympic Mountains seen on the horizon lie between Seattle and the coast, to our east. With the Cascade Range to Seattle’s west and Mount Rainier rising up to the southwest, mountain vistas provide a majestic frame for the city…when they aren’t obscured by clouds! Processing: This photo just needed subtle adjustments in Lightroom, such as softening the clouds at the top by using the graduated filter to reduce contrast, using it again to slightly darken the upper corners, and adjusting luminance in most of the colors, individually.
I don’t use filters in Color Efex as much as I did for this batch of photos, and I don’t convert to black and white as often as I did here, but I enjoyed using the effects to add interest to many photos that tended to be flat, due to overcast skies. At the waterfront, conditions improved, and the final shot’s colors stood well on their own.
Here is a miscellaneous group of images taken this year that have not been posted. The emphasis this time is urban. I’m going to attempt to tie them together with a bit of whimsy.
So: out with the old, in with the new, as cranes of all colors tear out a concrete building in downtown Seattle, exposing the upside-down, curvy underside of its neighbor.
That’s a lot of work! I doubt those guys do anything exciting on their breaks, but if you’re setting up a silo for a new brewery at Pike Place Market, lucky you! You get to watch Mount Rainier bask in the glow of the setting sun.
Just to the south a jumble of vents atop a building creates yet another oddball urban composition.
Farther south in Seattle’s old Pioneer Square neighborhood, handsome brick buildings compose themselves against a clear blue sky – yes, blue sky happens in Seattle – in fact, the sky is blue here all summer long.
A museum staircase provides another opportunity to enjoy architectural design.
So does a 1929 Art Deco tower backed up by a newer building in downtown Seattle. In your eyes, the newer building may or may not have succeeded in taking its cues from the past. But like it or not, it’s fun to wander the city streets in search of patterns.
At some point you have to give it all a rest, go out to the back alley, sit a spell. The cigarette buts tell me someone’s been doing just that.
Maybe they daydream about the holidays and colorful toys from the past…
Or maybe their reveries center on sunny days running through candy-colored gardens….
And treats, yes, let’s not forget that. Here’s to all of you having as many treats as you want in the New Year!
Whether you prefer Christmas red and green, Hanukah blue and white,
or something else altogether,
I wish you oodles of cheer, and lets make it ordinary cheer, like this fellow spreads down at Pike Place Market in Seattle. Sure, he has dreads down to his knees, his scarf is awry and his jacket frayed, but that’s what ordinary looks like, and maybe we need a little more of it.
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I thank you for your presence here. It’s meant a lot this year. I’ll see you again very soon, with photographs from a warmer place…pleasant dreams!
Here are 25 images from 8 days in New York City, where I lived on and off through the 60’s, 70’s, 80’s and 2000’s. My view of the city is never the same two days running, but it’s likely it will be in line with this:
“There is no surrender of beauty, only an effort to find beauty by going past the typical and arriving at the common. I do not love the travel pages. I look past them and go to the substratum of the visible environment. What I love about Bali is what I love about Sao Paulo, Nairobi, Seoul and Reykjavik: the material evidence of human life, which goes on in spite of the world’s enmity. In this search, the intense attachment to the beautiful remains. The sun pours itself all over the world and the world’s things. Things are being built, or repaired, or broken. Things sit in the street, free of use. Things are on the verge of speech. Ladders rise, angels invisibly ascend and descend.”
“Assemblages inhabit their own complexity and color. What I visit less often is what has been labeled beautiful ahead of time, what has been verified by the tourist board. I want to see the things the people who live there see, or at least what they would see after all the performance of tourism is stripped away. I love these places that are not mine for the underground channel of perception by which they are connected, the common semantics of used space, the shock of familiarity, the impossibility of exact repetition.”
Ever since I first saw a reproduction of a statue of the Three Graces, I’ve been drawn to the idea and manifestation of Three Graces. In mythology the three graces are Aglaia (Beauty), Euphrosyne (Mirth), and Thalia (Abundance). Who doesn’t need more of those qualities? Who would foolishly turn away from them?
At the Metropolitan Museum of Art in New York, I walk though the Greek and Roman Galleries on my way to see another exhibit, and I’m stopped short by the vision of my old friends, the Three Graces. Full size, the hover above me but are not out of reach. The galleries are crowded with visitors but the familiar form burns into my retina, cancelling out everything else.
The three women connect with each other, joined in a relaxed stance that belies the importance of their work: bringing joy and beauty to the world. Facing, not facing, facing, they include everyone in grace. Fellowship and power – the power of grace – are embodied in the feminine.
(Also called the Kharities (Charities), they attended Aphrodite and Hera. Dance, song, joy, goodwill and adornment can be added to their virtues. Cults worshiped them in southern Greece and Asia Minor, and many artistic renditions of them sprang up in pottery, on coins, in sculpture, etc. At first they were clothed, later they were shown naked. From Botticellito Niki de Saint Phalle, artists continue to work the theme.)
The 2nd century AD statue was purchased in 2010 with the help of, among others, Oscar de la Renta, the fashion designer. Mr. de la Renta, famous for clothing women elegantly, helped the museum keep these unclothed beauties in the public eye.
The painting (titled “Meeting (The Three Graces)” is by Manierre Dawson, whom I hadn’t heard of. An American born in 1887 to an art-loving family, he studied civil engineering and worked in an architectural firm. In 1910 he traveled to Europe, where he looked at lots of art and attended a soiree at Gertrude Stein’s. What an education it must have been! After returning to America he was producing innovative abstract paintings, one of which Stein purchased. He supported himself and his family by working a fruit farm at his family’s summer property in rural Michigan. The contradictions artists often live within: Dawson purchased a Marcel Duchamp painting at the Armory show in 1913; on the farm he mastered orchard skills: what trees need to bear fruit.
In a 1913 journal entry he writes, “Why not stay here on the farm, add a few acres of level land … and earn a living from the soil, with every spare hour devoted, at times to the pleasures of married life, or at times to the pleasures of painting, sketching or carving.” “The pleasures of” – the Three Graces’ whispered message is heard, and heeded. The farm became successful and Dawson devoted more time to making art, finally achieving recognition late in life with shows in Florida, and later New York. He is considered an American pioneer of abstract art.
The day after visiting the Met, I was in Chelsea and again I was stopped short by a vision of Three Graces.
A water offering sits at the base. Traffic streams down Ninth Avenue. The women are a counterpart to all that rushes and flows around them and I’m drawn in to the warm, sensual feeling emanating from gray stone.
One more image from New York seems to fit the theme:
A tree mars the composition but you take what you can get when you’re taking pictures on the street. The women are part of a wedding party gathering for pictures on a Friday afternoon in Battery Park, in lower Manhattan. There are more than three people and they’re not all women, but Beauty, Mirth and Abundance are embodied here, on this October afternoon.
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Besides seeing various versions of the Three Graces, I made other connections on this trip, connections that are inevitable if you think about what you see, and unfetter your mind. There was the work of two Japanese American artists who were interned during WWII, Isamu Noguchi and Ruth Asawa. I don’t know if they ever met, but I saw connections in their experiences as Japanese Americans with complicated identities, in their mastery of materials and in the simplicity of form in their work.
Trees were a running theme, whether at an old African Burial ground in Queens or a busy downtown park. Monarch butterflies too, because they were flying at the Brooklyn Botanic Garden and Battery Park. Bamboo, featured in a Metropolitan Museum exhibit, also drew my eye at the Noguchi Museum and the Brooklyn Botanic Garden. Architecture and ordinary buildings held my attention everywhere. The sensory overload was intense, but my eyes were hungry.
It felt good to return to the gentle rains of the Pacific Northwest.
And needless to say, there are many photographs to look at, think about, process and share. There are more in my inbox; the backlog is eleven days old. Today I’ll begin catching up with what everyone is doing.
On this trip, we spent a lot of time in the outer boroughs – five days of seeing sights and lively, often raucous, get-togethers with family and friends in Queens, Brooklyn, and Long Island – leaving just three days in Manhattan. New York is divided into five boroughs: Manhattan, Brooklyn, the Bronx, Queens and Staten Island. Manhattan is at the center, the others are the outer boroughs. When people say “New York City” they usually mean Manhattan, but a city resident could spend their entire life in the Bronx and never go into Manhattan.
As we traveled from borough to borough by car, glimpses of the Manhattan skyline captivated me, just as they have for many years. I first came to New York as a five-year-old to visit my grandparents. We went up to my grandfather’s office in a building on Park Avenue, and looking out his window, I was transfixed by all the yellow cabs, the activity, the color and movement. The view up Park Avenue and the energy on the streets and sidewalks of New York became focus points driving a deep longing to fully experience life in the city. By the age of 18 I was living in Manhattan. A photo from that early trip:
Here are a few views of Manhattan from the elevated BQE (Brooklyn-Queens Expressway), a notorious traffic nightmare. It wasn’t too hard to grab shots of the skyline as we went from Queens to Brooklyn at a 20 mph clip, which is decent for the BQE. The old Kosciuszko Bridge over Newtown Creek had just been demolished, leaving sections of the roadway angled wildly into the air like a sculpture John Chamberlin or Mark di Suvero might have done back in the 60’s. That’s the kind of eyeball-popping excitement I expect from New York, and I’m never disappointed. There are always surprises in New York, especially when you’ve been away for a few years…
How about that? The iconic Empire State Building and Chrysler Building stand proud behind a foreground lush trees and a cemetery. Not your average NYC skyline view.
The Chrysler Building is on the left, and to the right is the soaring, skinny 452 Park Avenue, said to be the western hemisphere’s tallest residential building. The East River, which separates Manhattan from Brooklyn and Queens, can’t be seen here. It’s between the high rises and the older buildings.
Pieces of the old Kosciuzko Bridge roadway, seen from the new one, after the bridge was demolished. The center section of the bridge was cut off, lowered towards the water and barged to a New Jersey scrapyard, then sections of bridge roadway on either side were VERY carefully detonated. Watch the demolition here and here. I think the sections I photographed are farther from the main bridge, so they haven’t been fully demolished yet – but if anyone knows better, I’m all ears.
This view shows Newtown Creek in the foreground. It separates Brooklyn from Queens, and has been a busy hub of industrial activity for decades. It’s a Superfund site now because of copious amounts of raw sewage and industrial waste dumped there over the years, along with 30 million gallons of spilled oil. How placid the polluted estuary seems!
In my mind, the old smokestack echoes the new residential tower in Manhattan, tying together two very different sides of New York – the glitzy world of high-price Manhattan real estate and the workaday world of heavy industry and sewage disposal. Just two days ago an 8-acre residential site went up for sale on Newtown Creek, in the middle of what has been an industrial wasteland for many years. Someday, this could all be gentrified…
I’ll be back soon with more from New York….where just five miles from the places pictured above I saw this magical sight – a group of hungry Monarch butterflies feeding on asters at the Brooklyn Botanic Garden.
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