FIRST MONTH

On a cold January afternoon at sunset, I’m alone, but not alone – driftwood, rocks, fir trees, clouds, and seaweed, all sit with me. Diving ducks and soaring eagles turn my head, gently lapping waves quiet my mind. Separateness disappears.

1. January 31st, 5:00PM.
2. January 31st, 5:03PM.

On another day, Douglas fir trees and I share a wind-buffeted view of Deception Island, floating mirage-like in boundaryless waters.

3. January 8th, 3:52PM.

One afternoon we go in search of Snow geese. Tens of thousands of them – some say over 100,000 – spend the winter feeding on agricultural fields on the mainland, about 15 minutes from home. To find them we ply the angular roads that break the fields into neat rectangles. After about ten minutes I spot a thin white line in the distance. It looks like a river reflecting light back to the sky but I am almost certain the white line is a large flock of geese. We drive toward it – straight, right, then left. There they are, perhaps two thousand of them covering the brown, muddy fields. We pull over, roll down the car windows, and watch, transfixed. After a few minutes, a signal we don’t see causes a small group to break away and take to the air with high-pitched, nasal honks. Soon the sky is filled with them, flashing black and white across the gray clouds.

When it’s time they’ll fly back to Wrangle Island, in Arcitc Russia, to breed. For now, they brighten our winter.

4. January 25th, 3:56PM.
5. January 25th, 4:02PM .

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By the end of January, buds are swelling on the Red-flowering currant bushes. Never indecisive, they know what to do. They pace themselves with the light, incrementally growing larger and softer. Not too fast, not too slow, strong yet gentle. Qualities we can aspire to as we go about the business of our day.

6. January 28th, 4:08PM. Red-flowering currant (Ribes sanguineum).
7. Cold snap. January 29th, 4:39PM.

Lichens come into their own during the first month of the year. Soft and swollen with moisture, Lace lichen hangs in pendulous tangles. Foliose lichens like the one below look as though they could take flight.

8. January 1st, 4:59PM. Lace lichen (Ramalina menziesii).
9. January 7th, 4:17PM. I think this is Hypogymnia canadensis.
10. January 1st, 4:59PM.

Sunsets needn’t be spectacular. A quiet vantage point on a hilltop perch above a channel or a sheltered spot in a rocky cove is all I need to dream myself into a deep calm on a winter afternoon.

11. January 7th, 4:21PM.
12. January 20th, 5:16PM.

Winter windstorms stretch strands of Lace lichen tight across twig chasms.

13. January 1st, 4:58PM.
14. January 1st, 5:24PM.

Driftwood logs change positions over the winter, especially when a King tide coincides with onshore winds. The massive logs are dense with water but slide some waves under them and off they go. Maybe they’ll land on another beach or maybe they’ll drift back and sit down inches from the last resting spot. When I walk down to the beach the logs appear to have been there forever, as solid as houses. But out in the middle of the channel, I see giant logs riding waves. I know they move around. I just don’t know their itinerary…

15. January 23rd, 5:44PM.
16. January 23rd, 5:54PM.
17. January 23rd, 5:42PM.

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LOWERING SKIES, CALM WATER

Did you know that in this context “lowering” rhymes with showering and was originally spelled louring? Lour is a Middle English verb meaning frown or scowl. That certainly fits the skies on a recent January afternoon.

But as often happens in this small corner of the world, that afternoon as the clouds scowled overhead, a wedge of gold hovered over the water to the southwest. The promising opening in the sky was caused by the Olympic rainshadow. The what? See the Olympic Mountain Range behind the trees in photo #2 below? When the wind blows across the Pacific Ocean from the west toward the mountains (which it often does) something interesting happens. As it pushes against the mountains and rises, the air cools. Cooler air can’t hold onto water vapor so the moisture condenses, producing rain in the lowlands and snow on the mountaintops. Then the wind travels down the other side of the mountains, warming as it goes. Now it holds the moisture, which makes the east side of the mountains much drier than the west side. A roughly oval-shaped area of dryer air results: the Olympic rainshadow.

Sunny Sequim, a town in the rainshadow, gets only 16 inches (40cm) of annual rainfall while the rainy town of Forks receives 199 inches (505cm) a year! Where I live, just outside the rainshadow, the annual precipitation is about 26 inches (66cm) and winter skies are often overcast. I’ve learned to look for brighter skies in the southwest corner of the island, closer to the rainshadow. Even if the sun isn’t quite shining there, I can often get a sweet glimpse of golden light spreading across the Salish Sea. A fifteen-minute drive from one end of the island to the other opens up an entirely different view.

That was the case on the January afternoon when most of these photos were made.

1. The rainshadow in the southwest, seen from Cranberry Lake on neighboring Whidbey Island. Crossing the bridge to Whidbey Island put me a little closer to the rainshadow.
2. The lake’s surface reflects the light like a mirror. The snow-capped Olympic Mountains seen behind the trees are about 60 miles (100km) away as the crow flies. On the other side of the trees, the Salish Sea connects the dots of islands, mainland, and ocean.
3. Ducks, grebes, cormorants, herons, and gulls use the lake in winter. Here’s the evidence.
4. There’s that opening in the sky again, throwing silver light onto the lake. The light changes quickly on days like this.
5. On a December afternoon two years ago, I photographed the sun shining over the Salish Sea from a tangle of branches beside the lake. Once more, the rainshadow was responsible for the light show.
6. Sand dunes separate the lake from a sandy beach strewn with driftwood. Unlike the calm, reflective surface of the water, the grass, trees, and sand hold the light close.
7. Did an animal bed down here in the dunes last night? Soon the grass tips will darken but now they almost glitter from the rainshadow’s light.
8. The nooks and crannies of a massive, 800-year-old Douglas fir tree receive the day’s last light.
9. The sun briefly ignites a stand of weather-ravaged fir trees on the beach.
10. Gentle ebb tide waves lap at the shore. In the north, islands are heaped in blue.
11. It’s dark overhead but a tear in the clouds allows the sun to brighten rocks scattered by the last high tide.

12. Across the Salish Sea, the Olympics are hiding under the clouds. At my feet, the swish of foamy water and the delicate clatter of small stones is soothing to the soul.
13. Winter windstorms and King tides pushed piles of driftwood far up onto the beach. Like a boneyard, all is still. For now.

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BEING SEEING

when I’m on the trails

and when I’m not,

beingseeing.

In the park by the sea

here’s what I see

when I’m

seeingbeing.

1. Treebeing with intentional camera movement, using a vintage Takumar 50mm lens on a Pen-F mirrorless camera.

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A one-way road traces a two-mile loop around the perimeter of Washington Park. Most visitors take their walks on the pavement and with few cars and varied scenery, it’s a very pleasant outing. But I prefer the tangle of trails that weave around and beyond the loop road. I pull into a rough parking place along the road, stash my backpack in the trunk, check that I have what I need in my pockets, and plunge into the woods.

Within minutes, the forest gives way to meadows and rocky outcrops with seawater views to the southwest. The golden light filtering through the trees here is as welcome on a winter afternoon as it was on summer evenings.

2. An iPhone view of the loop road on a December afternoon.

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Here’s the lay of the land: in the center of the 220-acre park, dozens of campsites are scattered under a tall conifer forest. On the park’s north side a boat ramp and a small beach beckon families and boaters and along the western edge, a cement stairway leads to a rocky beach with a stretch of forested cliffs. My favorite part of the park is on the southern edge, where the land slopes down to the water in a series of mounds and ravines. As the terrain dips and rises, views of blue-green seawater appear and disappear. On sunny days, the light bouncing off the channel warms the trunks of rugged, weathered trees that tell stories of a landscape where the summer sun beats mercilessly and winter windstorms batter the hills with rain.

Difficult conditions make interesting habitats. The poor soil supports tiny, odd ferns in the rock crevices, a wealth of lichens, and meadows full of flowers in spring. When the summer drought shuts down the flower show, tufts of dried grass color the meadows gold. For a few months, the landscape is so parched that every step crunches something – dried leaves, sticks, grasses, lichens – even moss crumbles underfoot.

Then the autumn rains return and the landscape wakes up. Emerald green Licorice ferns uncoil, mounds of reindeer lichens puff up like clouds, and the Madrone trees glow in a rainbow of russet, orange, and lime green. This is when I like to roam the trails. With the flowers gone, twisted, contorted trees and intricate collections of detritus on the ground capture my attention. I slow down. The circuits in my brain fire up and my senses are alert to darting birds, a tapestry of color, and the play of light across the trail. Just being here is enough.

But you know I have my camera.

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4. Its’ scarred bark wet with rain, a twisty Madrone leans in toward the water’s bright light.
5. This Madrone’s bark is peeling as if the tree’s muscle wants to break out of its skin.

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6. Tree drama abounds on the edge of the park, where branches speak a language that is not foreign to me – or you.

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7. Leaning Madrones interrupt the repeating verticality of young Douglas fir trees.
8. An old Madrone seems to reach for an opening in the forest. (This photo was made with a vintage Takumar 50mm lens on a mirrorless Pen-F camera).
9. A Madrone palette spilled onto the ground.
10. Clumps of Reindeer lichen (Cladonia sp.) swell and soften with moisture in the fall. Tiny green dots point to the beginnings of plants resurrected by the rain.
11. Wallace’s spikemoss (Selaginella wallacei) is not a moss, but a vascular plant that reproduces by spores. Here, it creeps across a lichen-covered rock. The tips are green but much of the plant is whitish because Tundra saucer lichen (Ochrolechia upsaliensis) is growing on it. In the Alps, Tundra saucer lichen grows above the tree line but here, it was growing at less than 50 feet above sea level.*

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13. An old Seaside juniper sprawls across a ridge. The branches on this tree fork like antlers on the deer above.
14. The sun peaks out after November rain. I keep to the grass – the rocks and soil are slippery now.
15. Another rainy day yields a hazy view through Seaside juniper branches. (Made with a vintage Takumar 50mm lens on a mirrorless Olympus EM-1 camera).
16. Raindrops hang from juniper twigs on a misty January afternoon.

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17. An impossible tangle of juniper branches obscures the view of the channel.
18. I watch the sunset through a byzantine screen of a juniper’s lacy twigs and foliage. (Made with a vintage Takumar 50mm lens on a mirrorless Olympus EM-1 camera)
19. After a rainy November day, the sun illuminates the world.

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20. Dusk settles a deep hush into the hills across the water.
21. The setting sun framed by a fragment of Madrone bark, a week before the shortest day of the year.

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This post fits into two categories that I use: Local Walks and States of Being. To see more posts in these categories scroll way down and click on the category. More posts about Washington Park are here and here.

*Excellent photos of the plant and lichen in #11, photographed in Washington Park by my friend Richard Droker, are here.

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2022 WRAP-UP

Summarizing a year of photography is a daunting task and choosing the best photos of the year seems impossible. If you do choose your favorites and decide to post them, then I wonder if it’s mainly an exercise in self-congratulation. Will the photographer benefit more from the process than the reader? Having said that, I’ll admit that I only wavered for a few minutes before deciding to take a stab at it. I hope you’ll enjoy looking.

So here are some favorites from 2022. Most appeared in the blog this year, some did not. I like posting series of images that tell a story and obviously, this series can’t do that. What I’ve done instead is order the photographs so there’s a flow from one to the next. Below the photographs, you’ll see a summary of the experiences that made this year especially memorable. A slideshow accompanies the story – look for the arrow on the right.

1. Dark-throated Shooting star (Primula pauciflora); Washington Park, Fidalgo Island, Washington.
2. Bull-whip kelp (Nereocystis luetkeana); Deception Pass State Park, Fidalgo Island.
3. Bull-whip kelp; Deception Pass State Park, Fidalgo Island.
4. Lace lichen (Ramalina menziesii) in Spring; Washington Park.
5. Giant white fawn lily (Erythronium oregonum) photographed with intentional camera movement; Washington Park.
6. The Deception Pass bridge in fog, from the Fidalgo Island side.
7. A lichen, probably Eyed Beard (Usnea quasirigida); Anacortes Community Forest Lands, Fidalgo Island.
8. Sunset; Deception Pass State Park.
9. Water vapor obscures walkers and a Canada goose family; Deception Pass State Park.
10. Looking down on a garden of Bull-whip kelp; Deception Pass State Park.
11. A forest path photographed with intentional camera movement; Ginnett Road, Fidalgo Island.
12. Grasses and wildflower seeds photographed with intentional camera movement; Deception Pass State Park, Whidbey Island side.
13. Fog at Mattole Beach; Ferndale, California.
14. A rock at Centerville Beach; Ferndale, CA.
15. Desert detritus; Old Irontown, Utah.
16. A roadside view; Torrey, UT.
17. A view from a trail at Snow Canyon State Park; St. George, UT.
18. Grass seedhead at Kukutali Preserve; Swinomish Indian Reservation, Fidalgo Island.
19. Sunset over the Olympic Mountain Range; Deception Pass State Park.

20. A barely visible bridge in heavy fog; Deception Pass State Park.
21. Wet feather on a rocky shoreline at Washington Park; Fidalgo Island.

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Photographically, 2022 was a year of honing skills. I focused more on using wide-angle lenses for landscape views than I had in the past and continued experimenting with intentional camera movement. New Lightroom updates made it easy to select subjects, skies, and backgrounds or to lift the atmosphere of an image with colored highlights and shadows. I began using those edits regularly. I became more selective about what to keep and thought about how photography enables us to record scenes so easily that we often forget to consider the potential emotional impact of an image.

Trips always inspire me photographically and this year was no exception, with a memorable spring trip to the Southwest that included visits to Zion National Park, Bryce Canyon National Park, and best of all, Capitol Reef National Park. In October we returned to Humboldt County in northern California. It was good to see that the excellent Airbnb where we’ve stayed before, the local coffee shop, and the Mexican restaurant we like all weathered the pandemic. We explored Redwood forests, drove into the backcountry, and spent peaceful hours on spectacularly lonely beaches.

The biggest events of the year were not the trips though. They centered around the emergence of new life. At the tail end of January, a Northern elephant seal came ashore at my favorite beach and gave birth to her first pup. The area was closed off for months as Elsie Mae (born 4 years ago on a neighboring island) fed her pup, Emerson. In February I saw them and met the people who protect them, working as volunteers with the Central Puget Sound Marine Mammal Stranding Network. I decided to join the volunteers in protecting the seals and educating the public about the first-ever Northern elephant seal born on Fidalgo Island. It was intensely busy and very rewarding. In June, Elsie Mae returned to the area to molt, requiring more hours of volunteering. Then in October, she came ashore for a rest and we wondered if she was pregnant again. Only time will tell.

In April I had a surprise from my son and his girlfriend who announced they were pregnant – with twins! Late in August, two tiny boys came into this world: my first grandchildren. It’s hard to describe how having a grandchild transforms your relationship with your own child. It gives you a very different perspective on your life, their life, and life itself. Holding the babies brought all my parental instincts back in play. Words cannot do it justice!

Sandwiched between the birth of the elephant seal pup and the momentous arrival of my own grandsons, I had an unusual experience in the forest. I was searching for orchids at one of my favorite places here on Fidalgo Island. Alone in the quiet forest, I suddenly heard a loud hissing sound and saw something jump in front of me. Startled, I realized it was a medium-sized bird, wings fully outstretched, and she – it had to be a female – was furious! She was not going to let me go any farther in that direction. I stopped, looked around, and saw two balls of fluff in the moss on the ground! I could see they were Nighthawks but I hadn’t seen a Nighthawk in many years. It was deeply moving to go eye-to-eye with this wild creature in such an unexpected encounter in the heart of the forest. I apologized to her and quickly made several photos while carefully backing away. It was a privilege to see them – this species is declining here and is not normally seen on the island. And here was a healthy Nighthawk and two chicks!

As if to make sure I understood the theme of new life, one day a doe with twin fawns walked through our yard. Then I found something unexpected in a photograph I uploaded. It was August and I had been photographing Bull-whip kelp in the park. Almost hidden in the giant kelp strands was a small, pure white Harbor seal pup! Later I learned that some Harbor seal pups are born prematurely with their lanugo, a white coat they normally lose before birth. I hope the little pup survived! My own grandchildren were also born prematurely and I see their parents devoting themselves to their care. The babies, the elephant seal pup I watched over for months, the tiny Nighthawk chicks, the baby Harbor seal – it’s been a year to take heart in new life.

Slideshow: click the arrow on the right.

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The White Light of Winter

1.

Like huge swaths of the US, the Pacific Northwest was walloped with a blast of arctic air this week. Where I live, snow fell for hours, leaving about 7″ (18cm) on the ground. The white light of winter was accompanied by days of round-the-clock below-freezing temperatures, which is unusual here, especially in December.

I may have grown up with plenty of snow but, after living in the Pacific Northwest for ten-plus years, I’m not used to it anymore! Determined to get some exercise, I set out on a short, cold walk in a park by open water one afternoon. Brisk winds whipped straight across the water, waves dashed the shoreline, fir trees moaned and my extremities went numb.

But as I said, I was determined to walk – and of course, I had a camera in hand. The rhythmic scissoring of my legs over crunchy snow felt good after several sedentary days. By alternately warming each hand in a pocket to regain movement in my fingers, I was able to make a few photographs. Near an empty bench, two round, dark bird blobs bounced across the snow, looking for stray bits of anything edible. I threw a handful of peanuts from my pocket onto the ground. The sparrows wrestled with the too-large morsels but it seemed to be worth the effort. Other than a handful of bundled-up walkers, two cross-country skiers, and five sparrows, nothing but wind and waves moved.

Despite the cold, I lingered over the beauty. It’s always that way, isn’t it? It doesn’t matter what discomfort we feel in the moment, it’s all forgotten when something exciting catches our eye. What caught my eye that day were the sculpted curves of snow drifts in the sinking sunlight, a patch of almost-bare ground that the snow battered with such force that every blade of grass was outlined, and sunglow on the fir trees in the forest.

Bringing my scarf up over my face, I turned back and walked as briskly as I dared on the snowy lane that was unplowed and closed to vehicles because the island’s few snowplows were urgently needed in town. Christmas lights strung carelessly in a tree by the parking lot welcomed me with the warm charm that makes me grateful to live here, away from city sophistication. Heading home in my unglamorous but dependable Ford Focus, I looked forward to a warm house, brightened by the white light of winter at the windows.

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The blanket of snow has brought many pleasures. Crossing the bridge to the mainland this week, we wondered at the beauty of a mackerel sky, clean, white fields, and the mirrored surface of the Swinomish Channel. I recorded the scene with my phone from the passenger window, closed tight against the frigid air. One day I drove around March Point and stopped for a minute to gaze over Padilla Bay, just north of the fields seen below. Ducks gathered in tight masses close to the shoreline. To the east, the clouds opened a narrow window onto snowy foothills. A skein of ducks flew silently over the bay, perhaps to spend the night huddled at the edge of a slough.

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At home, a Dark-eyed junco huddled in the Redcedar tree that stands tall beside the house. The birds are so hungry this week that they only fly off at the last second when we step out of the house. It’s the briefest interruption in their all-day-meal at the suet and seed feeders. Stand still in the doorway for a few seconds and they flutter back down to the ground like autumn leaves, so close you can hear them alight. I treasure these intimate moments with wildlife. Making my way with big, soft steps into the snow, I walked back toward the woods and found a leaf that seemed to have been dipped in snow cream and rose hips with elfin snow caps. Even the deck fencing was transformed into a series of toques, ready for a bevy of chefs to place on their heads and get to work. What ingredients would they find? Perhaps cascara tree bark, rose hips, and wildflower seeds would be a start.

Reveling in the lovely, deep snowfall, I made a few more photographs before my fingers went numb again. Werner Herzog said, “The world reveals itself to those who walk.” And, I would add, to those who look. I hope your solstice holiday time, wherever you are, allows you time to walk and attend to the earth and its gifts. And speaking of gifts, thank you so much for the gift of your presence here this year.

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The Play of Light in a Darker Times

My medium of choice, the camera, doesn’t pick and choose. It has no opinions, no favorite colors or times of day. With complete dispassion, it accepts and reflects the breadth of what is in front of the lens, excluding nothing. You may argue that this isn’t quite true – cameras do have limitations – but bear with me. The point is that in this season of abundant darkness when shorter days bookend the winter solstice, the camera’s all-seeing lens may not see as much as it does in brighter seasons. Unless you’re photographing a snowfield, it’s likely that a fair amount of the frame will fall into the shadows. That makes it easier to concentrate on a few elements of the scene. Darkness can be a wall where light enters through a door.

1.

When I first moved to the Pacific Northwest from the east coast I bemoaned the lack of light. I missed the dazzle that accompanies blankets of snow, the delicate light of spring, the pop of bright autumn leaves. At a photo conference, I asked Art Wolfe, a respected Seattle photographer who travels widely, about what I thought was the problem of the paucity of light in the region. He surprised me by disagreeing and expressing warm enthusiasm for the local landscape, just the way it is. I respect him and his work so I thought long and hard about what he said. I tried to flex my mind and open myself to other possibilities. Over the next five years, while I grappled with camera noise and somber tones, I gradually developed a feeling for the moody Pacific Northwest. That meant accepting the challenges of dim, overcast days alongside the picture-postcard beauty of snow-topped mountains and craggy, forested islands. Now, my least favorite time of year for photography is the summer, when the sun rides high and bright in clear skies.

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In a few weeks, the shortest day of the year will mark the turn toward an increase in light that culminates in June with deliciously long, sunlit days. I value the rebirth and growth that comes with spring, my favorite season. But by midsummer, I’m tired of sunny days whose harsh, flat light illuminates every nook and cranny in the landscape. It gets to be too much.

The crepuscular hours of winter’s short days are just the remedy – and it begins well before the official start of winter. Shadowed landscapes offer magical openings that leave more to the imagination. When a sliver of golden light picks out a few twigs in the forest and hides everything else in the murky half-light, a drive awakens in me. Like an animal focused on its prey, I become intent on finding interesting plays of light during the last hours of the afternoon. The cold is forgotten as I study details and analyze the pros and cons of each mentally framed scene. Working quickly before twilight turns into night, I appreciate every patch of light as a treasure in a half-dark world. And of course, it’s the darkness that makes those treasures valuable.

A few days ago a light snowfall coated the ground overnight. In the morning the snow was marked with neat circles where icy rain fell onto it. In search of whatever beauty I might find, I tried driving up Mt. Erie, the highest place on the island. Within minutes, the car began to skid. The road up the mountain isn’t a priority and isn’t well-plowed. Congratulating myself on a well-executed three-point turn on the narrow, icy road, I retreated in low gear and parked at the bottom. A trail across the road that leads up a gentler hill would have to be good enough.

And it was. In a forest opening, I found scraps of ice hanging like baubles from clumps of gray-green Usnea lichen that dangle from the branches (#2, 3, 4). Delicate twigs festooned with waterdrops glowed faintly in the low light (#5). Like an interloper, a beam of light sliced through the forest and illuminated a patch of drooping flower clusters that were dull brown with age. For a few seconds, they sparkled like gold. With fingers going numb, I photographed straight into the weak, distant sun before the light shifted again (#1).

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The forest was losing what little light was left as the sun dipped behind the hill. Only the tallest treetops gleamed saffron; everything else was obscured in the dusky shadows. My toes and fingers were cold. Alone in the woods, I followed the trail back down to the road. The birds were quiet, probably busy gleaning the last seeds and tiny insects from the woods before huddling close to a tree trunk and fluffing their feathers for the night. Somewhere behind me, the high-pitched chatter of a Douglas squirrel broke through the shadows.

It felt good to get back in the car but there was still a little daylight left so I decided to check out Heart Lake. Just up the road, the small lake is a pretty splash of blue set in a deep green border of conifers. I knew the afternoon light would be raking across the lake in chiaroscuro patches. As I pulled into the parking lot mergansers dove in the shallows and a man threw a stick into the water for his happy Labradoodle. I got out and exchanged friendly words with the man but I was more interested in what was behind him on the edge of the lake. A great tangle of brush, grass, reeds, and trees glowed like copper in the lowering sun. Each twig and leaf was picked out in sharp definition. All I had to do was to stand as close as possible to the shoreline without getting wet feet, check settings, compose, and click (#6).

To the left, gracefully bent reeds were mirrored by the cold, still water (#8). On the north end of the lake, a group of ducks worried the surface. Noticing the pattern of sunlit reeds, barely visible trees on the opposite shore, distant ducks in a line, and striped reflections on the water, an idea came to mind: the varied bands of light and dark would make a nice composition. Later, I realized that the color was distracting and made the image black and white (#10). With the sun finally gone behind another hill, I saw one last subject: a loose fountain of tall grass sticking up through the ice. The ice was mushy and pock-marked from waterdrops that must have fallen from a nearby tree. I liked the graceful droop of the grass and muted colors. It was a natural conclusion to the afternoon (9).

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This Place, This Moment

1.

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2. Wave, kelp.

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3. Windstorm.

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Knowingly or not, we respond to place and moment. Our responses are particular

to a set of eyes, a body-breathing-in-skin,

a certain brain

with a singular set of experiences,

predilections, knowledge, needs,

desires. In my case, there is also a black box

with certain lenses,

a keyboard, software (clever software!), and

a beaming, bright screen.

This bundle of cells, functioning together

as they have for decades

(but differently in each moment) produces rows

of image files in concert with the black box and the software.

Is it magic?

Choices are made: less here, more there, lighter,

darker, softer, sharper, colored, or not.

And here is the fruit.

These responses to place and moment mean something to me,

something else to you. Flung across digital space

they resonate or they don’t. Either way is a response

and this vast, sparkling network of responses across

space and time encompasses

more than we can imagine.

That’s magic!

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4. Reflection.

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5. Reed, reflection.

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6. Windstorm.

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7. Windstorm, sunlight.

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8. Scattering, disintegrating.

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9. Windstorm waves.

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10. Return to water.

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11. Last light.

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12. Rain.

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FURTHER AFIELD: Humboldt Hash

1. Side street splendor; Ferndale, California.

This Humboldt Hash is the product of a woman with an ever-curious mind wandering around a county called Humboldt with a camera. The sparsely populated northern California county contains dense coniferous forests, open shrublands, wide beaches, sand dunes, wetlands, and a few cities on the coast. Small towns dot a landscape given to dairy farms, livestock rangeland, and impressive Redwood forests. The county is also famous for cannabis. Its world-renowned marijuana business began with countless illegal operations run by hippies who headed for the hills in the 60s. Now, mainstream cannabis businesses struggle with the environmental impact problems and the complex regulations that followed California’s legalization of cannabis sales and cultivation in 2016. (Yes, there’s a double entendre in the title of this post).

But when we’re in Humboldt County our focus is on wide, empty beaches, magnificent Redwood forests, and any serendipity we may encounter. It might be a cowboy on horseback herding cattle across hills overlooking the ocean or something as quotidian as a local cemetery that reveals an offbeat slice of history. Or it might be a spontaneous conversation with someone who introduces us to their dog and recommends a little-known trail.

We stay in Ferndale, a town known for its well-preserved Victorian architecture and comfortable, small-town vibe. We always admire the charming homes and storefronts but this time we noticed a sprawling cemetery while walking through town. “Let’s inspect the gravestones”, we thought. The site climbs a steep hill so we enjoyed a mini-workout punctuated with headstone poems. Graves have always interested me and this cemetery proffered a surprise: a handful of picturesque, weedy gravesites accented with tchotchkes and plastic flowers left in remembrance long ago.

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We intended to explore a back road that winds through the Lost Coast Headlands on this trip – on our last visit, we drove far enough to thirst for more but ran out of time. Maps show Mattole Road looping through uplands, dipping down to empty beaches, passing through a tiny town or two, and terminating in Humboldt Redwoods State Park, where it joins California’s famous US Route 101, aka “the 101.”

We tabled the decision on whether to do the entire, 66-miles plus another 33 miles on 101 to get back to Ferndale. Car-weary from two days of driving 670 miles from our home to Ferndale, we figured we’d see how we felt – we could always turn around. So we set out one morning, planning to at least make it to Petrolia, a town of about 400 souls scattered in the woods. After a tedious, bone-rattling hour on the twisting, rutted road, we reached Petrolia. Gratefully, we got out of the car to peruse its one store. Here, you can supply yourself with coffee, groceries, camping supplies, T-shirts emblazoned with the volunteer fire department logo, organic cookies made by a local man, and beer. Cash only. Outside the store, a bulletin board functions as the ad-hock community center. I hope the Porta-potty fund does well because they were in pretty bad shape (see photo below).

3. Resting, Petrolia.

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We had only covered 30 miles in our hour of tortuous travel. There was no way we were going to subject ourselves to another two hours of Mattole Road followed by a half-hour of highway to get back to Ferndale. But I noticed a road on my phone’s GPS (cell service? No way!). It dead-ended at a beach and looked doable. It was. Mattole Beach is a very remote spot where you can beach-comb, camp, or begin hiking the challenging, 25-mile Lost Coast Trail. There was only one person in the parking lot (who happened to be from Seattle), waiting to meet friends for a camping trip. After exchanging pleasantries we climbed a dune and were alone on the beach. We watched as fog lifted and settled and lifted again. Sensory input was stripped down to the crash and swish of waves, the sweet feeling of cool, damp air on our faces, and the minimalist views that revealed nothing but more fog, more sand, more waves. We reveled in the misty splendor.

I wondered how anyone living near this coast could be anxious or troubled; pounding surf seems to soothe every last twitch of nerves.

5. Fog; Mattole Beach, Lost Coast.

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7. Brown Pelicans; Mattole Beach.
8. The fog lifts; Mattole Beach. (iPhone photo).

The next day we forest-bathed at Rockefeller Grove in Humboldt Redwoods State Park. Photographs don’t do justice to the sensation of standing among the massive trees whose tops are far out of sight. But we also saw Redwoods from another angle: one hundred feet up in the air. One morning we went to the Sequoia Park Zoo in Eureka to experience the Redwood Sky Walk. The series of platforms built around the tree trunks connected via swinging bridges was a treat. There’s nothing like getting up into the trees!

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9. A hundred feet above the forest floor.

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The zoo’s flock of flamingoes from Chile provided a welcome shock of peach-tinged pink on that foggy day. One afternoon, a handsome butterfly paused on a trail, injecting another dash of color into my photo files. Persistent fog banks only allowed the sun to peek in and out during our stay in Ferndale, which was fine with us. We weren’t there to sunbathe, we were there to experience a place far from home, with all our senses.

One day I saw a road on my cell phone map that led to what appeared to be an uninhabited island in the Eel River delta. We followed Cannibal Island Road (really?), turned left past hay fields, and crossed over a creaky bridge. We didn’t find much that day and I don’t think the fishermen we watched from the bridge had much luck either. A harbor seal kept a sharp eye on them, clearly hoping for a morsel of bait. No luck. The cormorant and egret barely visible through the fog probably did better. On the way back to Ferndale we passed an abandoned dairy in a less prosperous town and wondered aloud why one town did so well and the other faded into oblivion. I like the kind of travel that poses lots of unanswered questions. It keeps the wonder alive.

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11. Fishing on the Eel River.
12. Maybe someone will repurpose the old creamery building and give it new life.

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Back to the beach, the main ingredient in my Humboldt Hash. Artfully arranged strands of kelp, a perfectly intact Sea urchin shell, and skeins of pelicans melting into the fog all manifest the liminal space between land and water. In Humboldt County, the mountains of King Range plunge down to the sea in waves that end in sheltered coves and exposed cliffs. Thrown up on smooth, sand beaches, slammed against hulking, dark rocks, or sent into wide river estuaries, the surf sings and thunders.

Spirits refreshed, we turn back toward town. Evenings find us at the same friendly Mexican restaurant, mornings always begin with a stop at the Mind’s Eye Manufactory and Coffee Lounge, which is much more relaxed than it sounds. Traditional skin-on-frame kayaks are hand-built in the back, and dogs and their people relax in the front. Strolling down Main Street, we find a curious sign. “Go Away” it says, reminding us that soon we’ll have to climb back in the car for the long drive home. But on the other side, it says, “Welcome.”

We’ll be back.

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14. Sea urchin; Black Sand Beach, Lost Coast.
15. Weather-sculpted rock; Black Sand Beach, Lost Coast.
16. Fog, Centerville Beach, Ferndale.

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18. Fog over Black Sand Beach.
19. A Raven in the fog; Luffenholz Beach, Trinidad.

20. Trust me, the other side says “Welcome.”

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IN A LOCAL MOOD

The Pacific Northwest is known for rainy, moody weather – but peel back a few layers and you’ll find that it’s more nuanced than that. It’s not all rain and clouds, in fact, the weather varies widely from season to season and from place to place. Summers are dry, sunny, and cool in contrast to autumn, winter, and spring when gray skies predominate. Seattle is often drizzly but fragrant lavender farms color the landscape to the north, where mountains prevent the clouds from releasing moisture. Out on the Olympic Peninsula, an extraordinary rainfall total of 140 inches/year (355 cm) supports temperate rainforests. Whether it’s dry like the Mediterranean, soaking wet, or somewhere in between, it’s still the Pacific Northwest.

1. Water, sky, rock, fir trees create a typical Pacific Northwest quartet.

Does the idea of a place marked by abundant rain conjure up dramatic downpours? Oddly enough, that picture is wrong. The Pacific Northwest doesn’t experience many sudden, violent turns in weather. Tornadoes and hurricanes are infrequent to non-existent. Lightning storms, dangerous heat waves, and deep freezes aren’t likely to crop up in the local forecast. Changes here tend to come gradually like the slow turn of a dial when you’re looking for a radio station. Weeks often go by with temperatures hovering within a small range. Granted, the region’s winter windstorms can toss trees around like matchsticks but most weather transitions are relatively quiet. Even the heavy rains brought by atmospheric rivers from far out in the Pacific may take days to release all their moisture. Seattle, the city with a reputation for rain, has an annual precipitation of only 37 inches (94 cm) compared to over 49 inches in parts of New York City and Houston.

2. PNW-style rain.

Long-time residents might disagree with my observations but a decade of living in the Pacific Northwest after a lifetime spent in the Northeast gives me a certain perspective. Visitors who’ve heard “It always rains in Seattle” are surprised to find almost no umbrellas on the streets. Why? Because the rain usually eases in almost imperceptibly, then fades in and out all day. People wear shorts and sandals all year, just adding a hoodie in winter. The locals are hardy! And there are sunbreaks. I hadn’t heard of sunbreaks until I moved here. They splash the landscape with cheer during winter months and interrupt the long, wet springs with welcome warmth. We have sunbreaks because outside of the summer, the skies are cloudy most of the time. Summer is what everyone waits for but it takes its time; Seattleites don’t expect to see consistently blue skies and warm temperatures until after July Fourth. Most of June is cool and gray, which is why we have “June Gloom.” That may sound dreary but the steady, gray tones and cool temperatures can get under your skin in a good way. Or you could move to Nevada.

3. Shrouds of Lace lichen (Ramalina menziesii) screen the view into the forest.

It’s not only the weather that sets the stage for Pacific Northwest moods. The prevalence of tall, dense, Douglas fir trees in the landscape plays a major role. Looming conifers may inject year-round green into the landscape (hence Seattle’s nickname, “Emerald City”) but they also reduce the amount of available light. Thick evergreen forests impart a mysterious, even foreboding quality to the landscape. Topography plays a role, too: the hilly, mountainous terrain limits views. Wide-open vistas are relegated to mountaintops or places with open water. Nothing seems clear and straightforward in this enigmatic region.

Last but hardly least, water is a crucial element in the Pacific Northwest. The region I’m talking about, loosely speaking everything west of the Cascade Range, north of California, and south of Alaska is profoundly affected by the presence of water. Because expanses of salt water have a moderating effect on temperatures, snowstorms are short-lived and heat waves are nothing compared to what the east coast experiences. Temperatures around Puget Sound seem to want to go back to where they were. Paradoxically, salt water evens out temperature extremes but it is the embodiment of change. Landmasses are steady presences; water is all about movement. From coastal waters to Puget Sound, to inland lakes and streams, the presence of water adds mutability to the landscape. With constantly changing colors and textures, bodies of water influence and define the moods of the Pacific Northwest.

4. On the coast, sea stacks, surf, and fitful skies.

Maybe I’ve been thinking about Pacific Northwest moods because we’ve just entered the rainy season. Days are shorter, skies are cloudy again and temperatures have cooled. This season seems to reflect the essence of the Pacific Northwest, though I know many locals would say it’s the beautifully clear, cool summers that make the region special. I think fall weather suits this landscape. Trees brood darkly, water seeps around every corner, and there’s a damp chill in the air. I think these photos convey that feeling.

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6. Dry grasses persisting through fall soften the landscape. (This photo uses slight intentional camera movement).

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8. Cormorants gather on an old pier off Q’elech’ilhch Park on Fidalgo Island.

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9. Bullwhip kelp afloat in the Salish Sea.
10. Snowberries (Symphoricarpos albus) gleam in a dark recess of the forest edge.
11. Seeding next year’s fields of wildflowers.
12. In the mountains rivers run wild after fall rains.
13. Douglas fir trees cast shadows over lakes.
14. Ninety miles from the ocean, the waves at this saltwater beach don’t normally pack much of a punch but their incessant rhythm soothes the soul.

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Was it all a dream –

I mean those old bygone days –

were they what they seemed?

All night long I lie awake

listening to autumn rain.

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Ryokan

From Almost Paradise, translated by Sam Hamill. Shambhala Publications, 2005.

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LOCAL WALKS: Around Pass Lake

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There’s a lake near my house set in a forest of tall evergreen trees that spill down to the shoreline. A road that swings by one end of the lake offers drivers a refreshing glimpse of liquid calm. I think of the lake as a bowl masquerading as the sky, reflecting limitless bright blue, opaque, chalky gray, or smudged pewter, as the weather shifts with the seasons.

Like most people, I usually drive by this lake with another destination in mind. But when my preferred spots are too crowded or far away I might turn into the crunchy gravel parking lot, park the car, and meander through the forest. The trails there don’t feature spectacular views but they do offer a cool, cocoon-like embrace. Sometimes that’s what I need.

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The Loop Trail

As it leaves the whirring traffic behind the dirt trail enters a dim, amphitheater-like space of towering trees set among arcing sprays of emerald green sword ferns. There’s not much middle story here – the flora is mostly confined to evergreen ground covers below and stately conifers above with branches beginning far overhead. Winding up a rocky hill, the trail enters a drier part of the woods where discrete openings invite patches of grass and wildflowers. A small slice of the Salish Sea is visible through the maze of crisscrossing branches if you stand in just the right spot. The trail heads down and back up into a brushy opening where blackberries grow. Plunging back into the dim forest, the trail climbs, falls, zigzags and curves back around through mature firs and cedars to complete a two-mile loop. As you walk, every five or ten minutes there’s a subtle change of atmosphere, light, and flora, depending on where you are in relation to the lake, the elevation, the soil, and even the logging history. This land was once logged, some areas more recently than others. Now it’s a protected state park.

3. If they’re this tall now, imagine how tall the trees must have been before the forest was loggged.
4. The trail climbs and the terrain opens up.
5. On an offshoot trail a Bigleaf maple struggles for light in a deep ravine.
6. Blades of grass catch the setting sun on a dry slope.
7. By September, the grass has bent to the ground.
8. Closer to the lake the rugged bark of a Douglas fir tree and a few stray Sword ferns fronds corral the last minutes of sunlight.
9. The fruit of the native Bitter cherry hangs over the lake in September.

The Name

On maps, it’s Pass Lake, a name that might benefit from an explanation. It’s not called Pass Lake because it’s near a mountain pass, rather, the name comes from its proximity to a channel called Deception Pass. This deep, churning channel separates two islands with promontories that border a “very narrow and intricate channel, which…abounded with rocks above and beneath the surface of the water.”* So wrote George Vancouver in his journal of the American Northwest Coast Expedition of 1792. Anchored off what we now know is a very long island, he sent Naval Master Joseph Whidbey and a crew to explore the twists and turns of the shoreline in a smaller sailing yawl. The expedition was busy mapping and naming everything in sight, in order to claim territory for the British Crown. After five days the men returned and reported that the land mass was as they suspected – a long peninsula. Then the HMS Discovery sailed up the other side of the “peninsula” and Whidbey was sent out again to examine the jagged coast in detail. This time he found that “very narrow and intricate channel” which leads to the other side. The peninsula was actually an island! Vancouver decided to name the channel “Deception Passage.”

Thanks to politics and power, maps retained that name with one small change: somewhere along the way, “Deception Passage” became “Deception Pass.” It made sense to call the small lake that empties into the channel “Pass Lake.”

Here it is, concealing its charms on a foggy autumn afternoon.

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11. Trees tumble into the lake. No one tidies up the mess because this natural cycle benefits many creatures.
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13. This photograph is from last December. All the rest were made in July, August, and September 2018 – 2022.

A Little More About Names…

Of course, Vancouver and his men weren’t the first people to name the channel – they weren’t even the first Europeans to label it. Two years earlier, a Spanish Peruvian explorer in command of a ship taken from the British was searching for the coveted Northwest Passage and found the deceptive channel. Manuel Quimper Benitez del Pino named it “Boca de Fion” or “Boca de Fidalgo” depending on your source. Later, complicated disputes and negotiations between Britain and Spain resulted in Vancouver renaming much of what the Spanish charted. Some Spanish names were kept; the island on the north side of the channel is still called Fidalgo Island, in honor of a Spanish explorer.

But what about the much longer history of this region before white men came and conquered? A Coast Salish name for the channel is Xwchsónges, the “Gateway to the hills, interior, or inland.” You can hear the melodious pronunciation of the name here.*  

Enough about names!

Almost at sea level, 94-acre Pass Lake has a maximum depth of just 23 feet (about 6m). A pipe under the road at the south end feeds lake water into a creek that runs through the forest and empties into Bowman Bay. River otters can leave the bay, run uphill through the woods, and carefully cross the road if they want to forage in Pass Lake. (They can’t use the pipe because a cage blocks anything bigger than small fish.) I’ve only seen otters once in the lake but I’ve discovered haul-out sites (trampled grass, scat, and many bits of bones and crayfish shells) a few times while picking my way along the heavily wooded shoreline. Great blue herons, Bald eagles, Belted kingfishers, and overwintering ducks also feast on what the lake provides. I’m not sure people have as much luck. I never see the flick of a fishing line – just solitary, still, peaceful people drifting on the calm water in small, non-motorized boats. It’s catch-and-release anyway.

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At Loose Ends? Try Intentional Camera Movement

Pass Lake is part of a state park with an extensive trail system. The loop trail described above connects with a little-known trail to a truly immense Western redcedar tree and to another trail with an old mine, the ruins of a miner’s cabin, and a pleasant view across a ravine. I began exploring these trails in September 2018, a few months after moving to Fidalgo Island. From time to time I go back when I’m at loose ends or if the thick fog hovering over the lake propels me into the parking lot for the best view of the lake. The lake is a natural subject but the dense forest around it can make isolating subjects for photography very challenging. I like to experiment with intentional camera movement to simplify the landscape.

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18. Jiggling the camera just a little produced this effect.
19. The patch of grass in #7, with camera movement.

Whatever you call it, this modest lake and the healthy forest around it are a treasure. I’m sure of it because on a hot, dry day this summer when I set out with no food or water, the forest provided. I didn’t think I would be out long enough to get thirsty but within a half hour, my mouth was dry. After 45 minutes of trudging up and down hills, I was desperately scanning every leaf for something edible to chew on. Then I saw them – bright red huckleberries (Vaccinium parvifolium) dangling from pretty bushes at the side of the trail. And there was more – the last Salmonberries (Rubus spectabilis) just needed a gentle tug. Near the ground, I found Trailing blackberry vines (Rubus ursinus) that gave up a few deliciously ripe berries. The stray beams of sunlight that the forest allowed to shine had produced just enough food to slate my thirst. And make me smile.

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