It’s archive time. A string of wet, gray days prompted a look through Lightroom’s bulging files and folders. Sometimes I scroll around arbitrarily, and sometimes I think of a place or subject and type it into the keyword field. Any archive review is bound to turn up something that deserves attention and this time, photos from a 2018 trip to Los Angeles caught my eye.
Before moving on to the photos I want to mention what happened to my Lightroom catalog and workflow process over the last few days. With the expert help of Alex Kunz, my impossibly messy catalog (the result of a computer crash, a hard drive crash and years of bad organization) has been sorted out and cleaned up. It’s a new world in there! And to top it off, I’ve learned that certain habits I had, like creating virtual copies every time I edited a photo, are unnecessary. The recycle bin is full (gotta remember to empty that!) and my editing process is now quicker and easier. What a difference! Kudos to Alex, whose services I highly recommend. Whether you use Windows or Mac he can help solve problems. His rates are reasonable, he’s trustworthy, he’s thorough – and he’s also a fine photographer.
The first image here is a view of Los Angeles from the hills above it, specifically the San Gabriel Mountains, northeast of the city. It’s not an exceptional image but it sets the scene for a trip we took in October 2018 when we spent a day or so downtown, explored the hills around the city, drove out to Joshua Tree and went to the beach.
To close the door on a year – or a decade – is really a pretty abstract concept. It’s essentially a numbers game that relies on a somewhat arbitrary system of calendar organization. I’m a sensual person and I prefer to think of this time of year in sensory terms, so that’s what I’ll talk about here.
There’s a quiet cast to the light these days. You could say the sun has gotten rather introspective: less likely to light up every little corner, more apt to hide its brilliance. Almost all of December was cloudy here. The sky spat out rain now and then, and kept referring back to itself in a gray-on-gray kind of way. On a few days, towards sunset, rogue openings appeared in the cloud cover, and yielded brief but welcome drama. If the clouds thinned to reveal bits of blue, the sunlight was weak but appealingly gentle. The punch has disappeared from color, textures are flat, and a sheen of moisture-soaked air has smoothed over the worn surfaces of wood and rock.
Wet air encouraged the verdure of lichens and ferns; many are as green as Springtime. Tiny plants sprout on the forest floor too. I don’t know what species they are, but I notice two, four or more tiny leaves climbing on fragile stems toward what light there is, with great determination. Will the little plants survive? Surely the ground will freeze sometime in the next few months. We’ll see. There’s always more to learn about, much of it right at my feet.
I’m drawn these days to the edges of the island, places where I can weave in and out of the forest as I walk, investigating the detritus washed up at the last high tide, gazing out over the water to look for birds, and picking my way along forest paths among the evergreen giants. Woods and water make a fine pair for this quiet time of year.
Or Gent. Either way, if you’re American you may not get the pronunciation quite right. In this Belgian city, as in most of Flanders, the primary language is Dutch (Ghent). But French (Gent) has a presence here too, and in nearby Brussels, French is the dominant language. Many Flanders residents, especially younger people, speak Dutch, French and English, a lingual multiplicity that reflects a complex, interesting culture.
In April we traveled to northern Europe, landing in Amsterdam. We planned to spend time in the Netherlands and Germany, looking up long-lost relatives and meeting blogging friends. Why not circle round and add Belgium to the itinerary? It’s the home of Magritte, Tintin and Django Reinhardt. Its constitution guarantees freedom of language, there are weird political machinations, fine chocolate, a penchant for brilliantly self-deprecating humor…in short, it must be interesting. So I looked for a base for a few days in Belgium.
Bruges came up right away. Frankly, people talked it up so much that I was scared away – my sense was that we’d drown in a sea of tourists in Bruges, straining to see the sights. I settled on Ghent, which also has canals, Flemish architecture and fries, but is a grittier university town and sounded more to our liking. We didn’t even go to Bruges. And because of Ghent’s central location I got carried away thinking about all the places we could visit that are only a train ride away – Antwerp, Brussels, even Lille, France are all in striking range. On arrival in Ghent we studied the calendar and train schedule with more sober eyes, paring it down to a day in Antwerp, a day in Lille (I was focused on seeing France, if only a corner of it), and a day seeing Ghent. Not enough, for sure!
For our day in Ghent I zeroed in on the MSK Musuem, or the Museum voor Schone Kunsten (the Museum of Fine Arts). Along with art museums in Antwerp and Bruges, MSK is part of the Flemish Art Collection, a comprehensive collection of five centuries of Flemish art. As an American art lover who had never been to Europe (when I was young and could have scraped the money together for a trip to Europe I wasn’t interested; later, family and work conspired against it) I valued the opportunity to see an excellent museum that isn’t overwhelmingly large. Over the years I’ve spent many hours at New York City’s Metropolitan Museum, the Frick, the Met Cloisters and the Morgan Library. Each one boasts an excellent collection of European art, but it’s just not the same as viewing art inside the country where it originated. To wake up in a European medieval city, sip coffee in a corner cafe, take a tram to the museum, gaze at sumptuous artworks spanning centuries, and then wander through the old part of town and into a cathedral or cafe is to begin to tie it all together. An altarpiece is no longer an isolated piece of art and an impressionist painting gains deeper context, making a sensibility and culture that are decidedly not American a little more transparent.
So here we are at MSK. Certain things catch my eye. I have no interest in recording consensus-approved highlights; instead, I photograph museum scenes, works of art and small details that I want to remember.
For more on the fascinating Mr. van Caeckenburgh, see this article.
Panamorenko, born in 1940, died earlier this month. Another eccentric Belgian artist who explored hidden corners of the psyche, he made imaginary flying machines and other constructions which he thought of as more akin to poetry than to sculpture. We were lucky to view this huge, elaborate work in the same room at MSK where it was shown back in 1980.
AND NOW, it’s time to take a walk.
Thank you, Ghent/Gent – we hope to be back some day.
On a quiet Friday afternoon last month I traced the zigzag outline of Little Cranberry Lake on Fidalgo Island. The peaceful, mirror-like lake with its dense fringe of evergreen forest is one of my favorite places to walk. In fact, since moving to Fidalgo I’ve trampled the trails there nineteen times in sixteen months.
I wrote about Little Cranberry Lake earlier this year in a post called “Dark Places.” That day I was thinking about allowing more darkness into my photography. After presenting ten darker-than-usual images I somehow veered off into a series of photographs from Little Cranberry Lake and totally lost the thread of what I’d planned to write about. But that’s what happens with me and this park – even looking at photos of it has the effect of hijacking my brain. The walk last month was no exception; amidst mesmerizing reflections and delicate seasonal changes, once again I surrendered to my surroundings.
How places get their names is always interesting. This lake’s name puzzled me: cranberries? I didn’t think they grew here, but sure enough, I found the native Bog cranberry, Vaccinium oxycoccus, on a plant list compiled in 2000 – 2001 by the Washington Native Plant Society for Little Cranberry Lake. They must have found the plant growing on the boggy islands in the middle of the lake. I’ve gazed longingly at those small islands many times, intuiting that the plant life there must be different from the forest. I’ve never seen anyone on the islands. One of these days I will get a boat, paddle over there and see for myself.
The “Little” part of the name differentiates this park from the larger Cranberry Lake, just over the bridge on Whidbey Island. Fidalgo Island’s Little Cranberry Lake is the perfect size for a day’s outing: you can circumnavigate its shoreline on about a mile and a half (2.4km) of winding trails. More paths, some open to mountain bikes and horses, some only for hikers, wander into the hills and over to Big Beaver Pond and beyond. Narrow, rocky and rooty, the trails twist and turn, forcing you to slow down and watch where you place your feet, as scene after magical scene of enchanting evergreen forest and picturesque lake unfolds before you.
No hunting is allowed here so you might spot a beaver, or perhaps a river otter – I have found piles of cracked crayfish shells on a path by the water where an otter had a meal. The first time I came here a Bald eagle flew down the length of the lake, emitted a piercing cry and disappeared. The hoarse, nasal “cronk” of ravens often reverberates overhead while the friendly chirp of Song sparrows emanates from the underbrush. On my November walk the silence was interrupted by chickadees fretting tiny insects from the Redcedars and Douglas firs, and an occasional Douglas squirrel scolding me for intruding. A few humans passed me on the trail too. As the sun lowered, the woods darkened and the water surface grew increasingly reflective. I photographed the lake from different angles as breezes rippled its surface and water dripped from overhanging branches, patterning the lake with concentric circles. A patch of late-blooming asters nodded at the edge of the lake, their lavender flowers enchanting against the blue water; lichens, abundant in the moist, near-shore micro-climate, decorated trees with a surprising range of colors and textures.
I went back yesterday afternoon. Overcast skies darkened and spat raindrops onto the lake as I walked around it. A flock of Dark-eyed juncos called tsk-tsk as their white tail feathers flashed through the dim shrubbery. Before I knew it, the sun had set and I could barely see the trail. On went the cell phone for a bit of light on the path. I stopped for one last image: the reflection of a sinuous Madrone limb arching out over the midnight-blue water. I was almost tempted to just sit there and be with the deep blue stillness, but chilly air and thoughts of hot coffee kept me moving. There will be a next time.
There are more photographs in the Lightroom library from Little Cranberry Lake: more water reflections, wildflowers, berries, mushrooms, fire-damaged trees, lichen-clad rocks, and an odd duck or goose. Maybe I’ll get lucky and see an otter next time I walk here. If not, I’m satisfied with the beauty of the land as it is, ever changing and generous with its gift of life.
Getting a little more concrete about the “Grand Uncanny”
Several times each day water is pulled back and forth by the mingling of lunar and solar gravitational forces with the earth’s rotation. Wind, weather and even the shape of the land can play a part in these complex liquid movements that we call tides.
The most common type of tidal cycles are semi-diurnal tides. These consist of two high tides of about the same height and two low tides, also about the same height, each day. Semi-diurnal tides occur on Europe’s Atlantic coast and on America’s Atlantic coast, where I first experienced the ocean as a young girl. Our family vacationed at my maternal grandparents’ home on a coastal barrier island every spring. There, I watched migrating birds, ghost crabs and coquina clams on wide, sandy beaches with the Atlantic as a backdrop. I took the regularity of the tides for granted. We planned activities around them, like walking way out to a spit of land only accessible at low tide, or going to the dock to catch Blue crabs with baited traps at high tide. If I was at the ocean it was the Atlantic, and understanding the tides was straightforward. I just needed to visualize the smooth oscillations of high and low tides on a tide chart and remember that the peaks and troughs would hit around 45 minutes later each day.
Then I moved to the West coast. Actually, I was far from the actual coast, which was a place to visit from time to time for a change of scenery. The pounding surf, beautiful blue-green water and mammoth logs littering the shores of Washington, Oregon and California took my breath away. Amid all that drama I paid no attention to the tides. Then we moved again, this time to a small island far from the Pacific ocean but surrounded by salt water thanks to its location near the end of a long strait that is so big it’s called the Salish Sea. Living here has prompted me to get to know the tides again, but I didn’t know how complex tidal cycles can be.
The tidal cycles here are called mixed semi-diurnal tides: there are two unequal low tides and two unequal high tides each day. There are higher high tides and lower high tides, and lower low tides and higher low tides. Did you get that? Apparently mixed tides are a West coast thing, occurring from Mexico to Alaska, along the Chilean coast and in some other locations. My (east coast native) partner likes to theorize about the congruence between left coast attitudes and left coast tides. I thought all tides were as regular as the semi-diurnal ones back on the east coast, but when I look at a local tide table I see irregular waves, with peaks and troughs that vary from deep to average to almost non-existent. Here’s an example: the tide chart for December 25th, 2019.
In addition to daily tidal cycles there are spring and neap tides, which occur everywhere but which, to my mind, might make predicting tides here even more challenging. Spring and neap tides are tidal changes (also called differentials) that are bigger or smaller, depending on the moon phase. At the new and full moon the earth, moon and sun line up and their gravitational pull increases, making high tides higher and low tides lower. At the quarter moons the gravitational pull is lessened, resulting in lower high tides and higher low tides. The upshot is that tide charts are essential around here, whether you’re going fishing, want an easier time getting your kayak in the water, or are looking for Geoducks.
If you read this far you know that much more can be said about that Grand Uncanny we call the tides. Maybe I’ll write again as I learn more. For now just remember: ebb and flow, ebb and flow, ebb and flow….
Sugarloaf – the name is used a lot for peaks and promontories, but why it was given to this hill on Fidalgo Island I don’t know. At 1275 feet (389m) it’s a bit lower than the island’s highest point, Mount Erie. Neither place gets snow very often. As it happened though, the first time I hiked to Sugarloaf there were a few patches of snow on the ground. That was mid-February of this year.
The sun was shining through the trees and ferns but clouds obscured the horizon. I had taken an easier route than the one most people use. Instead of beginning the hike at the bottom I drove up the winding, two-lane road that leads to the top of Mount Erie. Part-way up the drive there’s a trailhead for Sugarloaf and room for a car or two on the side of the road. I parked there and set out, keeping a map close at hand because of the confusing maze of trails through these woods. Trail 215 is part of the Anacortes Community Forest Lands and is rated technically difficult because of numerous rocks, roots and a few steep pitches, but it’s short. I was at the top after about a half mile of winding through the forest.
The view of Whidbey Island and the San Juans was a nice reward and behind some trees, a slice of the Cascade Range was visible in the other direction. Tall, fire-blackened Douglas fir trees stood in the clearing alongside the fresh green of young Madrones. I wondered how long ago the fire came through here. How was it extinguished, so far from a water source?
I enjoyed the hike but it wasn’t until May that I got back there again, this time with a group of native plant enthusiasts. Learning about Fidalgo Island’s wildflowers was exciting. Gripped by a fever of wildflower identification, I came back three times that month, introducing friends to favorite new figures in my personal forest lexicon.
I worked at identifying flowers that were new to me, recording what I saw with the camera. When I could, I got down close for the challenging task of making photographs that were more than documents, often failing, sometimes succeeding. This kept me busy for weeks.
All of the flowers here were seen on Sugarloaf in May.
After the spring wildflower frenzy I didn’t get back up to Sugarloaf all summer. Then a few weeks ago I returned for a quiet woodland walk. I saw no one. One last flower bloomed in an opening, mushrooms lined the trail, and raindrops glistened in the bushes in the low, angled light. I amused myself with photographing tiny twigs and mushrooms.
A raven soared by and was quickly gone, riding the mountainside updrafts. I lingered to watch the sunset over the mountains, far off in the distance. By the time I was heading back down the trail, the sun had gone under and it was getting dark. Dozens of small white mushrooms growing in the fir needle duff lit up the forest gloom, like little stars showing me the way.
Yesterday I learned that Patti Fogarty had died. We hadn’t been in touch for quite a while but she was such a life force, so vividly herself, that I thought – I hoped – the news couldn’t be about her. It must be someone else – could there be another Patti Fogarty who’s a street photographer in New York? No, unfortunately, the news was about the Patti I knew.
We met online about six years ago, after following each other’s blogs. We appreciated one another’s work. Patti’s blog, “Nylon Daze” was mostly New York street photography, just the right injection of vivid energy I craved every now and then. Though I left the city very deliberately, I missed its vitality. Patti lived for life on the street, gravitating toward the wilder characters who exemplify the creative self-expression that New York encourages in people.
Lots of people do street photography but Patti approached her subject – basically all of NYC humanity – with great love, and it showed. She had a sharp eye for humor and the contradictions life presents. Replying to a comment WordPress two years ago, Patti said, “… as an immigrant living here in NY I always see America as that vast land stretching beyond the Hudson River with awe and wonder at how this crazy place works. And how can we be sure a certain POTUS doesn’t f*** it all up? There’s the doom factor!”
Our styles were very different – Patti photographed city street life, fearlessly walking up to anyone and everyone, relishing events like Pride parades, protests, and traffic-halting snowstorms. I photograph alone in the woods, mostly. I enjoy working on my photos in post processing and I like telling a story with words and text on WordPress. Patti preferred to be spontaneous, direct, emotional, in the moment. No wonder she eventually migrated to Instagram and Tumblr.
She was a true New Yorker, coming from somewhere else and falling in love with the energy of the city, like so many before her. After a trip to England she said, “Sometimes I think the best part about traveling is coming back to New York. For all it’s faults, rough edges etc I always almost want to kiss the ground once I get back here.” Always generous with praise, she encouraged people to follow their paths, wherever they lead. Once she said, “Funny isn’t it where we find our comfort zones, not looking at something but rather searching for some thing . . . “
In the spring of 2016 Patti and I finally met in person. I was in New York and we agreed to meet at the Rubin Museum, which was convenient for us both. I thought we might see the exhibit after coffee but we never got to that, launching straight into intense conversation as if we’d been friends for years. Patti asked about my camera. When I said “Here, take a look” she began shooting. I watched, fascinated. There was something physical about the way she handled the camera, without hesitation. She fiddled with the art filter settings on the camera, took some pictures, and that eventually led to this post. I came away inspired that day by Patti’s involvement with the camera as a tool, and by her direct engagement with the world.
In October, 2017, we got together one more time when I returned to the city for a visit. We met near the World Trade Center, walked around West Street, Battery City and the World Financial Center, then sat down for a snack in the plaza by North Cove Harbor. Patti was as lively and curious as ever. While we sat and talked I photographed the buildings around us, again using the in-camera filter to dramatize the scene. Patti set people at ease, even as her own restless energy charged the air.
After we parted company I prowled the streets, relishing views that I used to pass on the way home from work. I wandered down to Battery Park. There were asters blooming and Monarch butterflies flying around. A wedding party clowned for their photographer. Throughout the afternoon traces of Patti’s energy wove through my own nostalgia for New York, making for a day in the city that felt slightly bittersweet, but very much at home.
Life got busy, as it often does. Instagram, where Patti posted, frustrated me with its too-quick takes, so I seldom looked at it. Patti wasn’t visiting WordPress much either, and we fell out of touch. I feel terrible about that now, but this is life. Like a friend said, Patti’s sudden death is a stark reminder to be thankful for the days we have.
Here’s to Patti, may she live long in our memories and continue to inspire us.
Han-shan Te-ch’ing, from The Clouds Should Know Me By Now ed. Red Pine & Mike O’Conner. Wisdom Press
Who is this old image-maker
wrapped up in pristine forests and trampled leaves?
This week I took a walk in local park shortly after a band of rainy weather passed over the island. In the park a one-way, 2.3-mile road shared by foot and car traffic loops through thick forest with brief views of the water beyond. The 15mph speed limit discourages car traffic; most people walk. I like to drive part way around the loop, park at a pull-out, and take trails through the forest, which I did that afternoon. When I came back out onto the road I admired a bright spot where maple trees interrupted the evergreen parade. Pale gold leaves were falling to the ground, making soft layers in the woods, but all the leaves that had fallen on the road were trampled flat by the tires of cars. The leaves’ cells were breaking down in progressively ruined stages: just-crushed, flat and thin enough to reveal pavement bumps, becoming translucent, losing edges, skeletonized – many stages of decomposition were on display.
I wavered about photographing the leaves on the road. Part of me was drawn to the way the splayed and flattened shapes recalled graphic depictions of a maple leaf. Another part of me was repulsed by the dirty, crushed plant tissue. The textures were interesting but the colors had lost their life. I turned away, then turned back. The sun was disappearing and there was no time for second guessing. Photographers know that the phenomenon we view at any given moment won’t repeat itself: the smashed leaves at my feet would never look quite like they did that afternoon. So I made some photographs and I’m glad I did.
I’ll look for the Bigleaf maples the next time I go to the park. Whatever I find it will be different next time, and the next. That’s part of the magic of walking outdoors. I’ll also be more likely to consider the aesthetic possibilities of crushed plant material the next time I come across it. That’s part of the magic of human imagination.
About the Bigleaf Maple
We are predominantly coniferous here on Fidalgo Island but we have our share of deciduous trees, trees that are mostly golden now as they work through the annual task of releasing their leaves. A standout among our deciduous trees is the Bigleaf maple (Acer macrophyllum), a well-named tree that’s hard to miss. With the largest leaves of any maple tree, it spreads its branches wide in the forest and frequently hosts copious amounts of moss on its trunk and branches. Happiest in moist climates that don’t get too cold, it ranges up and down America’s West coast where the weather is moderate, into the mid-elevations of California’s Sierra Nevada Mountains and through coastal British Columbia.
Bigleaf maples turn yellow, gold and brown in the Fall as they cease food production and lose their chlorophyll, the photosynthetic pigment that green plants use to make energy from light. The same reduction in daylight hours that has me complaining prompts these trees to make layers of strong cells at the junction of each leaf stem and twig. The thicker cells allow weaker cells above them to break, severing the leaf from its home. The prodigious effort of food production that occupied the tree for the last six months or so is over; thousands of frail factories are floating down to the ground to gradually decompose. The process has its own intricacies; if you’re so inclined, here’s a study to about the mathematics of leaf decay from MIT.
Each spring before the leaves get started, male and female flowers share space on pretty, pendulous cascades that hang from branch tips. If there aren’t many other flowers out, the bees that visit Bigleaf maple flowers for nectar will produce a hauntingly fragrant honey. Last year I bought Bigleaf maple honey from a vendor at a farmers market and I savored every last drop until it was gone. I have to wait for another spring when I might be lucky enough to find it for sale again.
The flowers turn into winged maple seeds that ripen in the fall and are carried away by the wind for months afterwards to germinate in a moist, partially shaded spot when the time is right. A cut stem will sprout readily too. The little saplings are munched by deer and elk, birds and rodents eat the seeds, and various parts of the tree host a variety of insect life. Humans make use of the wood for furniture, veneers, musical instruments, crafts, pulp, and firewood.
The Bigleaf maple is an epiphyte paradise, gracefully supporting moss, lichens and ferns in great abundance. One study found that the trees carry an average of 78 ponds (35.5kg) of epiphyte biomass. They can actually grow small roots along epiphyte-covered branches to burrow into the rich substrate for nutrients captured from the atmosphere by the various epiphytes. Bits and pieces are always falling to the ground, enriching the soil.
These trees can live to be 300 – nothing compared to an ancient redwood, but an impressive number of seasons on earth. A photo of the biggest Bigleaf maple tree in the U.S. can be seen here. A person standing next to it makes the scale clear.
And here’s a photo of me holding an impressive leaf on a Bigleaf maple tree in July, 2012.
If you take the fastest route you can reach the little town of Ferndale, California in twelve hours from our house. Happily, we had time to spare so we took a longer route, avoiding Seattle traffic by taking a ferry to the Olympic peninsula and heading south along the scenic Hood Canal.
A ferry ride is a nice way to begin a road trip. On a cool September morning we watched two seals and a Great Blue heron fishing in the harbor while we waited for the next Coupeville – Port Townsend ferry. The heron’s successful catch was an auspicious sign for the start of our the trip.
After disembarking from the ferry we drove through Washington and Oregon, stopping for the night in a small town off Route 5. The next day it rained off and on as we wound through southwest Oregon and into California via the Redwood Highway, finally arriving in Ferndale. The two long days on the road were a bit of a slog but we were in good spirits as we settled into one of our all-time favorite airbnb’s. The cottage was stocked with fresh eggs, home made muffins, local jam, coffee, tea, chocolate and wine – how could we not feel pampered? I woke up early Monday morning to fresh, cloud-dappled skies and a rainbow.
We had a leisurely breakfast, then headed into town. Ferndale is known for being a throwback kind of place where people cherish their old-fashioned, small town way of life. The atmosphere is such that movies have been made here and the entire town is a state historic landmark. The uniqueness could have gone to town’s collective head but residents go about their business in a low-key way, keeping the town a few degrees away from preciousness.
After wandering around town we drove up to Humboldt Bay National Wildlife Refuge. This is dairy country so there was a slight delay as a herd of cows crossed the road.
At the Ma-le’l Dunes unit at Humboldt Bay NWR we hiked across an expanse of sand dunes out to the beach. It feels so good to be at the ocean when you haven’t seen it for months. I took off my shoes and socks and waded in the cold water, delighting in the small spectacle of foamy water swirling over rippled sand. All day the skies paraded towering cumulus clouds as the storm we came in on sailed out to sea.
The next day we followed a road out of town to a place on the map marked “Centerville Beach.” It turned out to be a county park, the kind where kids meet up after dark for a bonfire, and people walk their dogs unleashed and drive their trucks on the hard sand beach. To the south we saw cliffs rising steeply to grassy, rolling hills dotted with evergreens. Curious, we began walking down the broad, deserted beach towards the cliffs. There were strange rock formations along the way, things that make you wish you had a geology guide tucked in your pocket, or a handy app to consult.
Way down the beach we found a big piece of driftwood that we simply had to have. It was water-logged and very heavy. How could we get it all the way back to the car? Eureka! I found a fresh length of Bullwhip kelp, we tied it to the driftwood, and dragged it over the sand. Worked like a charm. (You’re right, I was NOT the one doing the dragging.)
Centerville Road swings past the beach and uphill into the grasslands. We wondered what was up there. On the map there didn’t seem to be much, though we imagined the ocean views had to be spectacular. Up we went, following the narrow, pot-holed road around tight curves, past deep gullies, up hills and out onto open range land. A few herds of grazing cattle and widely-spaced ranches were the only signs of humanity until we arrived at a small parking lot and trail. We hesitated to take the trail all the way down to the beach, thinking about the steep climb back up, so we ambled along the winding dirt path for a half mile. The views were breathtaking. We admired golden grasses and lingering wildflowers and wondered about animal trails tunneling through the grass. A fist-sized hunk of fur had been left on the trail next to some scat. There are mountain lions in the area. Maybe this was the site of a kill.
We spent the rest of the day exploring by car. Older wood frame homes dotted the countryside – some barely standing, others well kept. When I stopped to photograph one of them the neighbor from across the street approached us. Uh oh, I thought, here’s trouble. But no, he just wanted to offer us a few apples from his heirloom tree!
We drove through the town of Scotia, which we learned was built for loggers employed by the Pacific Lumber Company about 150 years ago. When a new owner took charge of the company in the 1980s, logging practices changed, clear-cutting for quick profit became common, and protests ensued. You may have heard about Julia Butterfly Hill’s two year sojourn living high in a 1500-year-old redwood tree to protest logging practices in the late 1990s. That tree was finally protected. During the 2008 recession the lumber company declared bankruptcy. Now the company, called Humboldt Redwood Company, is divesting itself of Scotia real estate. Logging isn’t as profitable as it once was, and running a company town no longer makes sense. What we saw was a depressed town, a busy lumber mill and an elaborate educational exhibit with live salmon, promoting the company’s efforts to preserve salmon habitat. Logging can pollute the streams where salmon reproduce; they and other animal and plant species may be threatened when timber is extracted haphazardly. On the surface the town of Scotia was calm, but protests at nearby logging sites continue.
Wednesday morning we hiked at Headwaters Forest Reserve, a preserve comprising over 7,000 acres of redwood forest which was protected in 1999, thanks to over ten years of grass roots organizing to save one of the last intact old growth forest habitats from the saw. The land had been owned by the same lumber company that founded Scotia, the town we looked at the day before. For over 100 years the family-owned company provided an important, and probably sustainable livelihood for Humboldt County residents but a hostile takeover in 1985 put the company into the hands of an outside corporation that drastically increased the timber take and violated environmental regulations. Activists rallied together to stop the company, using legal actions, protests, road blockades and campaigns. Feelings on both sides were intense enough that one activist’s car was bombed. It took years to reach an agreement in which the company was paid to hand over 7,472 acres of forest land.
Previously logged forest is slowly being restored at the reserve, where you can still see evidence of logging. One intact old growth groves is open to anyone with the energy to hike 10.5 miles (17km). Alternately visitors can make advance arrangements for a tour to another old growth grove that’s only accessible with a guide. We hope to do that next time, but our walk through the surrounding, previously logged areas was delightful.
The weather was unsettled. Light rain interrupted us a few times but the forest is thick and we weren’t bothered. The woods had a magical look that morning, especially around the South Fork Elk River, where I concentrated on photographing the ever-changing reflections of foliage in the water. (Some of those photos are in the post “Transitory States.”)
We had time after hiking at Headwaters to return to the Lost Coast Headlands via another route, Mattole Road. This remote, scenic road is described here, on a “dangerous roads” website. We went as far as Steamboat Rock. We pulled over and wandered on the deserted beach, feeling like we were indeed on a lost coast. Interesting traces of ocean life and intricate rock formations were plentiful, but this time we only pocketed a few small shells and rocks. (The photo below of Ferndale was taken when we stopped for coffee before driving to the Lost Coast.)
Our time in Humboldt County went by way too fast. Thursday we had to be to another airbnb in Waldport, Oregon, before dark and it was 6 1/2 hours away. We planned to punctuate the drive by meeting Gunta for coffee in Gold Beach. That left an hour or so for one last stop to gape at California’s redwood giants. I chose a location in Prairie Creek Redwoods State Park called Cal Barrel Road because it was on the way, easy to get to, and is home to some of the really big ones.
Steam poured off the tree trunks seventy feet over our heads as warm sunlight met cool, damp bark. It’s impossible to describe the experience of standing among these ancient beings and needless to say, photographs don’t do justice to 300-foot-tall, 1800-year-old trees. I hope you can see them someday for yourself.
Perhaps I should have broken this post up into several shorter ones. If you read all the way to the end, thank you for your patience!
These days there’s a particular kind of beauty afield. It’s a beauty shot through with darkness, one that draws energy from the forces of disintegration. Everywhere I look I’m reminded that life is cyclical, and endings are every bit as integral to life as beginnings.
If I had to compare this time of year to Spring I’d say I’m happier in the Spring, even joyful. Now, as daylight becomes scarce, a pervasive undertone of sadness is undeniable. My drive to go outdoors isn’t as strong. When I do go out though, the beauty I find rewards close attention and second looks. It’s less predictable, more complex. Colors bleed through numberless permutations, forms contort in unthinkable ways, light bends and shifts, revealing forgotten corners. If I needed reassurance that ample beauty continues in this darkening world, well, that consolation is right in front of my eyes.
In the forest I listen to the gentle plunk of leaves hitting the ground. Some don’t make it – they’re caught on branches or land on other leaves. What irony that a tree bares its branches only to receive falling leaves from higher places. The vagrant leaves may be released with the next rainstorm, or maybe they’ll spend the winter hanging by a thread.
Leaves that do reach the forest floor crunch under my feet, wafting earthy scents into the cool air. A plethora of mushrooms add to the rich aroma.