Am I the only one feeling scattered and distracted lately? Probably not.
So in keeping with being more distracted than usual, here’s a series of photos that don’t have much in common, other than the fact that most don’t seem to fit into the kinds of posts I typically publish. A few were made last year; most are recent. Some were taken inside but most, as usual, were taken outdoors.
Speaking of outdoors, we’re not completely confined to our homes here in Washington State. The governor’s edict ordering people not to leave home unless they’re participating in essential business went into effect a few days ago, but there are exceptions. One is that you may leave home to engage in outdoor exercise, such as walking, hiking, running or biking, as long as appropriate social distancing practices are used.
Common sense says don’t stray too far from home and most parks and wilderness lands are officially closed, so we do what we can. The other day we drove to a nearby preserve that is maintained jointly, by the Swinomish tribe and the Washington State Parks Commission. We knew it might be closed because state parks are closed. Also we had heard that tribal leaders are being careful, which makes sense, given the history. When we reached the preserve we were confronted with the confusing prospect of an open gate, four cars parked in the lot and a sign stating that the preserve is closed due to a storm!
We decided to chance it. Soon we passed a cheerful park ranger who greeted us and encouraged us to enjoy the day, while keeping her distance. That was both reassuring and puzzling. We found out later that though the preserve is officially closed, they’re not enforcing the closure. This is the new normal: figure it out as you go along! Happily, the few individuals and family groups that we passed were all careful about keeping their distance.
Maintaining distance from other people is easier here than it would be in the crowded suburb where we used to live, and it’s far easier than it would have been if we hadn’t moved out of New York City eight years ago. It’s really hard to go out and keep away from people when you live in a city, especially one as densely populated as New York. That’s one reason it’s now the virus epicenter of America, with more deaths from the virus in the last two weeks than from homicides all last year. People are pulling together though. Free airfare, free hotel rooms and free rental cars are being offered to health care workers who are willing to come to New York to help out. I’m sure you’ve heard stories about people stepping up in your neighborhood, too.
But let’s not dwell on the news. I hope you’re finding other ways to stay sane and healthy if you can’t get outside as often as you’d like. This pandemic is bound to last longer than we’d like, but ultimately it IS temporary – as temporary as clouds sailing through brisk March skies.
An office in town on a sunny afternoon. I’ve been preoccupied with patterns since early childhood and with shadows for 50 years or more. Samsung phone photo.
Under the dock at Bowman Bay, Deception Pass State Park. Once in a while I like to tilt the horizon. Samsung phone photo.
Budding twigs in the fog at home in March, 2019. (Processed with the antique plate filter in Silver Efex Pro).
Same day, similar subject. I came to photography as an end in itself (rather than as documentation) rather late. Right away I wanted a camera I could control, not a point and shoot, because I longed to photograph flowers and leaves closeup with a very shallow depth of field. I’ve done that thousands of times and I haven’t grown tired of it yet.
At home. A dried narcissus flower rests on a book of Japanese calligraphy. I’ve been interested in calligraphy, especially the looser, cursive style for a long time.
At home. The bright but chilly light of March reflects on the shiny surfaces of the washer and drier. Reflections! Another fascinating phenomenon that can be found everywhere.
Taking shelter in the car on a rainy afternoon in the park. In my Lightroom catalog are hundreds of photos tagged “through” because looking at something through any kind of barrier – a rainy window, a fence, a scrim of tree branches – fascinates me.
Professional tree work. A diseased Western Redcedar was determined to be dangerous and taken down. Thank fully almost all the wood was salvaged.
Looking down at a boy playing at Bowman Bay, Deception Pass State Park. People aren’t my usual subject and I encourage myself to photograph people more often. It stretches me.
A gas meter and fire hookups outside my favorite bookstore, now sadly closed. Samsung phone photo.
A potted plant and its elegant shadow are also outside the bookstore. Samsung phone photo.
At home. A small, framed piece of blue glass rests on a window sill. Outside, the Douglas fir trees stand tall and scruffy.
Last year’s rose hips at Rosario Beach, Deception Pass State Park. Another preoccupation is fine lines and flattened surfaces. I like to think of the fine lines as text.
“No Hunting or Trespassing” sign at March Point, Fidalgo Island. Sometimes I try to imagine a world without private property.
An abandoned building on Swinomish tribal land sits at the head of a bay that is full of driftwood. One piece landed right by the building, perhaps during a winter storm. I’m sure that going to school in New York in the midst of the minimal and conceptual art movements had a profound influence on me. To me this scene is like a minimalist sculpture in a well-lit gallery.
A tugboat heads towards the San Juan Islands under changeable March skies. Washington Park, Fidalgo Island.
Skies brighten as a sailboat motors through the same passage. As you might guess, I lightened this image and darkened the preceding one to emphasize the feeling I had when I took each photograph. It was an exciting day of intermittent rain squalls, and patchy, fast-moving clouds. I was glad I happened to be close to the water then, and glad too that so far, that park is not closed.
This is a story about my life, an un-still life with flowers. The title plays on a ubiquitous trope in art, the still life with flowers. Countless painters have challenged themselves with the pleasurable task of painting blooms and blossoms; a search for “Still Life with Flowers” yields a riot of results, from a lovely Odilon Redon to a dynamic Juan Gris. Flowers play a big part in my life too, but unlike a painting, my life has hardly been still. So an “un-still life with flowers” is the framework I’ll use here to convey some of the particulars of this life – a life in which plants have been a focus from as early as I can remember.
It can be said that flowers are tired, even trite subjects for the photographer as well as the painter. They’ve been done and done again. I get it. But flowers – actually all plants – are important to me. I needn’t turn my back on floral subject matter just because it isn’t terribly original. In fact, I can’t imagine turning my back on flowers, and leaves, buds, seeds, bark and the rest! Though there was a decade or so when plants faded into the background of my life, they soon reappeared as a primary focus. The thread of green that twines through my days has never completely disappeared.
So here are pieces of that story, told in installments and interspersed with photographs of flowers and plants that stopped me in my tracks, whether in gardens, wild places, markets, or at home. There are a few photographs from the old family album, too.
Somewhere in a box or a picture album there is an old black and white photo of a happy toddler squatting in the dirt, grinning broadly and pointing to emerging tulip leaves. That’s me. It’s a warm spring day in the 1950s. I am plunked down at the edge of the grass, where my mother scraped a bit of garden from the soil around our small home in rural Michigan, and I’m excited about the smell of the earth and those plucky green sprouts pushing up through the dirt. This photo symbolizes the beginning of my plant fascination and I wish I could put my hands on it, but I can’t find it anywhere. The old photo of me below gets the point across though: flowers held my rapt attention from the start.
I was a middle child, born in the mid-afternoon, in mid-May in the geographical center of Michigan’s lower peninsula, to a middle-class family. There was an older brother and in a few years, there would be a younger one. Our family had no roots in the Midwest. We landed there because of my maternal grandfather. Born into a poor Welsh coal-mining family in West Virginia, he had powerful ambitions. That, and a talent for sizing up the big picture and acting on it, took him a long way from his roots. He became a successful, self-made businessman who, by the time his children were grown, was overseeing several businesses from his office on New York City’s Park Avenue. One of them was a small chemical company in rural Michigan.
My father, a New Yorker from a hard-working, German-American immigrant family, happened to land a research position at Michigan Chemical Company right after he finished his Ph.D. in Organic Chemistry. Also working at the plant was another scientist named Pete, my uncle. But I hadn’t been born yet – not even close. Pete’s sister Helen came out one summer to work in the company office as her Dad worked to grow the business. She had just graduated college. That summer in tiny St. Louis, Michigan, Helen met Herb, they fell in love and were married before the year was out.
I began life in a place that must have felt more than a little alien to my mother, a sheltered girl from the New York suburbs, and my father, who grew up playing stickball with broomsticks on the rough-and-tumble streets of Brooklyn. They had no exposure to Midwestern ways; busy cities and suburbs were familiar territories, not acres of farmland. But for a very young child, the situation was idyllic: a little house on a hill with a few more houses nearby and a field that sloped gently away, rabbits running everywhere, fresh air, no traffic…but let my father tell it: “While St. Louis was a friendly town, it was a rural backwater, not the ideal place to raise children.” Well, that’s from the boy from Brooklyn talking.*
As idyllic as the setting seems to me now, obviously there were drawbacks. By the time I was five years old, we would relocate to a suburban home at the edge of a growing city, where schools expected more of their students, the community was more diverse and a patch of woodlands offered wildlife at the back door. But for a few years, my parents enjoyed the life they were building for their family in post-war rural America. Routines were clear-cut, whether it was housework or chemical research. They could depend on the small-town camaraderie of weekly BYOL card games with friends (bring your own liquor, sandwiches will be supplied). Herb was brilliant at ferreting out items they wanted that were scarce because of the war, like the toaster he bought on a business trip to Dayton, Ohio or the paper towel holder he found in Massachusetts. In those days he was deeply involved in improving the company’s DDT operation, which is a horrifying thought to me now. The role of chemicals in daily life was admired in mid-twentieth-century America – the negative connotations we tend to associate with many chemicals now came into the public eye later.
My father enjoyed every aspect of the analytical, practical approach of scientific research; he would rattle off names like Dichlorodiphenyltrichloroethane with the ease of an inner-city rapper. At work, he nursed chemical products though the manufacturing process and at home, he applied them to our lawn. In the early 50s, the mood in America was upbeat and the dangers of DDT weren’t as obvious as they would become later.** Rachel Carson’s Silent Spring, the book that delineated the negative effects of pesticides and was a springboard for the environmental movement, was not yet published. If my father had seen the link between the overenthusiastic application of DDT and its lethal impact on the environment when he was tasked with improving DDT efficiency and yields, what would he have done? I’m not sure.
I do know that both my parents had an abiding appreciation for the outdoors. My own deeply held views of the value of nature evolved from the foundations they laid. It’s one of the ironies of life that our family, a family that reveled in activities like forest walks and back yard birdwatching, was supported by my father’s employment in the chemical industry.
One memory from those years in Michigan hovers darkly in my emotional brain. It involves the outdoors and photography, subjects that occupy substantial portions of my life now. I was about three years old. As I played naked in the grass with a friend one summer day, my father, thinking it was cute, took a picture. When I noticed him trying to hide with his camera, I felt uncomfortable and stopped playing. Of course, he meant no harm. The picture was added to the family photo album, but as soon as I was able, I took it out and tore it into pieces. That marked the end of a certain innocence most people enjoy as very young children – the pleasure of playing outdoors with little or no clothing coming between yourself and nature. I’m sure that loss was inevitable, but it was also the beginning of a lifelong discomfort with having my picture taken. It’s no coincidence that just as I don’t like having my picture taken, I don’t often take pictures of others. Maybe that leaves me with more energy to concentrate on photographing nature.
Most of my memories from those early years are positive, centering around simple sensory pleasures. In my biased view, living in a rural setting for the first few years of life was perfect for someone who came to value nature above all else. I was lucky to be born to a family that could provide what was needed, in a country that was not at war or chronically poverty-stricken, at a time of economic and political stability. Being free from hunger and hardship meant that I had the leisure to freely experience the pleasure of my surroundings. Every detail was an opportunity for investigation – even the little dried pellets of rabbit poop I picked up were interesting!
A passion for wide-open spaces must date back to those early days too. I vividly remember the feeling of wild abandon and exultant freedom that washed over me when I raced down a huge sand dune at Sleeping Bear Dunes National Lakeshore. With the vast blue expanse of Lake Michigan below, the landscape seemed endless. That exhilarating feeling would recur many times in the following years, and I’m grateful that we stopped at the dunes that summer. We must have been driving up to a summer cabin on the lake, a place for simple pleasures like fishing for perch from the dock. Family lore has it that I was more interested in playing with the worms than fishing, but I appreciate an anecdote that illustrates a tendency to subvert propriety.
There was tragedy in those early years for my parents but they kept the pain to themselves, for better and for worse. My mother’s adored brother Pete, who had introduced her to my father and who was growing his own family a few doors away, was diagnosed with brain cancer. Though young and strong, no treatment could change the inevitable course of the disease and he died, leaving his young family, parents, and sister grieving. I don’t know how my mother coped with the loss of her only sibling; she rarely spoke about it. Her own intense pleasure in being outdoors and her love for all growing things must have helped ease the hurt. Caring for three kids under six at a time when dishes were done by hand and laundry was painstakingly hung to dry would have kept her busy, too. It must have been as distracting as a circus on some days. My father loved to recount the time when, at just over two years old, I wanted to see what he was doing up on the roof. So I climbed all the way up the ladder and continued across the shingles. He had the scare of his life when my head appeared at the peak of the roof. A neighbor was called (something that was easy back then) to help get me safely off the roof. I’m very curious. And I can be determined.
The journey from a simple delight in pretty flowers to my present interest in plants stretches through fields, forests, gardens, and conservatories, across temperate, tropical and alpine zones. That journey began in the middle of Michigan, then moved 500 miles east to Syracuse, New York.
More about that later.
*From an unpublished manuscript.
**There were a few early voices of concern about DDT. Wikipedia states that warnings were made in 1944, and again in 1947 by a doctor who lived in St. Louis, Michigan, the small town where we lived. DDT was a very important part of Michigan Chemical’s profit stream during the war years (it protected troops from malaria) and for a few years afterward. After we moved away, Michigan Chemical was bought out by Velsicol Chemical. Velsicol made fire retardants that were added to livestock feed in a damaging 1973 mix-up. High levels of DDT and other toxic chemicals lingered in the water and soil around the plant for decades – people are still warned not to eat fish taken downstream from the old plant site. The plant was shuttered in 1978, demolished in the 1980s and now the area contains four EPA Superfund sites. Dead birds were still being found with toxically high levels of a DDT derivative in their systems only six years ago.
Last week I took a walk at Kukatali Preserve, a narrow, forested peninsula that’s owned and managed jointly by the Swinomish Indian Tribal Community and Washington State Parks. The preserve reaches a long arm into a quiet bay where seals, cormorants and ducks ply waters alive with clams, crabs, oysters and more. A walk at Kukatali is always interesting, offering treasures from the forest, shoreline and bay. The photo below shows the view from the end of the peninsula on that overcast day. The bird you can barely see is a cormorant, likely the Double-crested.
We are at 48 degrees 44 minutes North so you might not expect Spring to be in evidence here, but the Salish Sea moderates temperatures and our winters are mild. Spring doesn’t have to wait for the snow to melt here at sea level. So far this year, rainfall has been abundant; the moss is green and luxurious and buds on the trees are plump. The first blossoms of the year have already opened: Indian plum’s little white bell flowers dangle from spindly branches and a few Red-flowering currant flowers are unfurling deep pink petals.
In recent weeks I’ve seen eagles sitting on their nests or hanging out next to them, apparently thinking things over. The Varied thrushes are looking handsome in their breeding outfits; Song sparrows are singing everywhere I go. Tiny insects can be seen buzzing the air too, but the landscape is still rather bare, as if the earth was holding its breath for a moment before a burst of energy. I know that’s not true though – the dance always continues on many levels, whether we see it or not.
Against this background of subtle colors and charged possibility I walked the length of Kukatali Preserve, curious to see what would present itself. I was not disappointed. Towards the end of the trail, a grassy field marks the spot where a home once stood; along the edge of the field, a haze of creamy white beckoned behind a maze of bare winter branches. It was a lovely wild Bitter cherry tree (Prunus emarginata) in full bloom, all by itself in the somber brown woods. Bitter cherry doesn’t boast the sweet pink of cultivated cherry trees – this tree’s flowers are a soft, creamy white. For a brief time in early Spring their subtle beauty graces forest edges and moist woodlands of the Pacific northwest. When they grow in the middle of the woods the puzzle of branches all around them allows only tantalizing glimpses of the delicate little flowers. It’s not easy to describe the phenomenon of walking through the winter forest and finding a blooming cherry tree, but you can bet my breath was taken away by the sight of this modest beauty, glimmering in the woods.
The Bitter cherry displays its bounty modestly, often behind a scrim of bare tree branches. Unlike that low-contrast scenario, the disparity between the nourishing beauty of my surroundings and the barrage of bad news about our earth, politics, epidemics and violence is intense enough to induce mental whiplash. This sentence from the newsletter of a local non-profit organization speaks about the painful discrepancy between the beauty we witness and the news we hear:
One of the tasks of these times, it seems, is to learn how to live in the space between unimaginable beauty and unbearable sorrow. To live without losing heart.
Driving east from where I live you can be in the foothills of the Cascade Mountain Range in under a half hour. Keep going and you’re high in the rugged Cascade Mountains. Continue over the passes and you leave the mountains behind for the dry, shrub-steppe country of eastern Washington.
The road I’m talking about is Route 20, also called the North Cascades Highway. Each winter it closes near the highest point because of avalanche danger, and it doesn’t reopen until May, or even June. You can’t follow the the road all the way over the passes now, but it’s still worthwhile to drive east on Route 20 as far as possible for some mountain scenery. That’s what we decided to do on a bright, sunny day in February.
You can read about traversing the wild Picket Range here.
The twin architects of our daily lives, time and space, occupy very different places in my mind/experience. Space is a concept I’m comfortable with; I can judge size accurately, I have a keen feeling for landscape, I relish the myriad permutations of form I come across in life. But time, that’s another matter entirely. Past present and future don’t always differentiate for me the way they seem to for other people. I am perpetually behind, I sometimes foresee what’s coming like it’s happening now, and I constantly get stuck in a mesmerizing present that puts me beyond the reach of the normal interruptions of daily life. Over the years I’ve learned to live with this mushy sense of time, and thankfully, people close to me usually tolerate the inconvenience it causes them.
Maybe my experience of malleable time and the erasure of boundaries promotes creative expression. Maybe new flowers grow in a place where time is not so fixed and the the border between now and then is smudged into oblivion.
I want to tell you something
profound about time but
I have never understood it. They say one moment
is followed by the next. No,
this morning in dim gray light
the towhee ziggs-zaggs under the feeder – a
svelte, dark shadow
and junco’s white tail feathers flit in quick arcs
between the sword fern and the bird feeder, and
my grandfather smiles gruffly at the pretty redbird,
a cardinal gracing his front yard, and the Song sparrow pours
song into the air from a wire
outside my old apartment in Hastings-on-Hudson: the same
buzz-and-trill melody, over and over, and
the chickadee’s delicate claws
precisely grasp my seed-filled ten-year-old hand and
a thin, gossamer thread, twinkling rainbow colors in an
almost-felt breeze connects
all of it, here,
The intention is for the images to convey a feeling of movement. Tempus fugit. Rushing ahead pell mell, turning back on itself in circles, the hazy fog where nothing is hitched to anything else….time is unpredictable and cannot be grasped. And at times it seems to stand still, but maybe not – as in the last photo of the German countryside seen from a speeding train car, where perhaps time is morphing into space.
A flock of birds takes off across the bay at a refuge near Seattle. The horizon is tilted and the colors are distorted for effect. f6.3, 1/80th sec. December, 2016.
Blurred Atlantic ocean water washes a bone I found on a beach many years ago. The bone is probably a dolphin scapula. From an old slide, circa 1979.
The road rushes by on Big Basin Highway, Big Basin Redwoods State Park in California. Intentional camera movement on a Samsung phone. October, 2016.
Intentional blur and intentional camera movement from a car, colors altered. Avenue of the Giants, Humboldt Redwoods State Park, CA. f4.5, 2/5 sec. April, 2018.
A Red-breasted nuthatch flies away from a suet feeder. f3.2, 1/125th sec. Not intentionally blurred but I liked the effect. June, 2016.
The scenery disappears quickly through the window of a train in the Netherlands. Intentionally blurred. f22, 1/4 sec. April, 2019.
Carp at a conservatory in Tacoma, Washington. Intentionally blurred. f20, 1 sec. November, 2017.
Flowers on my deck at home. Intentional camera movement. f5.6, 1/3 sec. September 2016.
A blowing leaf at a park, intentionally blurred. Aperture information unknown – vintage lens. 1/800 sec. February 2018.
Rushing water in a creek in the foothills of the Cascades. Intentionally blurred. f11, 1/8 sec. September, 2014.
I don’t think this doubled image happened intentionally – maybe the photograph was taken through a window, I don’t remember. f3.5, 1/320 sec. December, 2008.
The view from Goose Rock, Deception Pass State Park, Washington. Intentional camera movement. f22, 1/3 sec. February 2020.
A roadside outside of Portland, Oregon. Intentional blur and camera movement. f22, 1/8 sec. April, 2018.
Fields seen from a train traveling between Cologne and Frankfurt. The view seems static but it’s actually blurred by the train’s movement. f3.5, 1/200 sec. April, 2019.
Munsterland is in Germany, part of the North Rhine-Westphalia region which is famous for its castles and manors. Last April we stopped here to visit friends as we drove across Germany, from Cologne to Hannover. We didn’t cycle from castle to castle (a popular regional pastime) but our friends’ home is a castle in its own right, a haven where we felt secure, well cared for and enveloped in hygge. The small town we stayed in is probably like many others in the region, but wandering through the village and past the edges of farms around it was a magical experience for us. Meeting up with someone you know who lives in the place you are passing through brings a refreshing dose of reality to a journey. For a few hours you feel less like someone tasting bits and pieces, and more like someone who is connected to the culture and nourished by the landscape.*
Now, almost a year later, the brief time spent with friends in a far-away place already feels nostalgic. You’ll see that in these photos.
This is a joyfully biased tribute to a particular species of tree, the Seaside juniper (Juniperus maritima). Also called the Puget Sound juniper, this rare evergreen has a very limited range, a range that happens to include one of my favorite places, Washington Park on Fidalgo Island. I wrote about the park a few weeks ago and the first photo in the post shows a Seaside juniper at sunset.
Western science recognized this tree as a separate species only twelve years ago. In December 2007 a paper was published that described why trees then known as Rocky Mountain junipers (Juniperus scopularum) growing on and around the San Juan Islands, are actually a different species of juniper. DNA, chemical compounds, plant structure and ecology were all taken into account in determining that “my” juniper differs substantially from its Rocky Mountain cousins. Exactly how the two species diverged isn’t known for sure but (if I understand correctly) it’s theorized that juniper trees may have persisted locally through the last glaciation, near the edge of the glacier, in the present-day Olympic Mountains. Some are still found on the eastern (drier) side of the Olympics. During a warmer period between 7000 and 500BC, it is thought that the trees may have spread to rocky, thin-soiled islands in the Strait of Juan de Fuca (U.S.) and the Strait of Georgia (Canada). What is now called the Seaside juniper is found mainly in these water-influenced locations, with a few outliers in the nearby mountains.
One way or another this rather odd tree has maintained its hard-scrabble existence in very tough places for millennia. Individual trees can be quite long-lived – a study found that one tree in Washington Park (#13 below) is close to 300 years old. I was drawn to these striking trees well before I learned how rare they are and naturally, learning about them makes them even more compelling.
But in the end it’s the aesthetic characteristics that keep me coming back to these junipers. And something about standing under one of these twisted old beings, dry, pungent-smelling, tough and graceful, is profoundly nourishing to the spirit. I try to honor the tree here as well as I can, knowing that I will fall short of truly understanding this tree, even as I stand under it.
What luck that one of the most “robust populations” of Seaside junipers is in this park, where they’re protected. There are hundreds of Seaside junipers in Washington Park, but one in particular always gets the attention of visitors. It sits alone on a promontory where people typically stop and enjoy the view. Over the years countless photographs and selfies have been made here. Many initials and dates are carved in the wood and countless kids have climbed it’s branches. Mostly dead, it continues to feed itself against all odds, with one bushy green limb. The first time I visited the park I was awed by the beauty of this tree and I’ve returned again and again. One day I focused on the tree’s sinuous dead branches, creating a series of images posted here. On many occasions I’ve wandered the nearby juniper-dotted hillsides, peering at tiny blue berries, intricate gray-green lichens, tangled limbs, grand, furrowed trunks and sturdy, twisted roots. Sometimes I bring a vintage Super Takumar 50mm lens that accentuates the junipers’ gracefulness (#7,8,9,14,18). Once, I slowly lurched this way and that way as I tracked my exact coordinates with a GPS app, trying to locate a tree documented in a paper as the oldest in the park. I know the junipers have much more to reveal, and it will come slowly.
The Seaside juniper favors warmer, drier, south-facing grassy balds with relatively thin, poor soil on the edges of islands. With their ghostly gray, twisted forms, they lend a distinctive character to the south side of Washington Park. There is something admirable about these tough trees.
Juniper’s colors are subdued, like desert colors. The wood is dry, furrowed and coarse, except after it’s been dead a long time and is weathered smooth. Tiny blue berries grace branch tips and brighten the ground under the trees when they fall. The foliage is an intricate overlapping weave of fine scales, tough and dry, but fern-like in the way it filters light. I was surprised to learn that junipers have essentially two types of leaves – younger and older. Mature leaves are compressed and somewhat smooth; new leaves are spiky and sharp-pointed. This probably discourages deer browsing – young plants are easy for deer to reach so being armed with prickly leaves protects the tree, an adaptation that reminds me of the desert, where other juniper species grow.
Junipers are gymnosperms – plants without flowers. They bear seeds hidden inside cones, like pines, but juniper cones are very different. The scales are fused together into a fleshy but rather hard, berry-like structure that surrounds and protects the seed. What we call berries are actually the female cones. The male, pollen-bearing cones and female, berry-like cones are born on separate trees. It takes two to tango….
Juniper berries are used to flavor gin…I think I was losing you, but now I have your attention, right?
The juniper berriesused in mixed drinks come from the Common juniper (J. communis). A few species of juniper have toxic berries, but I don’t think the Seaside juniper’s berries are poisonous – at least nothing happened to me after eating a few. They were bitter, astringent, and reminiscent of gin (which originated in the Netherlands, one of many places where Common junipers grow). I appreciated the intensely pungent flavor, though I admit I spat out the seeds and pulp. Juniper berries are traditionally used for seasoning game. There are plenty of deer, rabbits and even quail around here but hunting on the island is forbidden. I doubt I’ll be sampling venison with juniper berries anytime soon. Maybe we’ll try them in another recipe, or experiment (carefully) with medicinal applications.
A few more juniper facts: Junipers belong to the Cypress family (Cupressaceae) which includes cedars. There are about sixty species of junipers worldwide, depending on who’s counting, with about fifteen in North America. Most of America’s junipers are in the West. They’re well adapted to dry climates and poor soils. You may have seen beautiful old junipers in the desert or the mountains, where they can be found up to 10,000 ft. above sea level. Their characteristically twisted, half-dead look is emblematic of the western landscape.
America’s western junipers aren’t always appreciated because they invade grasslands, which cattle-owners don’t like. They’re not great for lumber but are often used for fence posts or fuel. Wild birds and animals feed on the foliage and seeds and the trees can provide nesting places for rodents. I’m not sure how much our juniper is used by local animals and birds but the trees must provide a modicum of shelter, and the berries are most likely eaten by some wildlife. I know that for this human, Seaside junipers provide deeply nourishing food for the spirit.
Set into a chunky peninsula on the northwest corner of Fidalgo Island, Washington Park is a singularly beautiful place. I’ve been there thirty-odd times in the past couple of years and each time I return, I see something new, and I’m enchanted again. Here is a selection of photos from this favorite local haunt.
At 220 acres, Washington Park isn’t particularly large, but a varied habitat of saltwater shoreline, rocky bluffs and evergreen forest makes it a rewarding place to explore. From the park’s shores you might see harbor porpoises, seals, the occasional whale, oystercatchers, herons and even the elusive Marbled murrelet, which sometimes fishes near the shore. (The Marbled murrelet is an odd seabird. Back in 1974 a tree-climber found a murrelet chick high in an old tree; that was the first time Western science had found a Marbled murrelet’s nest. They may feed way out at sea and then fly up to 50 miles (80km) inland to raise their young. Their preference for old growth forests means habitat destruction is impinging on their nesting success. Foraging habits may also be negatively affected by climate change; currently the Marbled murrelet is considered endangered.)
Turning away from the water, the park’s woodlands invite scrutiny. Weather-ravaged junipers and Douglas firs command rocky headlands. Mounds of delicate, slow-growing reindeer lichens (Cladonia sp.) speckle forest openings and wildflowers that may be uncommon elsewhere bloom in the park each Spring. Deer, squirrels, and birds abound. There’s a bench by the loop road (open to walkers, bike riders and cars willing to go 10mph) with a lovely water view. It has become a favorite spot to hand-feed chickadees, sparrows, towhees and other birds. Tiny Chestnut-backed chickadees will perch on any outstretched hand with a few seeds in it; they’ve cleaned me out of nuts and seeds more than once.