After it finds its way from camera to computer, what’s next for a photo? Does it get tweaked just a little, does it go through a carefully thought-out series of changes, or does it unexpectedly morph into something quite different from the original image? Normally I don’t stray too far from the look of the original image, but for the past week I’ve been playing with a particular photo that lends itself to experimentation. Those exercises led me to make similar changes I normally might not consider to two other photos of the same subject.
The weathered, twisted juniper tree standing alone on a bluff over alternating bands of water and islands is a real beauty. I often see people taking pictures of the tree, and its wood has been carved and written on with markers dozens of times. People feel compelled to document both the tree, and their own presence on the scenic overlook. I would never deface a tree but I understand the attraction. It’s a striking sight – deeply rooted, twisted and reaching to the sky, with only a single branch remaining green. It seems that the older this tree gets, the more spectacular a sight it is. I can’t pass that spot without getting the camera out and making more photographs. In fact, you may recognize it from previous posts.
Here are three different photos of the tree that were processed to create a variety of looks. Jumping back and forth between Lightroom Classic, Color Efex Pro and Silver Efex Pro, I tweaked and slid and clicked and experimented until I ran out of ideas. Then I came back and played some more. Here are the results.
Here’s the tree from another angle, at sunset, with Burrows Island, Lopez Island and the Olympic Mountains in the distance.