They aren’t snapshots;
they don’t happen quick as a snap
of the fingers, and unlike shots,
they’re not propelled outward
in search of a target. Rather they are
Admissions of light and love.
Light that traveled 92 million miles
through vast emptiness
to filter down through clouds, bounce
around between objects, reflect off water
or rock, or the fine threads of lichens,
the fierce eyes of a hummingbird.
And with a shutter click
the light is absorbed,
into my camera and mind. The gates.
The un-snapshots are
of light and love,
love for a world so exquisite
that we drink again
1. Short-eared owl stares me down; Farm to Market Road, Edison, Washington.
2. Licorice fern fronds on the Goose Rock Perimeter trail, Deception Pass State Park.
3. Window reflections and paint swatches on a warehouse in Edison.
4. Rain in December.
5. Dried Bracken fern; Heart Lake, Fidalgo Island, Washington
6. Sword fern decomposing at Sharpe Park, Fidalgo Island.
7. Cattails and tree trunks reflect in the still water of a shallow pond at Bowman Bay; Deception Pass State Park.
8. Rainy evening in January; Edison.
9. Yellow lichens grow thickly on a damp cliff at North Beach; Deception Pass State Park.
10. Low tide at West Beach; Deception Pass State Park.
11. Driftwood on West Beach, with the San Juan Islands in the distance.
12. A resting branch frames a group of lichens, including a species of Parmelia slowly reaching across the bark like coral; West Beach.
13. Playing Santa at a small town Christmas parade; Anacortes, Washington.
14. Belgian draft horses at rest after the Christmas parade; Anacortes.
15. Roadside flooding and last summer’s Queen Anne’s Lace in the rain; Guemes Channel, March Point.
16. Dried Sword fern showing spore dots, or sori, at Sharpe Park.
17. The Granery; Edison.
18. The Granery lights; Edison.
19. Old growth canopy of moss-covered trees at Rockport State Park.
20. A tangle of trees, shrubs and ferns lit by January sun at Sharpe Park.
21. The view across Guemes Channel from March Point in the rain, from inside a car, with dried Queen Anne’s lace flowers swaying in the wind; Fidalgo Island.
22. Still life with toy ladder, clothespins and Japanese box.
23. Looking towards sunset, January 4th; North Beach.
Attributed to Hongzhi, a twelfth century Chinese Zen master:
“We all have the clear, wondrously bright field from the beginning. Many lifetimes of misunderstanding come only from distrust, hindrance, and screens of confusion that we create in a scenario of isolation.”
from Cultivating the Empty Field: The Silent Illumination of Zen Master Hongzhi, by Taigen Dan Leighton. Tuttle; 2000.