ROOTED

I’ve been thinking about trees –

what is it about trees?

It occurs to me that they’re the homo sapiens of the plant world,

upright, branches outstretched, each one different from

the next one.  Certain trees are planted deep in my memory,

yes, two maples, two tulip trees, and one big blue spruce

shade the back yard in Syracuse. A white-blossomed dogwood that I

look down upon from a bedroom window, cabbage palmettos

at my grandparents’ house with Easter eggs hidden in the old leaf bases. Dark-leaved

Japanese maples, twisted and sinewy, gracefully sprawl on the hill at Greyston. The tall

oak where the racoon family lived, the huge copper beech at Wave Hill.

Sidewalk ginkgos in New York, the fragrant linden walk at Columbia University,

the half-prostrate old willow at Juanita Bay.

I’d like to write you a poem about the trees I’ve loved, but I can only

recite their agreed-upon names, their remembered locations. I can only tell you

they are rooted in my brain, and waiting for companions which

just now, thread their way through my synapses, these

trees of my new home:

madrone, cedar, poplar, fir,

perhaps, even

saskatoon.

 

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With apologies to visitors whose primary language isn’t English,  here are excepts from two online sources about the origin of the English word, “tree.”

tree (n.)
Old English treo, treow “tree” (also “timber, wood, beam, log, stake”), from Proto-Germanic *trewam (source also of Old Frisian tre, Old Saxon trio, Old Norse tre, Gothic triu “tree”), from PIE *drew-o-, suffixed variant form of root *deru- “be firm, solid, steadfast,” with specialized senses “wood, tree” and derivatives referring to objects made of wood….The widespread use of words originally meaning “oak” in the sense “tree” probably reflects the importance of the oak to ancient Indo-Europeans.

 

And:

Etymology of tree:

The word tree derives from the the Greek word drys-drees (oak; δρυς) by changing D into T. During ancient times oak was the wood that was usually used.

From the same root:
Druid, duration, endure, durable

 

The Photos:

  1. A Madrone tree (Arbutus menziesii), also called arbutus or madrona. These striking trees have twisting branches and brightly colored, peeling bark. They’re native to the west coast, roughly from San Fransisco to Vancouver.  This one was injured long ago; it looks like a sapsucker tried his luck here. Bowman Bay, Deception Pass State Park, Fidalgo Island, Washington.
  2. More madrones lean into the light on the Lighthouse Point trail at Deception Pass State Park.
  3. Dead madrone branches can be as beautiful as live ones. Washington Park, Fidalgo Island, Washington.
  4. Even this downed giant, probably a Douglas fir, continues to support life on the beach at Bowman Bay.
  5. Along a trail at Whistle Lake, on Fidalgo Island, cedars and firs mix with a few moss-covered Bigleaf maple trees.
  6. A gracefully rooted Redcedar (Thuja plicata), its striated bark hosting a wash of pale green lichens, stands tall at Deception Pass State Park.
  7. At Bowman Bay, afternoon sunlight shines on several Saskatoon trees, creating complicated patterns of light and shade reminiscent of stained glass.
  8. A huge old Douglas fir at Heart Lake, on Fidalgo Island. The upturned, feathery branches of a Western hemlock growing directly behind it give the fir tree a celebratory air.
  9. A view through tall trees at Cranberry Lake, which, along with Heart lake and Whistle Lake, is part of the almost 2800 acres of forest lands preserved for recreational use on Fidalgo Island. Many of the trees seen here are Douglas firs. Some rusty orange leaves from Redcedar trees that are stressed because of drought can be seen on the left, along with bright green Bigleaf maple leaves and duller, pendant Douglas fir branches in the background.
  10. On a rocky, exposed bluff at Larrabee State Park, a Shore pine (Pinus contorta) holds a few green branches aloft. They may look fragile, but they must be very sturdy!
  11. Skagit Valley farms are punctuated by tall poplar trees that farmers have planted between fields. Some are very sizable specimens, like this one outside La Conner. In the background, more poplars are almost obscured by the haze of smoke from wildfires burning hundreds of miles away.
  12. Washed up into a rocky cove at Larrabee State Park, this log has been smoothed to a fine, regular pattern of tiny cracks. When you think about the long life of a tree, you may realize it goes through many, many stages, changing its appearance over and over again.
  13. An immense Douglas fir that somehow escaped logging graces the old road to Whistle lake, dwarfing the young woman running with her dog (note who carries the pack!).  As trees age, their bark develops deep furrows, not unlike our own wrinkles. The ancients are full of character.

 

 

 

Sunday in the Yard with Lensbaby

The transition from summer to fall is under way, with all its untidiness and subtle shifts of color. Looking around my new yard, which currently features brown grass, shriveling ferns and fallen leaves, I thought it was a good time for a session with the Lensbaby. I may regret the loss of early summer’s moist, bright greens, but there are other possibilities, right in front of me. I just need to think differently and work with the frizzle, not against it. Snapping on a lens that distorts the picture can be a good way to gently accept the changes.

 

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I hope you enjoy seeing through a different lens. I varied the amount of distortion and now I’m thinking that the most interesting images may be the ones with the least amount of “correct” focus. It was a good exercise. I should take the lens with me more often, when I go for walks in the woods.

If you’re not that familiar with Lensbaby, it’s a Portland, Oregon company that makes lenses which intentionally distort the scene. Typically, the lens has a “sweet spot” of clarity somewhere in the frame, and everything else is out of focus, to a greater or lesser degree.  The lenses have been around since 2004 and have gone through many iterations; these days you can buy one for your phone, too.

These lenses are not electronically connected to your camera. That means paying attention to exposure, aperture and focus, which must be set manually. For many photographers that’s nothing new, but for others it can be intimidating. Actually, it’s not a big deal after a few minutes of practice. Whatever time you may need to invest in learning a few new techniques, you will gain back in creative possibilities.

The Lensbaby I have, an older “Composer Pro with Sweet 35” is no longer made, and is a bit of an oddball. Bought on ebay, it’s made to fit a 4/3 DSLR camera, a system Olympus put out 15 years ago. That system faded away when micro 4/3 systems came into production. So my 4/3 mount lensbaby lens doesn’t fit my on camera (a micro 4/3 Olympus OM D1). Have I lost you yet?  An adapter solves the problem. They’re not too expensive, but they can make focusing a little harder if the fit isn’t perfect. The lensbaby look isn’t about super-accurate focus so I don’t lose sleep over the imperfections.

I find that because the lensbaby produces a distinct look, switching to that lens after not using it for a long time means I need to shift my perspective, i.e., see with lensbaby eyes. I might ask myself, “What subject doesn’t require tack-sharp focus and could look good with that smooth blur all around it?”  It’s about changing things up.

This little supergurrl lurking in a potted plant, she gets it.  🙂

 

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Water’s Edge: Whidbey Island

In my drafts folder there is an unfinished post with photographs taken in 2014, on Whidbey Island, Washington. I first visited Whidbey Island in October, 2011, on a fateful vacation that led to my relocating from New York City to the Pacific northwest. After moving to a suburb of Seattle in 2012, I began driving up to Whidbey and the surrounding area whenever I could, ultimately moving to neighboring Fidalgo island.

Now, on the heels of another trip to Whidbey last week, I’m going to move those photos out of the draft folder and into the light of day. I’ll include a few recent images, too.

That September day almost four years ago, a spectacular fog bank had settled in at my chosen destination, Ebey’s Landing National Historical Reserve. The park, which preserves natural and historical points of interest, is named after an early settler, Colonel Isaac Neff Ebey, who claimed land here in the mid-nineteenth century and became the first white full-time resident. Of course, well before his arrival local tribes lived here; one of the tribes (the Swinomish) that inhabited the island is now based on a reservation a few minutes from my home on Fidalgo Island.

Almost exactly 161 years ago, Colonel Ebey was killed by people from the north (it is still disputed which tribe was responsible) whose leader, along with other tribe members, had been slayed by the US military. In an 1851 letter to his brother, Ebey had written that this beautiful place seemed,

“….almost a paradise of nature. Good land for cultivation is abundant on this island. I have taken a claim on it and am now living on the same in order to avail myself of the provisions of the Donation Law. If Rebecca, the children, and you all were here, I think I could live and die here content.”

 

 

 

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The five photos above were taken on that foggy September day at Perego’s lagoon, a shallow body of water just above the high tide mark on the shore at Ebey’s Landing. In the top photo we’re looking south, with the beach on the right and the lagoon on the left. The windy beach, littered with giant driftwood logs, abuts the Salish Sea; the ocean is about a hundred miles to the west. This lagoon dries out in summer and the edges crack into plates of hard mud. Driftwood is everywhere, as are waving grasses, wildflowers, lichens and the wild edible called pickleweed, or sea beans (Salicornia pacifica), seen at the left edge of the photo below.

 

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The two photos above of driftwood shelters were taken recently at Double Bluff State Park, about 23 miles south of Ebey’s Landing, on the same side of the island.  It was a rare (for summer) overcast day when we walked the beach at Double Bluff, making the trek easier for someone like me, who’s not a fan of full-on sun. After an hour or so a narrow crack appeared in the clouds far to the south, over Seattle. The changing light cast a soft glow on the sheet draped over one driftwood shelter. It seemed the epitome of casual elegance, and in my mind, it wouldn’t have been out of place in an architectural magazine.

 

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Cloudy skies didn’t deter this cozy trio perched high on a huge glacial erratic. The boulder has likely been here for 13,000 years, since the last ice sheet retreated and left it behind, like an afterthought. In the photo above that, driftwood lies in a shallow depression on the beach. The driftwood’s swirling form, the dark shadows of fir trees, the pearly reflection of an overcast sky, and ghostly pieces of submerged wood all came together in a brooding composition that I photographed as I left the beach – sometimes, parting shots are good.

Below, A gull glides through thick fog at Ebey’s Landing.  Watching fog banks coalesce and dissolve is a good way to feel the wisdom in the saying, “The only thing that is constant is change.” (Heraclitus).  Sure enough, the fog cleared, revealing the simple form of a softly rounded bluff as it met the razor-straight horizon.

 

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Note: Some of these photos appeared in an earlier post here.

 

 

A Closer Look

We filter out a lot of information, visual and otherwise. Much of our immediate environment isn’t really seen. Simple shadows on a wall, matted grass on the ground,  the landscape as it zips past the car window, the flooring at your feet – all are worth studying.

Maybe the ceiling is holding the light in a particular way that you’ve never seen before, right now.

I may be preaching to the choir here, because I know that many people who look at this blog already pay close attention to things that others miss. Well, here’s to widening the pool of folks who care to attend to the world a bit more keenly, and here’s to questioning received wisdom and nurturing a different view. Let’s leave our preoccupations and preconceptions at the door, and simply attend to the world.

 

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The photos:

  1. These nets protect fruit trees from hungry deer and birds at the Washington State University Discovery Garden, an agricultural research center and display garden. The flowers in the display garden are eye-catching, but the nets, yes the nets, they’re interesting in and of themselves, if you really look.
  2. Behind this net are apple trees grown in the espalier style, which conserves space, can increase exposure to sun and can make picking easier. They are also at the local research center gardens.
  3. I went to a small art fair on a nearby island. Sorry to say, the art wasn’t very good, but the matted grass and old rusty bits of equipment next to the road caught my eye.
  4. The view from Mt. Erie is spectacular, taking in a lake, forests, water, and islands. (A photo of the view is towards the end of the post before this one). If you take your eyes away from the view and look around, you may find trees casting strong shadows on the rough wall of a steep rock face. You may find a lot more.
  5. Sometimes a blurred phone shot of the scenery rushing by conveys the essence of a place as nicely as a carefully composed camera image.
  6. I’m not sure why a steel plate was put down on this old wooden floor, maybe the floorboards wore through. The worn and scuffed surfaces made a satisfying composition in subdued tones.
  7. Tied up like a big present, another apple tree at the research center has turned into outdoor sculpture, in my eyes anyway.
  8. Wood fragments that might be useful someday were stacked in a corner of the artist’s yard, a perfect foil for deep summer shadows.
  9. The door to the artist’s studio was open so I strolled in. People were pulling prints, laughing, and having a great time. My eyes closed as I inhaled the nostalgic fragrance of printing ink. The glass door pane concealed, revealed and reflected, in a complex dance of what is and what might be.
  10. Barns and farm buildings race by as you drive on the flat valley roads here in Skagit County. Switch the camera to shutter priority, choose a slow speed, and with a little luck, you have an image that carries back the sense of the land floating past you.
  11. The nets again. Do we automatically want to focus on the net, or on the tree behind it? I like the idea of foregrounding the barrier that gets between us and the subject. It’s another view.
  12. The same idea again, this time at home. Focus on the window screen grid and let the tree trunks meld into the landscape. Let go of the names of things, the “shoulds” in your head. Feel the color.