I’ve been getting outdoors among the trees and taking photographs – what a change from New York! November’s somber mood is settling in here, but October’s brilliant hues are still in the grasp of recent memory. Bright color continues to accent the landscape, fading to neutral day by day.
Photographing outdoors means responding quickly to the weather and light, and the varying moods they create together. Sun breaks, rain showers, a surprise snowfall – the changes are hard to keep up with. Just as I was getting comfortable with the brilliant foliage last month, I had to jettison my expectations of working with abundant, intense color. Shifting gears, I began to think about exploring the gathering dark and ways to express the quiet beauty of a threadbare landscape.
Here is a selection of images reflecting the season’s changes, from intense color to a restrained palette of lights and darks.
These photographs were taken in and around Seattle, Washington, in the last month, using a variety of lenses and techniques. For example, the blurred leaves (#2, #10, #24) were moving because it was windy, so I went with the flow and added camera movement too, using rhythmic, horizontal pans and a slower shutter speed. Then I processed the photos to enhance the abstract feeling.
I used a phone for two photographs – #17 and #18. All processing was done in Lightroom or a combination of Color Effex or Silver Efex and Lightroom.
Seven photographs (#4, 5, 17, 23, 24, 25, 27) were taken with a vintage lens, an Asahi Pentax Super Takumar 50mm f/1.4 prime lens (what a mouthful!). I bought it online several years ago, and got an adapter to fit it onto my mirrorless camera. Made in the 1960’s, the lens has a slight golden tint (which you can remove but I chose not to) due to a Thorium coating, which makes it a wee bit radioactive, nothing to freak out about though. It has bright optics and an almost mystically smooth rendering of colors and tones. It will flare (as in #25) more than a modern lens but that can add to the artistry, so sometimes I shoot into the sun with it for that reason. It’s difficult to focus accurately (remember, the camera’s electronics aren’t connected to the lens, it’s manual focus) so there’s considerable guesswork involved, but the results can be worth having less control. Not knowing what the outcome’s going to be is part of the magic. This video demonstrates the lens.
Bellevue Botanical Garden, Bellevue, WA: #1, 6 (leaves with raindrops), 8, 15 (leaves with raindrops), 18.
Juanita Beach Park, Kirkland WA: #2, 9, 10, 22, 26.
Bloedel Reserve, Bainbridge Isalnd, WA: #3.
Juanita Bay Park, Kirkland WA: #4, 5, 23, 24, 25, 27.
Washington Park Arboretum, Seattle, WA: #6 (Camelia flower, Crab spider), 15 (Bluestem willow branches), 16, 17.
Marymoor Park, Redmond, WA: #6 (Mushroom, probably Amanita muscaria), 21.
At home on my deck, Kirkland, WA: #7, 14, 15 (snowy woods).
Moss Lake Natural Area, King County, WA: #11, 12, 13, 15 (Maple leaf), 20.
Kirkland, WA: #18.
Wright Park, Tacoma, WA: #19.