In the Garden, Rain and All

In between April showers I’ve been visiting as many public gardens as I can.  I’m not kidding about in between – it’s been so soggy that we’ve broken a hundred and twenty-two-year record for the wettest October through April (our wet period). But if you watch the forecast and the skies carefully there are breaks, and that’s when I duck out to visit a garden. The destination may be an hour’s drive or a ferry ride away, or it may be closer to home. Either way, my impromptu garden tours are pure pleasure, even if I have to drive home in a downpour and wall to wall traffic.

I avoid carrying a tripod or backpack. The camera bag with extra lenses, filters and what have you stays in the car. A Blackrapid camera strap goes over my left shoulder and across, so the camera rests at my hip by my right hand.  I find it’s the most comfortable way to carry my camera, which is a little smaller than a standard DSLR.  I have small velcro pouches on the strap that hold an extra battery and SD card. They’re lifesavers, except when you forget to resupply – oh well.

I carry one or two extra lenses in a pocket or a pouch hanging from a belt loop. A snack is always handy, too. There’s a running joke about getting me one of those many-pocketed photographer’s vests, but I’m not going down that road. I have been grateful for the hood on my sweatshirt lately though – and grateful that my camera’s weather-sealed. Eventually the incredible Seattle summer will arrive and rain won’t be a worry, but the beauty of our rainy Spring is that overcast skies often bring out the best in flowers.

Here’s an assortment of photographs taken at six different public gardens this month.

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The photographs were taken at Heronswood, the beloved garden and specialty nursery founded by plant explorer Dan Hinkley, the Kruckeberg Botanical Garden, another garden that began with the passion of a collector and grew into a nursery-cum-public garden, the University of Washington’s Center for Urban Horticulture in Seattle, Bellevue Botanical Garden, the Rhododendron Botanical Species Garden, and Powellswood, yet another garden that grew out of a private collection.

The pretty magenta and yellow nodding flowers are fawn lilies (Erythronium oregonum) which grow wild in the woods in the Pacific Northwest and are popular Spring garden plants. The photo that looks like an orchid (with dark background) is a Formosan Lady’s Slipper (Cipripedium), a hardy orchid from Taiwanese mountain forests that does well in our climate, too. The white three-petaled flower with the black beetle is a trillium (T. ovatum), a native woodland Spring flower that does well in gardens. Below it is the flower of the Akebia, an Asian ornamental vine.  The small blue flowers are Corydalis flexuosa; the blue bud is Meconopsis, the Himalaya Blue poppy. The last photo is of a Disporum, or Fairybells, probably our native species (D. smithii) at Heronswood.

I’m off to explore the “Big Empty” – a region in Oregon that is mostly range and desert, dotted with ghost towns and fossil beds. Maybe I’ll have a few desert landscapes to post when I return, and there are still desert photographs from my January trip to Arizona to post. Also, a selection of black and white garden images. Stay tuned…

Seeing Through

Though clear waters range to the vast autumn sky

How can they compare with the hazy moon on a Spring night!

Most people want to have pure clarity

But sweep as you will, you cannot empty the mind.

Keizan Zenji

from The Hazy Moon of Enlightenment by Hakuyu Taizan Maezumi and Bernard Tetsugen Glassman

pub. Zen Center of Los Angeles, 1977

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Clarity is a fine thing, but the haze,

the haze, such

beauty in the haze.

Walk with me.

We’re going back outside the greenhouse,

round the corner.

We’re looking for the place where life pushes

against hazy windows.

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Photographs from the WW Seymour Conservatory in Tacoma, WA and the greenhouse at the Kruckeberg Garden, Seattle, WA.

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Happy Earth Day!

and

here’s to a successful March for Science.

 

A Glass House

“Photography is as much a gateway to the inner world of the photographer/viewer as it is to the beauty displayed in the outer world.  A garden is a setting for having this kind of experience on multiple levels – simultaneously sensual, aesthetic and spiritual.”

Allan Mandell, Photographer

Last week I read about a Victorian style conservatory in a park about an hour south of Seattle. Glass houses, where plants thrive in close proximity and perfume the air with possibility, are among my favorite places to explore with a camera. I love the way they transform the immediate environment – it’s like taking a quick trip to a tropical paradise.

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Years ago a friend’s son got me a temporary job at the New York Botanical Garden’s Enid A. Haupt Conservatory – a dream position. I didn’t care about the grunt work hauling cuttings with a wheelbarrow through the houses, or the times my backside was riddled with cactus spines from weeding in the cactus beds. I was happy to be part of maintaining one of the grandest conservatories in the world. But I digress….

I drove down to Tacoma to check out the W.W. Seymour Botanical Conservatory. It is quite small, but lovingly cared for.  With a central dome and just two wings, the space is packed with plants. There are tall trees hung with vines, Spanish moss and other epiphytes, flower displays, and the usual suspects  –  orchids, bamboo, tree ferns, agaves, etc.  A water feature is tucked into a corner where a tinkling stream tumbles over fern-framed rocks into a dark pool.  The swirling water flashes orange and white with koi. One elegant cream-colored fish, an ogon butterfly koi, steals the show. Its sail-like fins and tail curl and eddy the water like a magician flicking his wrists.

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I decided to photograph the koi with a long shutter speed to convey the mesmerizing blur of forms and colors churning the water.

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There’s something about conservatories that always inspires me. They keep me focused on something I love – the astonishing, delightful multiplicity of plant forms.

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Bamboo provided an opportunity to experiment with intentional blur. I moved the camera in various ways, while keeping the shutter open for about a half a second.

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Leaves of the ground cover below created a tapestry pattern. I converted the photo to black and white later. Spanish moss inspired me to use an in camera filter called Key Lines – that image is pretty much straight out of the camera. Another in camera filter plus processing in LR, was used for the black and white fern photo.

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Some plants warrant a more straightforward approach.

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Spanish moss (not a moss at all, but an epiphyte member of the Bromeliaceae) is so plentiful in the conservatory that one clump was wrapped around a metal bracket to get it out of the way.  The shop has strands of it for sale!  Spanish moss still reminds me of childhood Easter vacations with my grandparents on an island off the coast of Georgia, where it grows profusely on huge old live oaks. The plant has no roots, absorbing nutrients and moisture through tiny scales on the surface of the strands. I came to love it, and brought a clump home to my apartment the last year I went to the island. I knew enough to keep it near the shower where it could have a humid environment but still, it didn’t last more than a few months. Technically, it doesn’t depend on oak trees (or telephone wires!) for anything but support and closer proximity to the light, but I think something was missing chez moi. Maybe having other plants nearby would have helped maintain more consistent humidity and temperature.  In a similar way, I think conservatory plants benefit from growing together.

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Speaking of growing, I am working on growing my camera skills and focusing my aesthetic. To that end, I’m relying on and paying more attention to the community of other photographers online, and balancing that with time alone. Also, I’m focusing on a few projects – one is a series of photos looking through windows, especially fogged up greenhouse windows.

I walked around the conservatory outside to see if there were any fogged up windows with plants close behind them (pressing against them is best).  Yes! I found a place around back where the jungle of plants pushed up against the windows.

That will be for another post, but here’s one look at the inside, from the outside.

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COFFEE: instant

With a nod to Otto von Munchow at In Flow who posts an Instagram image every Wednesday, from time to time I’ll post an Instagram photo here. This one was made yesterday in a local coffee shop. I came in from the rain after a walk in a nearby preserve and ordered a macchiato. I shot a photo of it with my phone. How many photos have you seen of coffee and food in restaurants? Way too many! The afternoon light was nice but something needed to be switched up to make it a little more interesting…

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My Instagram feed

Coming soon…a wander through a botanical conservatory.

SEEING SPRING

The wild cherries and and the plum trees are in full bloom this week. White, cream and party-pink delights are sprinkled along the roadsides near home.  On the forest floor, last season’s leaves feed the soil.

I practice different ways of seeing Spring.  The camera is part of that – when it surprises me, that too becomes part of seeing with new eyes.

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Last week I went to a new-to-me public garden and found more Magnolia leaves that were skeletonized by insects; they make wonderful subjects. The one above must not have been tasty. It will disintegrate slowly and elegantly on a bed of dried ferns.

Pattern on pattern.

 

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Purpleleaf Plum trees line streets with a haze of frothy pink flowers, held aloft by rough, angled branches.

The skin of the blossom, smooth and delicate as a baby’s; the skin of the trunk, gnarled and coarse like a grandmother.

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Plum blossoms are an important symbol in Asian culture, and in particular, in the Zen tradition. The plum tree blooms very early, directly after experiencing harsh, cold conditions. Its simple five-petaled flowers give off a subtle, lovely fragrance. The plum tree has a powerful presence, at once rough, strong, fragile, intimate. Unstoppable.

Standing quietly under the tree

Gnarled, bruised bark,

Uncountable branches laden with pale, delicate flowers.

Fallen petals underfoot,

it’s enough.

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Viewed from three stories up, the early Spring woods is a complex web of intersecting lines.

Tens of thousands of buds

pepper every branch and twig,

moss clings wet and thick.

The forest is softening.

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  1. At the Rhododendron Species Garden (about 30 minutes south of Seattle), an Asian species rhododendron leaf lies on a bed of ferns. From the garden’s website:  “The Rhododendron Species Foundation & Botanical Garden is a non-profit membership organization dedicated to the conservation, public display, and distribution of Rhododendron species. Home to one of the largest collections of species rhododendrons in the world, the garden displays over 700 of the more than 1,000 species found in the wilds of North America, Europe, and Asia, as well as the tropical regions of southeast Asia and northern Australia. Conservation has come to be of primary importance in recent years with the destruction of Rhododendron habitat in many areas of the world.”
  2. At the garden, a Magnolia leaf eaten by insects slowly disintegrates on a bed of moss.
  3. Magnolia leaf and moss.
  4. Magnolia leaves and moss.
  5. A Purpleleaf plum tree (Prunus cerasifera) near home. The Purpleleaf plum is common in and around Seattle. I thought they were Cherry trees but I just learned that they are a species of plum (in the same genus as cherries, apricots and almonds). This species was introduced to France from Persia well over a hundred years ago, and many different cultivars exist.
  6. A row of Purpleleaf plum trees glows like pink and white fizz.
  7. Purpleleaf plum blossoms.
  8. Purpleleaf plum flower with stamens full of pollen.
  9. The trees have grown into their own forms after years of neglect. Theirs is an untrammeled beauty.
  10. A softened and desaturated close-up of the woods – another way to see Spring.

 

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A selection of my photographs is available for purchase at lynn-wohlers.pixels.com.