Weekly Photo Challenge: Architecture

Jake from Manila is challenging bloggers to submit photographs of architecture this week. He has some interesting points to make about architecture, saying that architecture is to building as literature is to the printed word…that architectural structures are culturally significant and have aesthetic meaning:  architecture as social art.

Once more I can’t leave well enough alone, so I will color outside the lines a bit as I interpret the challenge.

First, an architectural gem that most anyone would agree has significance, whether they appreciate it aesthetically or not (I love it). Gehry’s IAC Building, with its subtle curves and softly banded exterior, as seen from the High Line in Manhattan:

Another Gehry building, the Experience Music Project is in Jimi Hendrix’s hometown of Seattle. Its voluptuous, undulating curves below are, according to arcspace.com, inspired in part by the image of a shattered Fender Stratocaster. And the colors are real eye candy.

More curves, this time gracefully Italianate, are on a small building whose arched windows perfectly echo curves in the landscape around it.

The Lemon House at the Tuscan Garden, Snug Harbor, Staten Island, NYC:

Another New York City Botanical Garden building, in the Bronx (New York City) is the gorgeous Enid A. Haupt Conservatory, America’s largest glass house, 110 years old this year. As beautiful outside as it is inside.

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But what about vernacular architecture? I love that just as much.

On a roadside in northwestern Arkansas, a deceptively simple looking stone house begs shade from a hot day with a corrugated metal awning, whose angle reflects the building’s roof line.

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On St. Helena Island near Beaufort, South Carolina, Spanish moss lends atmosphere to a ruin built of tabby called the Chapel of Ease. Tabby is a mixture of oyster shells, sand and lime and was used extensively in the area. Built around 1740, the chapel served plantation owners who could not always get to church in Beaufort, on the mainland. It was deserted after 1861, when residents fled from Civil War strife, and later it was used by northerners to educate freedmen. In 1886 it burned in a forest fire but much of the building still stands today. Some history of this fascinating area can be found here:

http://www.nationalregister.sc.gov/MPS/MPS033.pdf

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A barn in Adna, Washington, sports a series of angles that are dumbfounding. Why? Maybe no reason, I don’t know!

But when you view it from different sides you can appreciate the way it settles into the landscape and, I assume, fulfills its function.

and…(yes, it’s the same barn!)…

Another weathered example of vernacular architecture sits abandoned along a rural road in Wayne County, North Carolina, about halfway between Raleigh-Durham and the coast.

I think it still has a very graceful roof line.

Here’s a link to the Vernacular Architecture Forum: site http://www.vernaculararchitectureforum.org/about/index.html

And examples of vernacular architecture are here: http://www.archdaily.com/155224/vernacular-architecture-and-the-21st-century/

Going further out on an architectural limb, sometimes temporary structures also show a strong aesthetic impulse:

On Whidbey Island in Washington, someone has built a shelter from driftwood and logs that washed up on the beach.

You can’t do much better at blending with the landscape.  And look at the view from the inside:

Another beach structure, on Camano Island in Washington’s Puget Sound, really works the angles and pays close attention to surface decoration:

Angles are featured in these buildings, too, but in a context that’s a little…shinier, shall we say?

This was taken last week, on another island, on another coast.

On the left is One World Trade Center, slowly rising up near the empty square beds of the World Trade Center Towers that were destroyed on 9/11 and now mark the memorial site.  I stood next to the building on the right, across the street from the building site, so it looks taller – but it’s not.

The antenna for One World Trade Center will rise 1776 feet. Needless to say, the structure is designed around strength and durability as much as aesthetics. It’s also said to be the most environmentally sustainable project of its size in the world, with LEED Gold Certification and energy performance that exceeds code requirements by 20%. I bet the beach structures exceed local codes too.

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So there you are, from a humble beach lean on a quiet island to a Manhattan skyscraper, with a few stops in between.

More entries are at:

http://jakesprinters.wordpress.com/2012/11/17/sunday-post-architecture/


12 comments

  1. Oh I am having a lovely morning drinking my coffee and looking through your blog! Thanks so much for stopping by yesterday and leaving such thoughtful messages. I wanted to return the favor and so glad I am! Love this post and your varied architectural images and words. As I scrolled through I was like, “Oh I’ve been there! I know that building!” and your barn photos inspired me for a post I want to do this week. Is it okay if I put a link to this post? Really like Gentry’s work as well. I took a great many of Seattle’s EMP Museum both from the ground and by air. So very interesting. Also like the IAC building and how it plays so nicely off the building behind it with the windows that look like they are a Mondrian canvas! Now I want to get my camera and take photos… we got some awesome dogtrots here in the south! Thanks again. Charlotte

    • Wow, thank you so much. Please post a link; I’m honored. Yes, IAC windows are fantastic – by serendipity one day on the High Line, I was commenting with a friend on the building & a passerby asked what we thought of it, and especially the windows – turned out he had been a fabricator for them. He said (unsurprisingly) that it was a nightmarish job, so he was really pleased that it’s appreciated. I said yes, absolutely appreciated. As are your comments. I am so pleased that some photos inspired you to grab the camera.


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